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Left You Dead (Detective Superintendent Roy Grace, 17) Paperback – October 14, 2021
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Detective Superintendent Roy Grace, creation of the CWA Diamond Dagger award-winning author Peter James, faces his most engrossing case yet in Left You Dead.
Niall and Eden Paternoster start their Sunday the same way they always do – with a long drive, a visit to a country house and a quick stop at the local supermarket on the way home.
But this Sunday ends differently – because while Niall waits and waits in the car park for Eden to pick up supplies, Eden never returns. She’s not waiting for him at home, and none of their family or friends have heard from her.
Gone without a trace, Niall is arrested on suspicion of her murder. When DS Roy Grace is called in to investigate, it doesn’t take long to realize that nothing in this case is quite as it seems . . .
Left You Dead is the seventeenth thrilling crime novel in the Roy Grace series. Enjoy more of the Brighton detective’s investigations with Dead Simple, Looking Good Dead and Not Dead Enough.
Now a major BRITBOX TV series starring John Simm.
'One of James’s most emotionally engaging books' – Mirror
- Print length512 pages
- LanguageEnglish
- PublisherPan
- Publication dateOctober 14, 2021
- Reading age18 years and up
- Dimensions5.15 x 1.2 x 7.7 inches
- ISBN-101529004268
- ISBN-13978-1529004267
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From the Publisher
Editorial Reviews
Review
“One of James’s most emotionally engaging books” ―The Mirror
“Peter James has penetrated the inner workings of police procedures, and the inner thoughts and attitudes of real detectives, as no English crime writer before him. His hero, Roy Grace, may not be the most lively cop, nor the most damaged by drink, weight or misery, but he’s one of the most believable” ―The Times
“James just gets better and better and deserves the success he has achieved with this first-class series” ―Independent on Sunday
“Meticulous research gives his prose great authenticity . . . James manages to add enough surprises and drama that by the end you’re rooting for the police and really don’t know if they will finally get their men” ―Sunday Express
About the Author
Peter James is a UK number one bestselling author, best known for writing crime and thriller novels, and the creator of the much-loved Detective Superintendent Roy Grace, now a major ITV series. Globally, his books have been translated into thirty-seven languages and have sold 21 million copies.
Synonymous with plot-twisting page-turners, Peter has garnered an army of loyal fans throughout his storytelling career – which also included stints writing for TV and producing films. He has won over forty awards for his work, including the WHSmith Best Crime Author of All Time Award, Crime Writers' Association Diamond Dagger and a BAFTA nomination for The Merchant of Venice starring Al Pacino and Jeremy Irons for which he was an Executive Producer. Many of Peter’s novels have been adapted for film, TV and stage. The first two novels in the Roy Grace series, Dead Simple and Looking Good Dead, have been adapted for television by Endeavour’s Russell Lewis.
Product details
- Publisher : Pan (October 14, 2021)
- Language : English
- Paperback : 512 pages
- ISBN-10 : 1529004268
- ISBN-13 : 978-1529004267
- Reading age : 18 years and up
- Item Weight : 12.7 ounces
- Dimensions : 5.15 x 1.2 x 7.7 inches
- Best Sellers Rank: #127,376 in Books (See Top 100 in Books)
- #1,807 in Kidnapping Thrillers
- #3,894 in Police Procedurals (Books)
- #11,401 in Suspense Thrillers
- Customer Reviews:
About the author
Peter James is a UK No.1 bestselling author, best known for his Detective Superintendent Roy Grace series, now a hit ITV drama starring John Simm as the troubled Brighton copper.
Much loved by crime and thriller fans for his fast-paced page-turners full of unexpected plot twists, sinister characters, and accurate portrayal of modern day policing, he has won over 40 awards for his work including the WHSmith Best Crime Author of All Time Award and Crime Writers’ Association Diamond Dagger.
To date, Peter has written an impressive total of 19 Sunday Times No. 1s, sold over 21 million copies worldwide and been translated into 38 languages. His books are also often adapted for the stage – the most recent being Looking Good Dead.
Visit Peter James www.peterjames.com
Follow Peter on Instagram > @peterjamesuk
Follow Peter on Twitter > @peterjamesuk
Follow Peter on Facebook > www.facebook.com/peterjames.roygrace
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One caveat. While extremely sad, and makes you feel very much for Grace, I was somewhat unsure about the Bruno story that doesn’t really connect with the story enough. Yes it shows Grace’s personal life and humanity, but was it necessary to have his son - spoiler - die?
On a separate note, and I don’t want to spoil this for anyone who has not yet read the book, I did not like the elimination of a character who seemed to be too problematic to keep developing. Although the character was complex the method of elimination seems to me unrealistic and I wonder if this character was simply eliminated to make the process of writing, going forward, easier.
Top reviews from other countries
I still think there is more to the Bruno story, only time will tell? I’m now reading Book 18 and will be bereft once I finish the whole set.
All in all, a very enjoyable book with enough suspense to keep you hanging on in there for nearly 500 pages!
I have read the entire Roy Grace series, as well as most of Peter James's other books, and although the series is largely enjoyable, I do find that some of the threads that carry on through the books get tired. But the one that was making me wonder this time ... well, did Mr James get tired of it?
SMALL SPOILER HERE
The main case that is featured in the book was, to be honest, very easily guessable. And as soon as the second major clue was dropped, I knew where it was all going. But nonetheless it was readable.
Then onto the characterisation.
I have always had a bit of a problem with Cleo, who is painted as blonde, intelligent (she works out a "clue" in a letter that was so blindingly obvious that one might wonder about Roy Grace's own IQ) and all-round nice, but I have never got a true sense of her character. In fact each character has their own niche from Casian Pewe (bad boss whose ego rules) to Norman Potting (misogynistic with a childish tendency to come up with inappropriate jokes, but we are invited to feel sorry for him because of the loss of his fiancee followed by health problems) and many are actually fairly two-dimensional. I get the impression that plot and research are important, but a subtle, interesting, painting of characters is not always a strong point.
So, coming onto my major bugbear: we have gone through the whole Sandy thing which was dragged out interminably over a number of books, until she was conveniently killed off and now
MAJOR SPOILER
the entire Bruno story has been building up, with this apparent budding psychopath living under the Grace roof and what? James just kills him off. Are we now supposed to feel sorry for Bruno as a deeply unhappy child who has met a sad end? I feel that the entire build-up of his character has been thrown out of the window because Mr James got bored with this thread, or perhaps didn't know where to go with it. In fact I am torn between irritation at another long-drawn-out issue like the Sandy one, and frustration that it was not resolved more satisfyingly. I was even surprised at the way Roy Grace seemed to know so little about organ donation, given his position.
No doubt I shall read the next book, but I did go through this one with a sense of, well, frustration and dissatisfaction. Which is a shame.