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Wither (Chemical Garden) Paperback – January 1, 2011
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By age sixteen, Rhine Ellery has four years left to live. A botched effort to create a perfect race has left all males born with a lifespan of 25 years, and females a lifespan of 20 years—leaving the world in a state of panic. Geneticists seek a miracle antidote to restore the human race, desperate orphans crowd the population, crime and poverty have skyrocketed, and young girls are being kidnapped and sold as polygamous brides to bear more children.
When Rhine is sold as a bride, she vows to do all she can to escape. Yet her husband, Linden, is hopelessly in love with her, and Rhine can’t bring herself to hate him as much as she’d like to. He opens her to a magical world of wealth and illusion she never thought existed, and it almost makes it possible to ignore the clock ticking away her short life. But Rhine quickly learns that not everything in her new husband’s strange world is what it seems. Her father-in-law, an eccentric doctor bent on finding the antidote, is hoarding corpses in the basement; her fellow sister wives are to be trusted one day and feared the next; and Rhine has no way to communicate to her twin brother that she is safe and alive.
Together with one of Linden's servants, Gabriel, Rhine attempts to escape just before her seventeenth birthday. But in a world that continues to spiral into anarchy, is there any hope for freedom?
- Print length384 pages
- LanguageEnglish
- PublisherSimon & Schuster Books for Young Readers
- Publication dateJanuary 1, 2011
- Grade level9 and up
- Reading age14 years and up
- Dimensions5.5 x 0.9 x 8.25 inches
- ISBN-109781442409064
- ISBN-13978-1442409064
- Lexile measureHL800L
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Editorial Reviews
Review
--TheCompulsiveReader.com
"[Rhine] proves herself to be a heroine who faces her situation with spirit and cleverness. The trapped bride and mysterious husband are straight out of Gothic romances. By stirring in elements of sheer creepiness with dystopia and the hot topic of polygamy, DeStefano creates a story that should have broad appeal."
--"School Library Journal"
"Creepy and elegant, shocking and romantic, dreadful and rewarding, and delivers unexpected twists. It'll leave you longing for book two."
--Lisa McMann, New York Times bestselling author of the WAKE trilogy and CRYER'S CROSS
"I really enjoyed Wither, I just couldn't put it down! Rhine is such an amazing main character. She is strong, passionate and determined.... Wither is nothing short of breathtaking. "
--sparkling-reviews.blogspot.com
"Lauren DeStefano crafts an all too believable future. I loved the world, the romance, the writing -- exactly the kind of book I've been craving to read."
--Carrie Ryan, New York Times bestselling author of THE FOREST OF HANDS AND TEETH
"This absorbing page-turner may remind some readers of Suzanne Collins' "Hunger Games" with its fearless heroine, sinister villain, bleak landscape and poignant romance. "Wither" is less violent but is in many ways even more terrifying as DeStefano proves herself a master of plot, setting, character and psychological suspense." --"The Buffalo News"
"This beautifully-written debut fantasy, with its intriguing world-building, well-developed characters and intricate plot involving flashbacks as well as edge-of-the-seat suspense, will keep teens riveted to the plight of Rhine and her sister wives. The compelling cover will draw them in and the cliffhanger ending will leave them eagerly awaiting volumes two and three of "The Chemical Garden Trilogy". This thought-provoking novel will also stimulate discussion in science and ethics classes."--VOYA
[A] thought-provoking debut, reminiscent of The Handmaid's Tale with a touch of Big Love . . . Rhine's fight for freedom against the clock--and the dissecting table--will leave readers eager for the sequel. Give this one to fans of The Hunger Games trilogy or Ally Condie's Matched (2010). - "KIRKUS, "February 1, 2011
A "harrowing debut . . . DeStefano has an observant and occasionally pitiless eye, chronicling the cruelties, mercies, and inconsistencies of her young characters. . . . It will be intriguing to see how DeStefano develops [the larger world] as this promising trilogy progresses."
