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Honolulu: A Novel Paperback – February 2, 2010
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From the bestselling author of the "dazzling historical saga" (The Washington Post), Moloka'i, comes the irresistible story of a young immigrant bride in a ramshackle town that becomes a great modern city
"In Korea in those days, newborn girls were not deemed important enough to be graced with formal names, but were instead given nicknames, which often reflected the parents' feelings on the birth of a daughter: I knew a girl named Anger, and another called Pity. As for me, my parents named me Regret."
Honolulu is the rich, unforgettable story of a young "picture bride" who journeys to Hawai'i in 1914 in search of a better life.
Instead of the affluent young husband and chance at an education that she has been promised, she is quickly married off to a poor, embittered laborer who takes his frustrations out on his new wife. Renaming herself Jin, she makes her own way in this strange land, finding both opportunity and prejudice. With the help of three of her fellow picture brides, Jin prospers along with her adopted city, now growing from a small territorial capital into the great multicultural city it is today. But paradise has its dark side, whether it's the daily struggle for survival in Honolulu's tenements, or a crime that will become the most infamous in the islands' history...
With its passionate knowledge of people and places in Hawai'i far off the tourist track, Honolulu is most of all the spellbinding tale of four women in a new world, united by dreams, disappointment, sacrifices, and friendship.
- Print length464 pages
- LanguageEnglish
- Publication dateFebruary 2, 2010
- Dimensions5.45 x 1.2 x 8.15 inches
- ISBN-100274895463
- ISBN-13978-0312606343
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“A sweeping, meticulously researched saga that sees it plucky heroine, a mistreated but independent-minded Korean mail-order bride, through the highs and lows of life in twentieth-century Hawai'i, this book extends our readers' tradition of favoring lush, flavorful historical novels.” ―Elle
“A well-researched and deftly written tale….For sheer readability, it's a hit…. Brennert has a good eye for places we can't see anymore: plantation life before the unions gained power; Chinatown when it was all tenements; Waikiki before the high-rises started going up. And it's clear he has real affection for the little people and places he so vividly brings to life. He's not just using historic Honolulu as a place to set a novel; he's bringing it to life for people who haven't had the chance to imagine it before.” ―Honolulu Star-Bulletin
“To its core, Honolulu is meticulously researched….Brennert portrays the Aloha State's history as complicated and dynamic―not simply a melting pot, but a Hawaiian-style ‘mixed plate’ in which, as Jin sagely notes, ‘many different tastes share the plate, but none of them loses its individual flavor, and together they make up a uniquely “local” cuisine.” ―The Washington Post
“Successful historical fiction doesn't just take a story and doll it up with period detail. It plunges readers into a different world and defines the historical and cultural pressures the characters face in that particular time and place. That's what Los Angeles writer Alan Brennert did in his previous novel, Moloka'i, the story of diseased Hawaiians exiled in their own land. He has done it again in "Honolulu," which focuses on the Asian immigrant experience in Hawaii, specifically that of Korean picture brides….This is a moving, multilayered epic by a master of historical fiction, in which one immigrant's journey helps us understand our nation's "becoming.” ―San Francisco Chronicle
“[A] sweeping, epic novel….Brennert weaves the true stories of early Hawaii into his fictional tale, and many of the captivating people Jin encounters are real. His depiction of the effects of the Depression is startling. Let's hope Brennert follows up this second novel with a third and continues to capture this intriguing and little-explored segment of American history in beautifully told stories.” ―Library Journal (starred review)
“[A] poignant, colorful story.” ―Kirkus Reviews
“Brennert's lush tale of ambition, sacrifice, and survival is immense in its dramatic scope yet intimate in its emotive detail.” ―Booklist
