Mankind has a fascination with travelling to the stars and settling other planets. The desire to do this is a natural extension of historical explorers and settlers: the "discovery" and exploration of America, the settling of the old west, the manned expeditions to the moon and the unmanned exploration of Mars and the outer solar system. But we seem to have reached out limit. The laws of physics tell us we can't travel faster than light, so exploration of other solar systems is out of reach.
Of course, science fiction writers have found ways of travelling to other stars and distant galaxies for decades now. Most of those methods are either impossible (faster than light travel) or beyond our knowledge (wormholes, for example). One way that writers have gotten humanity to the stars is via the generational starship; put a bunch of travelers on a starship designed to last a very long time, let them have families and live their lives as normally as they can until they get to their destination, then settle the planet and voila, humanity has expanded into the galaxy. There are any number of novels that have variations on this story, but in the end, humanity gets there and survives.
Kim Stanley Robinson's latest novel AURORA is a generational starship novel, but it's different from any other I've read. AURORA starts out with the ship just a few years away from its destination, Tau Ceti. The ship is showing signs of wear, and it will have some trouble making it there according to the ship's chief engineer Devi. As planetfall gets near, we follow the life of Devi's daughter Freya as she grows up and discovers what it means to live on a generational starship. We learn, through Devi's eyes, as well as the eyes of Ship, the story's narrator, that failures are occurring all over the ship, happening faster than they can be repaired. And they are not just mechanical problems; there are biological, sociological, and environmental issues. Eventually the ship reaches the Tau Ceti system, and a moon is selected for settlement. Not long after, things go wrong - very wrong. How the travelers deal with the problems that arose as a result of landing on that particular moon is really the meat of the book
AURORA certainly is a generational starship story, but it's like none I've read before. Robinson is sending a message with this book, and it's not a pleasant one, especially for a race of people that want to leave the womb and go to the stars. The message is that it's very hard to do, probably impossible. The traditional generational starship story usually is one that has a positive ending - humanity travels great distances, gets where it wants to go, lands on a planet, and settles the planet. Then of course you have the endless sequels that tells what happens to those settlers. But hold that thought for a moment.
Robinson has made it very clear in interviews, articles, and other books he's written that infodumps are essential to a science fiction story, even at the expense of characterization which has become so important, especially in modern day science fiction. The first half or so of the book develops Freya's character so that we understand her actions later on. The second half of the book is almost devoid of the same kinds of characterization. Character interactions, when there are any, are used to allow Robinson to go into high infodump mode. And the message of all that infodumping is that travel to the stars is extremely difficult, if not impossible. Robinson is not afraid to tell us, in something excruciating detail, how the universe works and how it really is working against you.
Robinson is telling us that no matter how much planning is done for a long range interstellar mission, it's not all going to go the way the plan says it's going to go. There will be mechanical failures: Things will break, unexpectedly wear out, or just not work the way they are expected to. Some bacteria will creep in somehow, somewhere, and kill the crops and animals that the settlers are depending on for food. People will become unhappy with their situation. Those volunteers that left the solar system six generations prior to the start of the story were okay with being thrown into the unknown. Those that were born into it on the trip didn't ask for their situation - it was thrust upon them. They don't like mandated population control, or the biome in which they live. When pressed for a decision after the incident on the moon they landed on arose, there was dissension and disagreement as to how to handle it, and violence resulted - just like back on Earth. It's not clear that makeshift solutions to unforeseen problems will work as there is no precedent.
There is more, much more, but I could be venturing into spoiler territory if I go too much further. It seems that what Robinson is telling us is that maybe, just maybe, we ought to take care of the planet we have, because it's going to be difficult to leave and go elsewhere. The unknown may be exhilarating and exciting, but it can also be terrifying (there, I've managed to say something about the latter part of the book without actually spoiling anything). We don't know it all, we can't know it all, and we can't plan for it all.
With regard to sequels, I think Robinson has been somewhat sneaky with AURORA. Unless you blink and therefore miss it, AURORA takes place in the same universe as 2312 (which may be in the same universe as his award winning Mars trilogy). There are a few references to things that we know about from 2312 that put this story in that setting. If you squint a bit I suppose, then, that you could call this a sequel to 2312. However, it also seems clear that if he wants to, Robinson can write a sequel to AURORA based on the events surrounding the events that occurred at Tau Ceti. It would be interesting to read that book if it ever comes about.
AURORA is a fine novel, one of the best, along with NEMESIS GAMES, that I read from 2015, and in my opinion is superior to 2312. You may not like what it is telling you, but it certainly is a fascinating and different look at the generational starship story.
Ali Ahn is an adequate narrator for the book, and she fits because AURORA is narrated by Ship, who has a female persona. An awful generalization, but one that I'm going to make because it suits the situation, is that there is one type of bad narrator, one type of good narrator, and then there's the adequate type of narrator. The bad one is the one that jars you out of the story for any number of reasons. A narrator should allow you to immerse yourself into the story without kicking you out of it. It's hard to describe the best kind of narrator (but I'll try anyway), which would be one that gets the characters right, the voices right, and brings emotion to the work. Ali Ahn is the adequate kind of narrator - the one you don't notice one way or another, who does not kick you out of the story but doesn't knock it out of the park, either. Whether that is actually good or not is up to the listener, but that works for me, and that's what Ali Ahn brought to AURORA.
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Reviews with images
Another winner
Excellent visual writing. I wish the end had gone a bit further. I can see Aurora.
Top reviews from other countries
Mr M Chipppington
Goddess of the dawn
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