- *PW STARRED review, January 10, 2010
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
we lose sense of our eyelids. We sleep huddled together
like rats, staring out, and dream of our bodies swaying.
I know when one of the girls reaches a wall. She begins
to pound and scream—there’s metal in the sound—but
none of us help her. We’ve gone too long without speaking,
and all we do is bury ourselves more into the dark.
The doors open.
The light is frightening. It’s the light of the world
through the birth canal, and at once the blinding tunnel
that comes with death. I recoil into the blankets with the
other girls in horror, not wanting to begin or end.
We stumble when they let us out; we’ve forgotten how
to use our legs. How long has it been—days? Hours?
The big open sky waits in its usual place.
I stand in line with the other girls, and men in gray
coats study us.
I’ve heard of this happening. Where I come from,
girls have been disappearing for a long time. They disappear
from their beds or from the side of the road. It happened
to a girl in my neighborhood. Her whole family
disappeared after that, moved away, either to find her or
because they knew she would never be returned.
Now it’s my turn. I know girls disappear, but any
number of things could come after that. Will I become
a murdered reject? Sold into prostitution? These things
have happened. There’s only one other option. I could
become a bride. I’ve seen them on television, reluctant
yet beautiful teenage brides, on the arm of a wealthy man
who is approaching the lethal age of twenty-five.
The other girls never make it to the television screen.
Girls who don’t pass their inspection are shipped to a
brothel in the scarlet districts. Some we have found
murdered on the sides of roads, rotting, staring into the
searing sun because the Gatherers couldn’t be bothered
to deal with them. Some girls disappear forever, and all
their families can do is wonder.
The girls are taken as young as thirteen, when their
bodies are mature enough to bear children, and the virus
claims every female of our generation by twenty.
Our hips are measured to determine strength, our
lips pried apart so the men can judge our health by our
teeth. One of the girls vomits. She may be the girl who
screamed. She wipes her mouth, trembling, terrified. I
stand firm, determined to be anonymous, unhelpful.
I feel too alive in this row of moribund girls with their
eyes half open. I sense that their hearts are barely beating,
while mine pounds in my chest. After so much time
spent riding in the darkness of the truck, we have all
fused together. We are one nameless thing sharing this
strange hell. I do not want to stand out. I do not want
to stand out.
But it doesn’t matter. Someone has noticed me. A
man paces before the line of us. He allows us to be prodded
by the men in gray coats who examine us. He seems
thoughtful and pleased.
His eyes green, like two exclamation marks, meet
mine. He smiles. There’s a flash of gold in his teeth, indicating
wealth. This is unusual, because he’s too young to
be losing his teeth. He keeps walking, and I stare at my
shoes. Stupid! I should never have looked up. The strange
color of my eyes is the first thing anyone ever notices.
He says something to the men in gray coats. They
look at all of us, and then they seem to be in agreement.
The man with gold teeth smiles in my direction again,
and then he’s taken to another car that shoots up bits of
gravel as it backs onto the road and drives away.
The vomit girl is taken back to the truck, and a dozen
other girls with her; a man in a gray coat follows them
in. There are three of us left, the gap of the other girls
still between us. The men speak to one another again,
and then to us. “Go,” they say, and we oblige. There’s
nowhere to go but the back of an open limousine parked
on the gravel. We’re off the road somewhere, not far
from the highway. I can hear the distant sounds of traffic.
I can see the evening city lights beginning to appear in
the distant purple haze. It’s nowhere I recognize; a road
this desolate is far from the crowded streets back home.
Go. The two other chosen girls move before me, and
I’m the last to get into the limousine. There’s a tinted
glass window that separates us from the driver. Just
before someone shuts the door, I hear something inside
the van where the remaining girls were herded.
It’s the first of what I know will be a dozen more gunshots.
I awake in a satin bed, nauseous and pulsating with sweat.
My first conscious movement is to push myself to the
edge of the mattress, where I lean over and vomit onto
the lush red carpet. I’m still spitting and gagging when
someone begins cleaning up the mess with a dishrag.