“Intriguing….Honolulu offers endless insights into a culture many readers may never have encountered, and Brennert further enlivens his tale by dropping in historical figures, some fictional, such as Charlie Chan, and some real, such as Clarence Darrow. But it is Korea that's the real focus of this story, and readers get a sympathetic feel for the daily humiliations the native population suffered from the Japanese who conquered the country….[Brennert's] smooth narrative style makes the book a pleasure to read.” ―Roanoke Times
“With skill, historic accuracy and sensitivity and a clear passion for the people and places in Hawaii, Brennert weaves a story that will move and inspire readers.” ―The Oklahoman
“In this dazzling rich, historical story, a young ‘picture bride' travels to Hawaii in 1914 in search of a better life….This intriguing novel is a fascinating literary snapshot of Hawaii during the early years of the last century. The story is compelling, poignant and powerful.” ―Tucson Citizen
About the Author
Alan Brennert is a novelist, screenwriter, and playwright. He grew up in New Jersey but moved to California in 1973. His novel Moloka’i was a national bestseller and a One Book, One San Diego selection for 2012. It also received the Bookies Award, sponsored by the Contra Costa Library, for the 2006 Book Club Book of the Year. His next novel, Honolulu, won First Prize in Elle Magazine’s Literary Grand Prix for Fiction and was named one of the best books of 2009 by The Washington Post. Of his novel Palisades Park, People Magazine said: “Brennert writes his valentine to the New Jersey playground of his youth in Ragtime-style, mixing fact and fiction. It’s a memorable ride.”
His work as a writer-producer for the television series L.A. Law earned him an Emmy Award and a People’s Choice Award in 1991. He has been nominated for an Emmy on two other occasions, once for a Golden Globe Award, and three times for the Writers Guild Award for Outstanding Teleplay of the Year.
Alan's short story"Ma Qui" was honored with a Nebula Award in 1992. His story “Her Pilgrim Soul” was adapted by Brennert himself for the Alan Menken musical Weird Romance in 1992.
His novel, Daughter of Moloka'i is a follow-up to Moloka'i that tells the story of Rachel Kalama's daughter Ruth, her early life, her internment during World War II, and her eventual meeting with her birth mother, Rachel. The novel explores the women's 22-year relationship, only hinted at it in Moloka'i.
Excerpt. © Reprinted by permission. All rights reserved.
Honolulu
A NovelBy Brennert, AlanSt. Martin's Griffin
Copyright © 2010 Brennert, AlanAll right reserved.
ISBN: 9780312606343
One
When I was a young child growing up in Korea, it was said that the image of the fading moon at daybreak, reflected in a pond or stream or even a well, resembled the speckled shell of a dragon’s egg. A dragon embodied the yang, the masculine principle of life, and it was thought that if a couple expecting a child prayed to the dragon’s egg, their offspring would be male. Of course, every family in those days desired a son over a daughter. Only men could carry on the family line; women were merely vessels by which to provide society with an uninterrupted supply of men. So every day for months before I was born, my parents would rise before dawn, carrying offerings of fresh-steamed rice cakes to the stone well behind our home, as the sky brightened and snuff ed out the stars. And they would pray to the pale freckled face of the moon floating on the water’s surface, pray that the child growing inside my mother’s womb would be a boy.
In this they were to be disappointed. On the third day of the First Moon in the Year of the Rooster, their first and only daughter was born to them. In those waning days of the Yi Dynasty, newborn girls were not deemed important enough to be graced with formal names, but were instead given nicknames. Often these represented some personal characteristic: Cheerful, Pretty, Little One, Big One. Sometimes they presumed to be commandments: Chastity, or Virtue. A few—Golden Calf, Little Flower— verged on the poetic. But too many names reflected the parents’ feelings about the birth of a daughter. I knew a girl named Anger, and another called Pity. More than a few were known as Sorrow or Sadness. And everyone had heard the story of the father who named his firstborn daughter “One is Okay,” his next, “Perhaps After the Second,” the third, “Three Laughs,” and the last, “Four Shames.”
As for me, my parents named me “Regrettable”—eventually shortened to simply Regret.
