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The Other Black Girl: A Novel Paperback – June 7, 2022

3.9 3.9 out of 5 stars 9,859 ratings

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“Riveting, fearless, and vividly original” (Emily St. John Mandel, New York Times bestselling author), this instant New York Times bestseller explores the tension that unfurls when two young Black women meet against the starkly white backdrop of New York City book publishing.

Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and microaggressions, she’s thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust.

Then the notes begin to appear on Nella’s desk: LEAVE WAGNER. NOW.

It’s hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there’s a lot more at stake than just her career. Having joined Wagner Books to honor the legacy of
Burning Heart, a novel written and edited by two Black women, she had thought that this animosity was a relic of the past. Is Nella ready to take on the fight of a new generation?

“Poignant, daring, and darkly funny,
The Other Black Girl will have you stressed and exhilarated in equal measure through the very last twist” (Vulture). The perfect read for anyone who has ever felt manipulated, threatened, or overlooked in the workplace.
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From the Publisher

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Editorial Reviews

Review

“Filled with twists both unsettling and unexpected . . . such a timely read.” ― TIME

“A thrilling, edgier Devil Wears Prada that explores privilege and racism.” ― Washington Post

“A sly satire and thriller rolled into one.” ― BBC

“Riveting, fearless, and vividly original. This is an exciting debut.” -- EMILY ST. JOHN MANDEL, New York Times bestselling author of The Glass Hotel

“A psychological thriller for the modern-day working girl . . . filled with suspenseful twists and turns.” ―
PopSugar

A dazzling, darkly humorous storythe novel overflows with witty dialogue and skillfully drawn characters, its biggest strength lies in its penetrating critique of gatekeeping in the publishing industry and the deleterious effects it can have on Black editors. This insightful, spellbinding book packs a heavy punch.” ― Publishers Weekly (starred)

“Harris’ genre-bending evisceration of workplace privilege is set to become the debut of the summer.” ―
Entertainment Weekly

“Harris isn't afraid of taking risks in this book, pushing the plot to thrilling heights. As extraordinary as
The Other Black Girl's story becomes, it's rooted in all-too-real social problems.” ― Oprah Daily

“Wholly earned brilliance. Harris makes her entrance as an author with singular style. Whatever she does next might seem quieter, but watch for it: It will be brilliant.” ―
NPR

“Funny and subversive, this debut about the trials of a Black assistant at a mostly white publishing house uses suspense, horror and satire to bring home the toll of workplace racism.” ―
People

“A debut novel that is the perfect mix of social commentary and fast-paced thriller. Poignant, daring, and darkly funny,
The Other Black Girl will have you stressed and exhilarated in equal measure through the very last twist.” ― Vulture

“Witty, inventive, and smart,
The Other Black Girl goes deeper to take on class privilege, race, and gender in a narrative that slyly plays along the edges of convention. Zakiya Dalila Harris’s debut is a brilliant combustion of suspense, horror, and social commentary that leaves no assumption unchallenged and no page unturned.” -- WALTER MOSLEY, internationally bestselling author of Devil in a Blue Dress

“A satire of the clueless racial politics at a prestigious literary house with, in its second half, a horror-movie twist." ―
Wall Street Journal

“Filled with twists and moments that make you think, Zakiya Dalila Harris’
The Other Black Girl is the sharp, compulsive thriller you need this June.” ― Shondaland

“Harris is excellent at capturing the way a job can become a person's whole identity, and takes readers on a bracing, whip-smart, piercingly funny trip into a supposedly enlightened industry — and world — where racism, classism, and sexism all conspire to destabilize anyone who isn't willing to play the game.” ―
Refinery 29

“Initially satirical and then spectacularly creepy [...] This unique thriller [has] echoes of both Jordan Peele and, in the end, George Orwell.” ―
Washington Post

“[A] perceptive exploration of racism in publishing, wrapped up in a whip-smart story of young women at war in the workplace.” ―
Los Angeles Times

"This twisty thriller will resonate with anyone who has struggled to find her voice as the only Black woman in the room." ―
Essence

“[A] brilliant debut …The novel takes some bold stylistic risks that pay off beautifully, leaving the reader longing for more of Harris's words and unique view on the world.” ―
Vogue

“Harris succeeds in capturing office machinations with a deftness and grace that brings it all to life.”
New York Times Book Review

About the Author

Zakiya Dalila Harris received her MFA in creative writing from The New School. Her debut novel, The Other Black Girl, was an instant New York Times bestseller. Her essays and book reviews have appeared in Cosmopolitan, The Guardian, The New York Times, The Rumpus, and elsewhere. She lives in Brooklyn with her husband.