“Everyone handles the sleep gas differently,” he says
softly.
“Sleep gas?” I splutter, and before I can wipe my
mouth on my lacy white sleeve, he hands me a cloth napkin—
also lush red.
“It comes out through the vents in the limo,” he says.
“It’s so you won’t know where you’re going.”
I remember the glass window separating us from the
front of the car. Air tight, I assume. Vaguely I remember
the whooshing of air coming through vents in the walls.
“One of the other girls,” the boy says, as he sprays
white foam onto the spot where I vomited, “she almost
threw herself out the bedroom window, she was so disoriented.
The window’s locked, of course. Shatterproof.”
Despite the awful things he’s saying, his voice is low, possibly
even sympathetic.
I look over my shoulder at the window. Closed tight.
The world is bright green and blue beyond it, brighter
than my home, where there’s only dirt and the remnants
of my mother’s garden that I’ve failed to revive.
Somewhere down the hall a woman screams. The boy
tenses for a moment. Then he resumes scrubbing away
the foam.
“I can help,” I offer. A moment ago I didn’t feel guilty
about ruining anything in this place; I know I’m here
against my will. But I also know this boy isn’t to blame.
He can’t be one of the Gatherers in gray who brought
me here—he’s too young, possibly my age. Maybe he
was also brought here against his will. I haven’t heard
of teenage boys disappearing, but up until fifty years
ago, when the virus was discovered, girls were also safe.
Everyone was safe.
“No need. It’s all done,” he says. And when he moves
the rag away, there’s not so much as a stain. He pulls a
handle out of the wall, and a chute opens; he tosses the
rags into it, lets go, and the chute clamps shut. He tucks
the can of white foam into his apron pocket and returns
to what he was doing. He picks up a silver tray from
where he’d placed it on the floor, and brings it to my
night table. “If you’re feeling better, there’s some lunch
for you. Nothing that will make you fall asleep again, I
promise.” He looks like he might smile. Just almost. But
he maintains a concentrated gaze as he lifts a metal lid off
a bowl of soup and another off a small plate of steaming
vegetables and mashed potatoes cradling a lake of gravy.
I’ve been stolen, drugged, locked away in this place, yet
I’m being served a gourmet meal. The sentiment is so
vile I could almost throw up again.
“That other girl—the one who tried to throw herself
out the window—what happened to her?” I ask. I don’t
dare ask about the woman screaming down the hall. I
don’t want to know about her.
“She’s calmed down some.”
“And the other girl?”
“She woke up this morning. I think the House Governor
took her to tour the gardens.”
House Governor. I remember my despair and crash
against the pillows. House Governors own mansions.
They purchase brides from Gatherers, who patrol the
streets looking for ideal candidates to kidnap. The merciful
ones will sell the rejects into prostitution, but the
ones I encountered herded them into the van and shot
them all. I heard that first gunshot over and over in my
medicated dreams.
“How long have I been here?” I say.
“Two days,” the boy says. He hands me a steaming
cup, and I’m about to refuse it when I see the tea bag
string dangling over the side, smell the spices. Tea. My
brother, Rowan, and I had it with our breakfast each
morning, and with dinner each night. The smell is like
home. My mother would hum as she waited by the stove
for the water to boil.
Blearily I sit up and take the tea. I hold it near my face
and breathe the steam in through my nose. It’s all I can
do not to burst into tears. The boy must sense that the
full impact of what has happened is reaching me. He must
sense that I’m on the verge of doing something dramatic
like crying or trying to fling myself out the window like
that other girl, because he’s already moving for the door.
Quietly, without looking back, he leaves me to my grief.
But instead of tears, when I press my face against the
pillow, a horrible, primal scream comes out of me. It’s
unlike anything I thought myself capable of. Rage, unlike
anything I’ve ever known.