Koreans seldom address one another by their given names; we believe a person’s name is a thing of intimacy and power, not to be used casually by anyone but a family member or close friend. When I was very young, Regret was merely a name to me, signifying nothing more than that. But as I grew older and learned it held another meaning, it became a stone weight in my heart. A call to supper became a reminder of my unfortunate presence at the dinner table. A stern rebuke by my father—“Regret, what are we to do with you?”—seemed to hint that my place in the family was impermanent. Too young to understand the real reasons, I wondered what was wrong with me to make me so unwanted. Was I too short? I wasn’t as tall as my friend Sunny, but not nearly so short as her sister Lotus. Was I too plain? I spent hours squinting into the mirror, judging my every feature, and found them wanting. My eyes were set too close together, my nose was too small, or maybe it was too big; my lips were thin, my ears flat. It was clear to see, I was plain and unlovely—no wonder my parents regretted my birth.
In truth, my father was merely old-fashioned and conservative, a strict adherent to Confucian ideals, one of which was the inherent pre ce dence of man over woman: “The wife must regard her husband as heavenly; what he does is a heavenly act and she can only follow him.” I was a girl, I would eventually marry and become part of someone else’s family; as such my existence was simply not of the same consequence as that of my three brothers, who would carry on the family line and provide for our parents when they became old.
But I knew none of this when I was young, and instead decided it was due to the shape of my nose or the color of my eyes; and for years to come I would fret over and find fault with the girl who looked back at me from the mirror.
I have traveled far from the land of my birth, and even farther from who I was then. More than forty years and four thousand miles separate us: the girl of sixteen who took that fi rst unwitting step forward, and the woman in her sixtieth year who now, in sight of the vast Pacific, presumes to memorialize this journey in mere words. It is a journey measured not in time or distance, but in the breadth of one’s soul and the struggle of becoming.
Excerpted from Honolulu by Alan Brennert.
Copyright © 2009 by Alan Brennert.
Published in February 2010 by St. Martin's Press.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.
Continues...
Excerpted from Honolulu by Brennert, Alan Copyright © 2010 by Brennert, Alan. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : 0312606346
- Publisher : St. Martin's Griffin; First Edition (February 2, 2010)
- Language : English
- Paperback : 464 pages
- ISBN-10 : 0274895463
- ISBN-13 : 978-0312606343
- Item Weight : 15.3 ounces
- Dimensions : 5.45 x 1.2 x 8.15 inches
- Best Sellers Rank: #121,796 in Books (See Top 100 in Books)
- #1,505 in 20th Century Historical Fiction (Books)
- #2,264 in Family Saga Fiction
- #8,341 in Literary Fiction (Books)
- Customer Reviews:
About the author
Alan Brennert is the author of the best-selling historical novels MOLOKA'I and HONOLULU, both favorites of reading groups across the country. MOLOKA'I was a 2012 "One Book, One San Diego" selection and HONOLULU was named one of the best books of 2009 by The Washington Post. PEOPLE Magazine said of his novel PALISADES PARK, "Brennert writes his valentine to the New Jersey plaground of his youth in RAGTIME style, mixing fact and fiction. It's a memorable trip." His work on the television series L.A. LAW earned him an Emmy Award in 1991 and his short story "Ma Qui" was honored with a Nebula Award in 1992. His latest book, DAUGHTER OF MOLOKA'I, is a follow-up to MOLOKA'I that tells the story of Rachel Kalama's daughter Ruth, her early life, her internment during World War II, and her eventual meeting with her birth mother, Rachel. The novel explores the women's 22-year relationship, only hinted at it in MOLOKA'I. It will be published by St Martin's Press on February 19, 2019.