Product details

  • Publisher ‏ : ‎ Atria; Reprint edition (June 7, 2022)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 368 pages
  • ISBN-10 ‏ : ‎ 1982160144
  • ISBN-13 ‏ : ‎ 978-1982160142
  • Item Weight ‏ : ‎ 10.4 ounces
  • Dimensions ‏ : ‎ 5.31 x 0.92 x 8.25 inches
  • Customer Reviews:
    3.9 3.9 out of 5 stars 9,859 ratings

About the author

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Zakiya Dalila Harris
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Zakiya Dalila Harris spent nearly three years in book publishing before leaving to write her debut novel The Other Black Girl. Prior to working in publishing, Zakiya received her MFA in creative writing from The New School. Her essays and book reviews have appeared in Guernica and The Rumpus. She lives in Brooklyn with her husband and their growing collection of plants.

Customer reviews

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I love the book so far and I can’t wait to finish it. I’ve already watch the series and so far love the read so much more and they both are so great it’s a must read.
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Top reviews from the United States

Reviewed in the United States on August 20, 2021
This novel is a brilliant, Fresh, take on black sisterhood and work politics. Although the story moves a bit slowly at times, the writing was so sharp. The novel explored so many themes, many of which white america is not ready for but which black folks everywhere will resonate with. I think, as another reviewer wrote, the only people who can’t understand or appreciate this book arent the target audience. I loved the imagery the author evokes when describing black people, black cultural relics. This book calls into question how black women navigate toxic work environments and whiteness....A central theme of this book is the idea that black women have to be FIXED to be palatable to white people. Genius!

The premise of this book was...
Black girls out here moving like sociopathic beckys!!! What a horror!!!) All while Disguising themselves as down to earth sistas...What a FRIGHT!!! And what a MASTERPIECE!!! The OBGS have no solidarity, their only adjacency or alignment to black people or black culture, is strictly for climbing the social ladder. Not only you have to navigate mostly white spaces, but amongst backstabbing black women who can best be described as true sellouts, in every form of the word.

This book is not hyped; it deserves all the accolades. I'm soooooooo glad I wasn’t jarred by a white woman's review of this book and her incredulous response to why HAIR GREASE was the kryptonite. (Sidenote: Black women have a complex relationship with their hair. OF COURSE it would be hair grease! If Black women’s hair choices for example, perms and relaxers can lead to cancer, why not?)

Whoever doesn’t “get” this book, doesn’t simply out of their shallow understanding of the dynamics of race. This book is a stunning exposition on sistas who get lost in the white supremacy sauce. 

I can imagine many of the reviewer’s who dismissed this novel as “silly” or trite or “overhyped” probably never understood the dynamics of being blackness and white oriented workspaces. White folks simply can’t relate! If your understanding of blackness and systemic racism is shallow, of COURSE you wouldn’t get it, due to your profound ignorance and inexperience as a member of an historically privileged class.

This story came together in a way that is SO electrifying, so novel—-I read it in only two sittings—-hmm, maybe a matter of six or seven hours total?

This was one of the blackest novels I’ve read in a while/—reminded me of the Derrick Bell I read in high school in which aliens came from outer space and removed all of black culture from mainstream American culture. Just as many sistas LOVE the coldest winter ever, many of our corporate sistas will looooove this brilliant novel. Issa Rae, pls adapt this on screen!!!
44 people found this helpful
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Reviewed in the United States on July 22, 2023
As a black girl myself,it dawned on me that I had never read a fiction novel by a black,female author. Yikes. So when I saw this book,and read all of the rave reviews, I got excited, and bought it. I don't want to say anything disparaging abt this book,but I found it to be weird. Weird in the way that From Dusk Till Dawn was weird to me. I felt that the book took to long to get going,and once it did,it pivoted so hard from where it was,I got whiplash. I'm not an impatient reader,so I don't mind waiting for my written reward. However, the last few chapters of this book felt like the author was being rushed to find a conclusion to this somewhat muddled/murky storyline. I wholeheartedly and 100% approve of,and understand the point of this book. The underlying story is very real. I just wasn't 100% a fan of how this book conveyed the message.
76 people found this helpful
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Reviewed in the United States on June 12, 2021
3.5/5

I would have to classify this novel as a dark literary fiction, not a psychological thriller that is suggested with the “Get Out” reference. This was a well written debut novel and Harris’s style is definitely something to be watched. I am looking forward to her future work.