Product details
- ASIN : 1442409061
- Publisher : Simon & Schuster Books for Young Readers; Reprint edition (January 1, 2011)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 9781442409064
- ISBN-13 : 978-1442409064
- Reading age : 14 years and up
- Lexile measure : HL800L
- Grade level : 9 and up
- Item Weight : 11.3 ounces
- Dimensions : 5.5 x 0.9 x 8.25 inches
- Best Sellers Rank: #549,926 in Books (See Top 100 in Books)
- Customer Reviews:
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About the author
Lauren Destefano earned her BA in English with a Concentration in Creative Writing from Albertus Magnus College in Connecticut in 2007. This is her first novel.
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Modern science has cured all those horrible illnesses and defects that affect children. Unfortunately, it only worked for one generation. The generations that follow find themselves with a severely shortened life span before dying an agonizing death. Women live to be 20 and men to 25, and so far there has been no progress in reversing the process. This has caused many first generation people to accept babies as donations for medical experiments to find a cure. More wealthy people have started collecting wives (and usually kidnapping and buying them) in order to have as many babies as possible. This situation has created a world of orphans where young girls are kidnapped and forced to bear children they will never get to raise.
Rhine Ellery and her brother are barely scraping by, but they still do better than most kids their age. They have some food and are able to work enough to stay safe- until Rhine answers an add for work and finds herself in the back of a van with a large group of girls. She has seen other girls in her neighborhood disappear into the hands of the Gatherers, but she never thought it could happen to her. She is tossed from the van where a man makes his decision to keep three of the girls, including Rhine. Once the man leaves, the other girls are put back in the van and disposed of. The three who were chosen and spared are taken to a magnificent estate, but they have no idea where they are. They are brought to a secure wing where they have bedrooms, a sitting room, and a library. This is where Rhine and her sister wives, Jenna and Cecily, are expected to spend the rest of their days, pregnant with Master Linden's babies.
Rhine is 16, Jenna is 18, and Cecily is only 14. Cecily is the only one who is interested in being Linden's wife, as the life in the estate is better than what she experienced in the orphanage. Young and enthusiastic, she vies for Linden's attention. Jenna is the oldest, and while she despises Linden and everything he stands for (he sister was in the van of girls not chosen), she chooses to accept her fate with unwilling concession. Rhine is the only sister wife who wants to escape. She worries about her brother desperately and beings to grow attached to the young man, Gabriel, who delivers food and answers to the wives on the floor. Her feelings for Gabriel are forbidden, but she can't help but care about him.
Her biggest struggle is that she doesn't actually hate Linden. He turns out to just be a clueless, heartbroken boy, much like his new wives. Just after the wives arrive, Linden's previous wife and only true love, Rose, died in the wives wing. He has never really recovered, and only took the new wives at the urging of his father, the evil Vaughn. Vaughn has given his life over to finding the cure that will save his son, but his methods are far less than ethical. He is a horrible, vile man who is afraid to stop at nothing to help his son and find a cure, even if that means sacrificing the lives of the wives. When Vaughn finds out about Rhine's attachment to Gabriel, he takes Gabriel away. Now Rhine must find the boy she truly cares about and find a way out of the estate. But how can she do that when the estate seems like a fortress with no entrance or exit?
I loved so much about this book, it is hard to pick anything specific. The characters were dynamic and had to be peeled away layer by layer like an onion. The characters you thought you would hate turned out to be sad and broken. The ones you thought you would like were flawed. The story takes turns that you would never expect, and the mast villain, Vaughn, is so beyond evil they would have to make a new classification for him right next to Josef Mengele and President Snow of Panem from The Hunger Games. He gives me the creeps just thinking about him. The beauty of this book lies in the fantastic story telling and the haunting but beautifully written prose. This was a difficult topic to broach- forced marriages and kidnapping- but DeStefano accomplished her goal with ease.
The language is moderate, but this might be a book left for mature 9-12 grades. It has tons of discussion opportunities and can make for a great book to read with your child or student. I am thrilled by DeStefano's breakout novel and can't wait for the next book in the trilogy. We are in a stage of the YA world where young people are contributing as much as seasoned authors, and so far, the experience has been amazing! I can't wait to see what they throw out next!
This is probably more like 3.5 stars.
