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The Family Moskat: A Novel (FSG Classics) Paperback – April 3, 2007
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The vanished way of life of Eastern European Jews in the early part of the twentieth century is the subject of this extraordinary novel. All the strata of this complex society were populated by powerfully individual personalities, and the whole community pulsated with life and vitality. The affairs of the patriarchal Meshulam Moskat and the unworldly Asa Heshel Bannet provide the center of the book, but its real focus is the civilization that was destroyed forever in the gas chambers of the Second World War.
- Print length624 pages
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateApril 3, 2007
- Dimensions5.5 x 1.38 x 8.5 inches
- ISBN-100374530645
- ISBN-13978-0374530648
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Editorial Reviews
Review
“Singer's deep-running narrative makes a microcosm of the Warsaw ghetto. Reminiscent in scope of the great Russian novels of the nineteenth century, his novel moves with the leisure of abundance--eddying, pausing, plunging. Its surface ripples with passages of delicate description, trenchant dialogue and precisely observed detail; its depths roll forward with the heavy, hidden surge of life itself.” ―Time
“The Family Moskat, although it deals with an era that has been buried in the ashes of the Holocaust, retains its strength, and has an appeal that will fascinate all readers.” ―Detroit Jewish News
About the Author
Product details
- Publisher : Farrar, Straus and Giroux; First Edition (April 3, 2007)
- Language : English
- Paperback : 624 pages
- ISBN-10 : 0374530645
- ISBN-13 : 978-0374530648
- Item Weight : 1.2 pounds
- Dimensions : 5.5 x 1.38 x 8.5 inches
- Best Sellers Rank: #890,596 in Books (See Top 100 in Books)
- #4,265 in Magical Realism
- #9,755 in Contemporary Literature & Fiction
- #41,655 in Literary Fiction (Books)
- Customer Reviews:
About the author
Isaac Bashevis Singer (1903-1991) was a Polish-born Jewish-American author of short stories, novels, essays, cultural criticism, memoirs, and stories for children. His career spanned nearly seven decades of literary production, at the center of which was the translation of his work from Yiddish into English, which he undertook with various collaborators and editors. Singer published widely during his lifetime, with nearly sixty stories appearing in The New Yorker, and received numerous awards and prizes, including two Newberry Honor Book Awards (1968 & 1969), two National Book Awards (1970 & 1974) and the Nobel Prize for Literature (1978). Known for fiction that portrayed 19th-century Polish Jewry as well as supernatural tales that combined Jewish mysticism with demonology, Singer was a master storyteller whose sights were set squarely on the tension between human nature and the human spirit.
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Top reviews from the United States
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My favorite character of this book is Abram Shipiro. He dances in and out of the story in his boisterous, larger than life way and was very entertaining for me. There is a lot to dive into in this book. Fate plays a large role as do the choices people make. Singer's books are deep dives into the comings and goings of people in life. They don't always make great choices and later in life, they often wonder what they did with their years.
I have to say, personally, I liked The Manor and The Estate a little better than The Family Moskat, but it was a different time period. It was the time of gaslights, tuberculosis and intense family drama. The Family Moskat deals with a later time. Socialism, communism and the looming German invasion is nearly upon the Moskats when in The Manor and The Estate, Calman Jacoby was building his empire. In Family, Reb Meshulam has his empire and has it doled out to the leeches in his family for their income as well, so many of his struggles are over, but the family plight plays on.
This is the story of a civilization told expertly through the immensely enjoyable writing of Isaac Bashevis Singer.
The impression is that someone (understandably unnamed) scanned the original book, and skipped the spell checking / proofreading steps and simply published it.
If this book was free, I might zip my lip but - how about you give me my ten dollars back and I'll remove the bad review? And just ask your friend to to a peer review next time you are hired to do a digital file rendering of a classic novel - You should be ashamed of yourself for doing this to such a good piece of work.
Top reviews from other countries
We follow them from teens and twenty somethings into their fifties, sixties, seventies and eighties. Some die young just as some of our friends and family do. They bicker and fight nonstop. Divorces and affairs and broken relationships without stop. Arguments and mean spiritedness.
Religious people who are intolerant and cruel and judgmental, whose rituals matter more to them than human life. Religious people who are merciful. People without religion who are kind. People without religion who are cruel. So much antisemitism it makes a reader sick. Christians beating on Jews. Pogroms. Injustice. In the end, you just want some forgiveness, some love, some marriages to work, some peace. But you rarely get it.
Yet I wound up caring about everyone, yes, some more than others, but each death was a loss. When the person from whose point of view we were following the narrative suddenly dies of a heart attack, we are shocked - who will tell the story now? Another person takes over. But soon enough they too die. The story becomes about morgues, and funerals and headstones. We thought they’d live forever. Just like many people on earth think they’ll live forever. Even the characters in this long novel I detested wound up troubling me with their deaths.
Then the Nazis invade Poland and by this time you’re practically a member of the family and running running running with them from the planes and bombs. You want to survive. You want them all to survive. And then a bomb explodes and kills one of the women you liked the most. And this is the lot of all who flee from war or natural disasters. Yet for the family Moskat there is nowhere to flee. After the invasion come the death camps.
Beautifully written. Painfully written. And utterly compelling.