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I Hate the Internet Kindle Edition
Set in the San Francisco of 2013, I Hate the Internet offers a hilarious and obscene portrayal of life amongst the victims of the digital boom. As billions of tweets fuel the city's gentrification and the human wreckage piles up, a group of friends suffers the consequences of being useless in a new world that despises the pointless and unprofitable.
In this, his first full-length novel, Jarett Kobek tackles the pressing questions of our moment. Why do we applaud the enrichment of CEOs at the expense of the weak and the powerless? Why are we giving away our intellectual property? Why is activism in the 21st Century nothing more than a series of morality lectures typed into devices built by slaves?
Here, at last, comes an explanation of the Internet in the crudest possible terms.
- LanguageEnglish
- Publication dateFebruary 9, 2016
- File size2634 KB
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Product details
- ASIN : B0198RBAGI
- Publisher : We Heard You Like Books (February 9, 2016)
- Publication date : February 9, 2016
- Language : English
- File size : 2634 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 287 pages
- Best Sellers Rank: #1,127,827 in Kindle Store (See Top 100 in Kindle Store)
- #276 in Internet Culture
- #979 in Computers & Technology (Kindle Store)
- #2,723 in Internet & Telecommunications
- Customer Reviews:
About the author
Jarett Kobek is a Turkish-American writer living in California. His novel I HATE THE INTERNET was an international bestseller, translated into nine languages, and published in twelve countries.
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My co workers are addicted to Fakebook. I'm waiting for them to develop a smart phone with tentacles that just inserts itself directly into the users brain. Preferably through his or her eyes. I've no doubt that most phone addicts wouldn't hesitate for one minute to having their device permanently attached through their eyeballs.
About a year and half ago, I was sitting in a local mall food court with my two youngest children. I had left the table to buy them whatever it was they wanted & when I returned, I sat at the table with my back to the food court. My then 14 year old daughter said, "Poppy look," as she pointed behind me. When I turned around I saw every table filled with 1, 2, 3 or 4 people, all of them on their smart phones. None of them talking to each other. I thought to myself, "wow, if I were the protagonist in a 1950s sci fi film, this would be the point where I realized that the pod people were winning."
Since I'm 54, it's not difficult maintaining my distance from social media, because I don't particularly care. In fact, being a curmudgeon is probably expected of you as you get older & become more & more invisible. Luckily I like invisibility.
Mr. Kobek's take on 21st century celebrity is also spot on. Of course, I doubt that Oprah will be extolling the virtues of this book given the author's thoughts on Beyonce. I say this because I saw an interview between those two ladies just after Beyonce's whatever year Super Bowl appearance. Oprah told Beyonce that her performance at the Bowl game was "the point where art met God."
I almost swallowed my tongue when I heard that little tidbit of utter bulls***.
My old man used to say, "If these bastards could figure out how to bottle air they'd charge us for every breath." Of course I blew this off as the rantings of a grumpy old man. Now we have Vitality Air, a Canadian company who sells bottled "mountain air" to people in China for $14-$20 a pop. Of course, I laughed so hard I didn't notice all the blood squirting from my nostrils.
Now, buy the damn book. The actual book. The one with pages & ink. Screw Kindle baby.
The book was filled with at times incoherent and too lengthy rants and, yet, inside the narratives of pretty much unrelatable characters, whom I struggled to like, I felt a sense of their existential despair that roto rooters far deeper than the common refrain of “What’s it all about, Alfie?”
The book opened up a stream of thought that maybe we lay people are being made fools of by the likes of the media Gods. He is a tell all author with no remorse!
After reading the book, I now look at the internet and social media with a more skeptical eye! I now question is the ‘everywhereness’ of God, which is one person's version of the internet, is actually ruinous, nihilistic, and insidiously destructive. Indeed for author Kobek, nothing is sacrosanct!
His is a book that serves up caustic derisiveness of the impact of social media along with a big dose of existential despair that maybe nothing really does matter after all!
Top reviews from other countries
Não podemos ser inocentes a ponto de acreditar que todos os fatos e hipóteses expostas por Kobek são reais - é tudo literatura, e a obra literária, assim como qualquer obra de arte, nunca corresponde perfeitamente a realidade -, mas o que o romance nos oferece é uma construção distanciada da realidade, de onde nós, como leitores, podemos experimentar um mundo proposto, diferente, e através dele chegarmos a termos com o nosso próprio mundo.
A ironia sutil de Jarett é uma companheira presente na maior parte das "276 páginas de mainsplaining", como descreve o próprio autor, permeando uma linguagem visivelmente próxima a encontrada em "textões de facebook". Os padrões repetitivos, as explicações banais e os desvios aparentemente sem sentido dos tópicos preenchem as páginas organizadas ao redor de alguns meses na vida de Adeline - a.k.a. M. Abrahamovic Pretrovitch, a.k.a. Marina Abramovic - uma desenhista de histórias em quadrinho vivendo em São Francisco entre 2013 e 2014, que acaba cometendo "o único pecado imperdoável do século 21". Ao lado dela, temos seus amigos, Jeremy Winterbloss (a.k.a. J. W. Bloss), J. Karacehennem (cujo sobrenome significa "Inferno Negro" em turco) e Christine (que reza para os fundadores do Google), além de diversos outros personagens que cruzam direta ou indiretamente o caminho de Adeline, ou surgem das divagações do narrador, com suas próprias subtramas e suas divagações sobre o mundo, que de alguma forma se adéquam ou corroboram os pontos de vista do narrador.
No fim, há uma conclusão curiosamente surreal para uma obra que propõe uma experiência tão ajustada a realidade, que funciona como um certo choque nos lembrando da inerente ilusão da literatura, não importa o quão realista ela nos pareça - realismo que nesse caso imita menos biografias e textos de jornais, como o realismo do século 19, e mais o ritmo e padrões dos usuários de redes sociais - é tudo uma farsa. Que de nada impede de nos fazer refletir profundamente nossa própria realidade.
And the writing style is nothing you're likely to see anywhere else. Lots of fun.