Wither follows the story of Rhine, who is living in a world where a disease has wiped out most of the human race, leaving only North America behind. Because of this disease, no one is able to live past the age of 20, if you're a woman, and 25, if you're a man. Rhine is forced into a marriage with two other girls for the sole purpose to produce babies, but she is finding that what she wants more than anything is freedom. Freedom from the disease. Freedom from her husband. Freedom from that mansion.
I know there are certain aspects of this book that have made people cringe. But, for me, the writing and the overall storyline made it well worth the four stars I gave. Let me start with the things that I noticed or others have pointed out to me.
In order of BIGGEST ANNOYANCE to least:
1. All of this snow that Florida can apparently create. As a resident of Florida, this made me cringe. Even if this were to take place in Northern Florida, it would be ridiculous. Perhaps there was some snowfall in Tallahassee back in 2010. I seem to remember news of it. But this was the type of snow that barely even made it to the ground because it was so cold. The snow that they talked about in Wither was somehow inches or more deep. All I could think of was, "What Florida is this?" My only reasoning was that maybe after the destruction of people (via virus), the state lines were re-done... but it was never explained to be so in the book. That bugged me.
2. Rhine never has sex. This did not make any sense. Now, I'm pretty laid back about sex in YA books. Sometimes it's unnecessary - actually, most of the time it's unnecessary. But in this case? Definitely necessary. You want me to believe that Rhine enters into a marriage which has the sole purpose to procreate and yet never has sex? I can see how DeStefano made Linden a weak man who wouldn't pressure her, but does anyone remember his father? This was not a man who cared enough about Linden, about anyone that he would sacrifice new life forms. If anything, he would have just killed Rhine, used her for scientific study, and then told Linden to move on. I don't care how anyone tries to justify this. Rhine would have been murdered or raped. The end.
3. North America is the SOLE survivor? Now, some readers may have already have read Fever and are shaking their heads at this because maybe this is explained in the second book. I took it as a projection of the character. North America is the only one they know to have survived. But if that is the case, why word it so? Why not simply say that instead of making a firm statement that North America is the only place with a population left.
4. Women dying before men. I suppose this was for plot purposes, but FYI, men die earlier than women. It's scientifically proven. It would have made more sense to have women die at age 25 and men at age 20.
I also know there are other things, such as the usage of "disease" and "virus" as one in the same and the fact that Columbus did not circumnavigate the globe. I actually didn't catch these things while reading, and I'm sort of glad I didn't or else I might have thrown the book across the room in rage. (I later saw these in other reviews). Thank God for good-story-ignorance. My rating probably would have been lower had I noticed.
Regardless, I still greatly enjoyed this book. DeStefano's prose was literally breathtaking. I read this in one sitting. She drew me in with her characterization and writing. I loved the character of Jenna and I could feel for the character of Linden. Oftentimes, I think that writing first person can greatly hinder a writer. This is because they are not able to explore any other characters than the one whose eyes the reader is seeing from. However, somehow DeStefano managed to make all of her characters seem so real and so vulnerable, even through Rhine's eyes. Because of this great characterization, I was able to look past more technical errors.
I also, personally, read books for the relationships and characterizations. I am a huge character reader dislike it when other characters are not fully developed. (Or if other characters all follow some kind of stereotype, etc). With DeStefano, the reader is able to understand a variety of personalities and view the story from different angles.
I purposely put the negative aspects first because I want you, reader of this review, to understand how I could look past some blatant errors. I would honestly recommend this to anyone. The pacing, the prose - it all made it worth it to me.
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I picked this book up because I saw a couple of reviews raving about the series and I decided that I had to check it out for myself.
I quite liked this book. I turned 20 in April and the idea that my life would be over in this book because of a virus is really kind of creepy. It's gone before you have a chance to live it! The Virus, which means that men die when they turn 25 and women when they are 20, has turned society into anarchy. Girls are snatched from the streets to be sold as brides to rich men (who normally have more than one bride) to create more children, there are many orphans and crime is at a high rate.