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Some have criticized Brennert for exposing some of the racism and discrimination that existed throughout the 20th century in Hawaii, but Brennert never bashes us over the head with it. In Honolulu, his first person narrarator is a fascinating Korean woman named Jin (formerly known as Regret), who comes to the islands, leaving behind the cultures and customs of her own country (customs she chafes at, including "girls'" inability to attend school) to become a "picture bride" of a Korean man who is working in the islands. Like many mail order brides, including others who accompany her on the boat to the islands, Jin's new husband is less than the stuff that dreams are made of. Removing her almost immediately from Honolulu to the plantation that he works at, his frequent bouts of temper and alcoholic stupor proving to be the norm, Regret's new husband beats her mercilessly one night and causes her to run back to the squalor of the city and to change her name to Jin.
The remainder of the novel follows her life for the next 30 years - how it intertwines with her fellow "picture brides" from the boat, how she uses her intellect and bravery to carve a new life in a land that was once bewildering. Brennert builds his characters carefully, adds detailing that helps you care about their lives, and tangles their storylines up in the events of the day.
The melting pot that is Hawaii is drawn in rich colors and textures, with small details from history woven into Brennert's story. With a sigh, in closing the cover to his second novel with great regret, I can highly recommend it to the reader who is looking for something beautifully written, that teaches while it entertains. A great sophomore effort from Alan Brennert.
The book begins in Korea, where girls have very little value. This is made abundantly clear when her parents name our protagonist Regret. Wishing to better her life and get an education, Regret becomes a "picture bride". In exchange for passage to Hawaii she agrees to marry a young Korean named Noh. Unfortunately when Regret gets to the promised land she learns she has been duped into marrying an older man, an alcoholic with a severe gambling habit and an inclination to take his anger out on his wife with his fists. Regret, now called Jin, has been taught her whole life to be subservient to men; eventually she gets the courage to run away and try to make a better life for herself.
When Jin relocates to the other side of the island she reconnects with a few other picture brides she met on her trip over from Korea. With the help of these friends, plus her own will and determination Jin begins to carve out a new life. Over the course of 40 years we follow Jin and her friends ups and downs. Brennert peppers the narrative with real life historical figures and introduces us to a land that is little more than a ramshackle town, segregated into the haves: sugar and pineapple plantation owners and the have-nots: the laborers that made them rich.
I enjoyed following Jin's journey from unwanted and unloved Regret to a life filled with many joys and sorrows, a woman who never gives up her dreams of a better life.
Although I appreciated all the research that went in the book, there was sometime a feeling of overload. In addition I found the fact that Jin was constantly meeting and befriending all of the famous personage's on the island highly unlikely. For these two reasons I dropped my rating a little; nevertheless I do recommend the book, it was a worthwhile read.
Although the author in his notes talks about "the glamour days of the 1920-1930's", we are not treated to clipper ships, elegant cruise liners,or vacationing celebrities. We are ensconsed in the tenements of the fields of pineapple plantations and in canneries, where our protagonist struggles to find a life with an abusive husband. This is the story of the seemier side of Hawaii, the struggle for survival, and the unrest between ethnic groups - the Korean, Japanese, Chinese, the white elite, and the naval personnel - during a period of growth, depression, and eventually, war. Unfortunately, the novel does not cover anything of the impact of World War II. I kept waiting for that, and was disappointed.
All in all, though, as one who has only been exposed to the high-rises, the beaches, and tourist attractions, this story, which is based largely in reality and truth, is an eye-opener. Having read Hawaii by Michener, which dealt with the missionaries who went to work on the native Hawaiians in the very early days, this book was a good follow-up.
I thoroughly enjoyed this book, and for me, it was a page-turner. The ending wrapped up a bit too neatly (and prosperously), but I'll never turn down a happy conclusion to a story. I did wince however, when Jin, our protagonist named "Regret" in Korea, said, as the last line in the book that she had no "regrets"! Ouch.
Top reviews from other countries
It is well written and I was taken back to the streets we had visited in Honolulu. Street names I didn't know I looked up and whilst reading this fiction book I found myself researching the true stories behind some of the characters. I learnt lots whilst reading a truly outstanding story. It has only made me want to return to Hawaii even more and to travel the streets in the book.
Thank you for such an amazing read; I've started Molokai next!