Now with the story itself…After reading the synopsis of the book I was excited and grateful to see an author bravlely pen a story giving diverse readers a front seat to the internal dialogue of a black woman navigating a predominantly white work place setting. Harris did a spot job on of this, however flawed Nella and Hazel might have been, their conversations, dialogues, and experiences were accurate (I say this from personal experience). I enjoyed navigating this with them, but it did become redundant and I felt like we were going in circles talking about the same thing. I understand it was the backdrop of the story but I felt like it never really took off-the tension just sort of stayed stagnant if that makes any sense.

About 80% of the story was a “set up” for the grand finale and while I might be a part of the rare breed of readers that enjoys slow burn with a lot of context, because there was not much movement anywhere it really became a chore to get through.

In regards to the elements of suspense and horror-this came at the very end and I do think that it was a good plot twist that made me chuckle and I thought it was cleverly done-I wasn’t expecting it at all. I would recommend this book, with that being said I would implore readers to completely forget the “Get Out” reference-it is not present in this book and is slightly misleading. I think I might have set myself up for disappointment because I went into it expecting more of that “Get out” feel/atmosphere than it actually gave.
20 people found this helpful
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Reviewed in the United States on November 5, 2023
What a fantastic read with its well-defined plots, authentic and relatable characters, wonderful settings, and great dialogue. Nella Rogers, a Black editorial assistant struggles to have an all-inclusive workplace at a book publishing company, but when Hazel-May McCall who is also Black is hired, the story unveils the negative and sometimes witty conjectures that people make based on race, age, and gender while revealing past and current ills, secrets and lies, classism, envy, betrayal, coercion, deceit, fakeness, and scandal. The writer pulls no punches when it comes to exposing society’s views on race. It becomes a game of cat and mouse, keeping you captivated throughout the storyline, building up to a challenging ending, and reminding us that not everyone who laughs and grins in your face is your friend or means you well.
10 people found this helpful
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Reviewed in the United States on March 21, 2024
This book was a better read than watching the show. more detail and explained on what's going on with her back story. I give it a 7.5 out of 10

Top reviews from other countries

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Denise Telles
4.0 out of 5 stars Suspense a cada virada de página
Reviewed in Brazil on June 17, 2023
The Other Black Girl (A Outra Garota Negra, na edição brasileira) é o romance de estreia da americana Zakiya Dalila Harris.
Traz a história de Nella Rogers, uma jovem assistente editorial que trabalha numa prestigiosa editora em Nova York. Ela é a única funcionária negra na empresa. Até que um dia, uma outra assistente negra é contratada. Nella fica contente, por crer que finalmente teria uma aliada naquele mundo branco e opressor. Porém, as coisas não são exatamente o que parecem ser.
Com uma prosa envolvente, Zakiya leva o leitor para a toca do coelho, numa trama com plot twists suficientes para nos deixar espantados a cada virada de página, ansiosos por desvendar aquele mistério.
O que terá acontecido a Kendra Rae Phillips, a única editora negra a trabalhar naquela empresa, que está desaparecida há tempos? Quem escreve aqueles bilhetes intimidadores que surgem misteriosamente sobre a mesa de Nella?
E por que a nova assistente insiste tanto para Nella usar um hidratante capilar que ela mesma fez, e cujos ingredientes não constam na embalagem porque são “uma receita secreta” que veio da mãe de uma amiga de uma amiga de uma amiga?
Zakiya Dalila Harris trabalhou numa grande editora em Nova York antes de escrever esse romance. É com precisão de detalhes que ela nos leva por esse mundo que, de maneira geral, é stale, male and pale, e onde a presença de uma mulher negra, o que dirá duas mulheres negras, é motivo para desconfortos, micro agressões e macro agressões.
The Other Black Girl usa suspense para falar de racismo e privilégios num mercado de trabalho que os brancos querem manter branco e onde os esforços e dedicação dos funcionários negros nunca são suficientes para que eles consigam quebrar o teto de vidro criado para mantê-los em posições subalternas para sempre.
Nella Rogers sente que não só o seu emprego mas sua vida corre perigo. O que ela fará?
One person found this helpful
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FRANCISCO JOSE MONTELLANO ARECHIGA
5.0 out of 5 stars Ragalo navidad
Reviewed in Mexico on January 22, 2022
El libro que necesitaba
Rosanna
5.0 out of 5 stars Black Lives Matter
Reviewed in Canada on December 8, 2021
It's a very good book about how blacks are treated, so far it's been very are opening. It is a must see book from a young girls perspective on being black in America.
Tracey Madeley
5.0 out of 5 stars Thought provoking and stunning
Reviewed in the United Kingdom on September 13, 2021
Black Lives Matter meets the Stepford Wives; where to be called racist is not only the ultimate insult, but career ending.