Rhine was one of the girls who was snatched and sold to Linden with two other sister wives, Cecily and Jenna. Her eyes are the only thing that saved her because they are two different colours (Heterechromia in the book). I liked her as a character. She was bold and quite strong considering her position. I felt like I could connect with her in some aspects of her life, but I couldn't connect with her in others. I don't feel like there was enough connection and contact between her and Gabriel to actually ship their affair. Despite the fact that Linden is clueless about the fact that he bought the snatched girls, I actually really liked him and thought that he was really sweet to her.
Linden is the clueless son of a crazy doctor. He has no idea that the girls were snatched and sold to him, he thinks they were trained and that they came willingly to him. I hate ignorance in characters and stupidity, but at the same time, I can see why he is the way that he is because his father leaves him clueless or misleads him into believing things that aren't true. I found that Linden was a fairly weak character and was a little bit of a cry baby. However, as a whole, I liked him as a character.
Housemaster Vaughn is Linden's weird dad who is trying to find a cure for the virus. He is a first generation of people who live longer, the second and further generations are those who have the virus. I am not going to lie - He creeps me out. Literally. His whole manner and attitude toward people and the things he does behind the backs of the other characters is creepy and strange and mean. He is literally a crazy doctor. He is trying to find an antidote to save his son, so you can kind of understand why he is so desperate. But this doesn't completely excuse his actions.
I liked the way in which this book was written and I am looking forward to reading the next book.
I am in dystopian trilogies, but this is not one of my favorites.
Nice if you don't have anything else to read
I purchased the hardcopy of Wither from The Works for a great price of £2.99, so a bargain price for a hardback.
The cover doesn't make much sense to me prior to reading the book. It features a girl in a very expensive looking dress. Upon reading the book you can imagine the character on the front being Rhine or even Jenna.
So this book is set in futuristic/dystopian setting. People are either very old known as "first generations" or under 20 for females and 25 for males. A virus kills females as they reach 20 years old and males when they are twenty five. So pro-creating is a prominent urgency for the reach who literally buy themselves a bride, or a few brides. People exist called Gatherers, they snatch girls from anywhere and everywhere, they are then paraded in front of the rich male, who will pick who and how many he wants.
Rhine has been captured by the Gatherers and finds herself bought and taken to Linden Ashby's mansion, where his first wife is dying of the virus. Linden chooses three girls, Rhine, Cecily who is younger than Rhine and has beautiful red hair and is very young and eager to please in any and every way. Jenna is the third girl, she was grabbed with her sisters. Her sisters are disposed of and that is something that Jenna can never forgive or forget. Jenna only gives in to what she has to when she absolutely has to.
It's a strange set up that they are living in. The first wife is dying and yet her replacements are just living down the hallway.
Rhine has only one thought on her mind.."escape" she is always looking always ready for the opportunity. Rhine desperately want to get back to her twin brother Rowan.
I really did enjoy reading this book, you really get an insight into each of the girls characters and their feelings towards the ailing first wife, each other, Linden and of course Linden's sinister, and dangerous father Vaughn.
Rhine befriends one of the "servant" Gabriel and they start planning an escape then suddenly Gabriel isn't around any more. Rhine has to work out a way to get to Gabriel to see if he is ok and finds out someone has been telling Vaughn about their friendship, so now Gabriel is in danger too. Who has told Vaughn of their friendship? Will they ever escape? Can they escape together? Where can they go? What will happen if they are caught?
Vaughn is supposed to be working on a cure for the virus...but he has been working on it for years and is unable to save the first wife. He is a very sinister, shady character who can be quite cruel and heartless even towards his own son. So does Linden know all of what his father is up to? Well you would say surely yes because they live under the same roof, Vaughn even has a lab in the house basement.
Well I have tried to give you a "feel" of the book, without giving away spoilers and I truly hope it encourages you to go out and buy it!
So did I enjoy the book? Yes. Would I recommend the book? To all dystopian fans this has to be a must read. Would I read bk#2? Yes please! Would I read more by Lauren DeStefano? Definitely would take a look at anything else wrote by her.
