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The Guardians Paperback – November 4, 2014
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In the future, the world has been divided into two societies. One is the Conurb—a sprawling, modern city where technology rules and people live with only the bare minimum they need to survive. The other is the County—a land of green fields and beautiful mansions, where the people have turned back the clock to a pristine past.
Rob has always lived in the Conurb, but after he is sent to a terrible boarding school, he decides his only option is to take a chance and cross the Barrier into the unknown world of the County. There he meets another boy who introduces Rob to the very different society, and all the wondrous things that come with it.
But even though Rob wants to believe that the County is a utopia, he begins to learn about the darkness that lurks beneath the smiles of his new family and friends. And when sinister secrets are revealed, Rob is forced to make a choice: stay in the County, where everything is a perfect lie, or return to the Conurb, where life is hard, horrible, and real.
- Reading age9 - 13 years
- Print length288 pages
- LanguageEnglish
- Grade level4 - 8
- Lexile measure750L
- Dimensions5.13 x 0.8 x 7.63 inches
- PublisherAladdin
- Publication dateNovember 4, 2014
- ISBN-101481418343
- ISBN-13978-1481418348
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About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Product details
- Publisher : Aladdin; Reissue edition (November 4, 2014)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1481418343
- ISBN-13 : 978-1481418348
- Reading age : 9 - 13 years
- Lexile measure : 750L
- Grade level : 4 - 8
- Item Weight : 6.7 ounces
- Dimensions : 5.13 x 0.8 x 7.63 inches
- Best Sellers Rank: #1,813,781 in Books (See Top 100 in Books)
- #426 in Children's Dystopian Fiction Books
- #2,770 in Children's Books on Boys' & Men's Issues
- Customer Reviews:
About the author
Sam Youd was born in Lancashire in April 1922, during an unseasonable snowstorm.
As a boy, he was devoted to the newly emergent genre of science-fiction: 'In the early thirties,' he later wrote, 'we knew just enough about the solar system for its possibilities to be a magnet to the imagination.'
Over the following decades, his imagination flowed from science-fiction into general novels, cricket novels, medical novels, gothic romances, detective thrillers, light comedies ... In all, under his own name and a variety of pen-names, he published fifty-six novels and a myriad of short stories.
He is perhaps best known as John Christopher, author of the seminal work of speculative fiction, The Death of Grass, and a stream of novels in the genre he pioneered, YA dystopian fiction, beginning with The Tripods Trilogy.
'I read somewhere,' Sam once said, 'that I have been cited as the greatest serial killer in fictional history, having destroyed civilisation in so many different ways - through famine, freezing, earthquakes, feral youth combined with religious fanaticism, and progeria.'
Titles published under the pen-name of Hilary Ford and under his own name are also available on Amazon.
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Returning to this book as an adult, the story naturally seems less substantial than it did in my childhood, especially when compared to today's YA dystopic fiction such as The Hunger Games or Divergent. But it remains an engaging and thought-provoking tale which would give young readers a good entry point into this genre.
When Rob, a boy from the Conurb, escapes from his surroundings after the death of his father, he finds his way into the County. There he is taken in by a kindly family of the elite, who pass him off as a cousin of their son Mike. Rob soon grows to enjoy his new life, only to be alarmed when he discovers that Mike belongs to a group of young would-be rebels. How could anyone want to destroy such a peaceful, genteel, nurturing sort of life?
What follows entails a couple of sinister twists, including an offered deal-with-the-devil for Rob. And at this point, my sole dissatisfaction with the book appears. The ending is good, but much too short; it calls for expansion, or even a sequel, which never came to pass. Easy enough to extrapolate what Rob will do next, and maybe that's enough for the point of the story. But like other readers, I'd have liked to have seen more.
Still, that's a minor complaint at best. This vision of a future divided between what we would now call the 99% & the 1% rings ever more truly today. I disagree with some reviewers who claim it's been done better since by dystopias like The Hunger Games & others; to my mind, this is not only sharp & succinct, it seems frighteningly more plausible than current YA dystopias, which feature distinctly unrealistic Chosen Ones rather than convincingly real teens like Rob. This is the dystopia that really needs to be filmed.
Recommended!
What can you say.
Despite what many here have said, I would without compunction characterize "The Guardians" as a fast-paced adventure story. It details the adventures of one Rob Randall, a boy raised in a not-too-distant England, which has been subdivided into "the Conurb"--where Rob grew up, devolved into a bread-and-circuses-type situation where the masses can only be kept at bay through government-sponsored violence--and "the County"--where wealthy families and their live-in staffs luxuriate in nineteenth-century torpor. Afer Rob's father dies, he is spirited off to a rigorous boarding school where he runs afoul of the military-style discipline and is impelled to flight by his classmates' sadism. Rob succeeds in escaping under the legendary, underwhelming "fence" that divides the Conurb from the County. After injuring his foot and finding himself quite helpless, Rob is befriended by Mike, a well-to-do country boy who discovers Rob while out riding his horse one day. Mike's mother--discovering food missing from the kitchen and extracting the truth from a recently-fallen-ill Mike--rescues Rob and quickly incorporates him into the family. Rob and Mike are fast friends and are both quite happy until, one day, a wealthy visitor sees through Rob's thin veneer of "I'm Mike's cousin from Nepal"--backed up by Rob's having read a book or two about Nepalese customs, fauna, tourist attractions, etc.--and is about to deliver him to the authorities. We ultimately learn that, while Mike's father was long ago biotechnologically "subdued" (reminiscent of the "capping" in the Tripods trilogy), Mike is quite a rebel himself, "escaping" the superficial happiness of the County for the challenge of the Conurb. At the end of the story, a trepidation-filled Rob slips back under the fence to hunt for Mike, who provided Rob a forwarding address. The story wraps up rather too quickly, and I personally would have enjoyed following Rob's life story for at least a bit longer, yet Christopher does an admirable job of painting the essential elements of an imperfect future world and exploring the tormented psyche of a nice boy inextricably caught in that unforgiving world.