Best-selling author Diana Gordon and her black editor Kendra Rae Phillips are the original black publishing success. The book starts in December 1983 with Kendra suffering the effects of the original hair treatment, which caused burning and itching. The prologue suggests that she has been a little too frank in telling people what she thinks, “If you White, You Ain’t Right with Me,” and those in power have now closed ranks against her. At the beginning of part II, we go back to September 1983 and learn how Kendra had experienced white prejudice more than Diana, who had attended, and taught at, a black college. Diana is more content to work within the system until she gets what she wants.

Nella is a junior assistant in a publishing company. She has been trying, unsuccessfully, to broaden the diversity in her workplace and gain promotion. When Hazel arrives, Nella feels the company is finally moving in the right direction, that she has a kindred spirit, not competition. Unfortunately, Hazel is not what she seems. The initial bonding soon turns sour when Hazel defends a white authors portrayal of a black character, after she has previously agreed to support Nella’s criticism, Nella feels betrayed. She begins to get written notes telling her to leave the publishing company. Suspecting Hazel, Nella attends a party at Hazel’s house to look for evidence, but the truth is far more subtle and sinister.

Shani is a new modern recruit to the resistance. A resistance that is paranoid about being infiltrated by the other black girls who conform to the rules of the white controlled institutions. These other black girls are loyal only to themselves and the white people who employed them. Obsessed with success and competitive enough to discard any black girl who gets in their way. Like Kendra Shani has been there before, having her work undermined and then being sacked for stepping out of line with the comment “Vampiric, self-important white saviours”.

The mysterious Lynn is the driving force behind the black resistance movement. Kendra is a broken shell of the woman she once was, broken by the system. Diana looks back on a career that had been watered down, believing Kendra dead, rather than in hiding from the ruling elite. It is Imani, Diana’s friend, who is behind the new conformity grease and the network of other black girls.

This novel not only looks at the problems of promotion within a small organisation, but the idea of institutional racism and the different ways to challenge the system. I don’t accept some critics arguments that there is a lack of characterisation, as I believe the author has brought out the culture and values that are important to her characters. She has also shown how different people react to the situations they find themselves in. I look forward to the next novel from this very talented author.
14 people found this helpful
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Marc Bigan
4.0 out of 5 stars Une jeune noire dans un environnement professionel blanc ou white caucasian comme ils disent
Reviewed in France on August 4, 2021
Ce roman parle d'une assistante noire, ayant un petit grade dans sa boite d'édition, mais espérant toujours une promotion. Arrive une autre fille noire également. Elles échangent, s'apprécient, mais bientot survient une rivalité. Les développements suivants amènent à une sorte de thriller dans le milieu noir de Brooklyn.
Ce livre décrit bien le monde de l'entreprise, et rappelle par bien des aspects notre vie au bureau. Ce livre est comparé au film Le Diable s"habille en Prada. Je pense qu'il est beaucoup plus profond que le film, qui brille surtout par la prestation de Meryl Streep. De plus, et du moins de ce que je me rappelle, il n'y a pas le coté thriller dans le Diable d'habille en Prada.
En conclusion, en ces temps d'interdiction de voyage, ce livre vous permet de passer de bon moments en compagnie d'Américains, et somme toute de se transporter à New York pour une vingtaine d'euros.
2 people found this helpful
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