Wither... Depuis combien de temps je vous en parle ? Que ce soit sur Facebook ou sur le blog, je pense que les personnes qui me suivent n'ont pas pu y échapper. Depuis plusieurs mois déjà, je ne cachais pas mon désir de lire ce livre. Maintenant que c'est chose faite, je regrette de l'avoir terminé si vite. J'aurai dû m'en douter.
Et vous savez pourquoi je suis dans tout mes états là, maintenant ? Parce que Wither est spécial. C'est un roman dystopique, d'accord, mais il ouvre une nouvelle porte à ce genre littéraire. D'habitude, mes lectures ne me mènent pas dans un monde si nouveau, si puissant et si surprenant. Vous voulez sûrement savoir de quel genre d'univers je parle...
L'histoire se passe dans un monde où une maladie tue les femmes à vingt ans, et les hommes à vingt-cinq. Durant cette vie de courte durée, les femmes sont enlevées pour être forcées à des mariages polygames, à la prostitution, ou tout simplement tuées. Ces trois actions n'ont pour objectif que deux choses : permettre à l'humanité de ne pas s'éteindre ( comme les femmes tombent enceintes avec ou sans leur consentement ) et permettre de trouver des corps dans lesquels on tentera d'injecter un antidote pour éviter aux humains de disparaître totalement de la surface de la Terre.
C'est dans cet univers noir et terriblement choquant qu'on suit Rhine, une adolescente de seize qui va être enlevée et conduite dans un manoir magnifique, grand, plein de richesses. Mais comme tout dans le roman, cela n'est qu'une illusion. Rhine va être contrainte à se marier à Linden, un homme qui n'a plus que cinq ans à vivre et dont la première femme est mourante. Elle va découvrir que deux autres filles vont devenir ses "sœurs de mari". Jenna et Cecily. Elles sont respectivement âgées de dix-neuf et de ( seulement ! ) treize ans.
Au fur et à mesure de l'histoire, on va apprendre à connaître ces personnages, et à se lier à Rhine. C'est une héroïne attachante et touchante. On comprend ses sentiments et on n'hésite pas une seconde à se ranger à ses côtés.
Bien sûr, cette dernière va vite se rendre-compte du mensonge qui l'entoure, que tout n'est que tromperie et
imposture. A cause de cette révélation et surtout du fait que Rowan, le frère jumeau de Rhine qui n'est pas au courant que sa sœur a été enlevée, lui manque atrocement, Rhine va tout faire pour s'enfuir. Mais avant qu'elle ne trouve un moyen de s'échapper, elle va apprendre à vivre dans cette nouvelle et immense maison.
Durant des mois, Rhine va profiter des jardins à couper le souffle, des chambres aménagées spécialement pour elles trois, et des serviteurs qui leur sont offerts. D'ailleurs, un des élément clé de l'histoire est caché dans cette catégorie : Gabriel. C'est la personne qui va tout faire basculer. Aussi bien Rhine que nous.
Je ne vais pas vous en dire plus sur l'histoire, car elle est trop belle pour être racontée et spoilée. Elle est belle, fascinante... Je pense qu'on ne ressort pas indemne de cette lecture. Les mots parfaits pour la qualifier serait sûrement qu'elle est... Magnifiquement gênante. Gênante... Ce mot résume tout. Elle a beau être superbement écrite, on a beau comprendre tous les personnages, l'intrigue n'en reste pas moins désagréable, mais au sens difficile à lire tant on a de la peine pour les personnes que l'on suit.
Alors oui, je ne peux que vous conseiller Wither. Les pages que recèle le roman sont aussi splendides que l'image de la couverture. Chaque ligne est à délecter, à apprécier jusqu'au bout tant chaque mot sonne comme une parcelle d'espoir, de lumière dans un océan de noirceur.
Une lecture palpitante et émouvante, qui nous laisse déguster le vrai goût des rêves et de l'existence.