Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
$19.18$19.18
Ships from: Amazon.com Sold by: Amazon.com
$12.07$12.07
FREE delivery May 17 - 23
Ships from: The BAP Goods Sold by: The BAP Goods
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
The Wood Paperback – March 14, 2019
Purchase options and add-ons
Written in diary format, The Wood is the story of English woodlands as they change with the seasons. Lyrical and informative, steeped in poetry and folklore, The Wood inhabits the mind and touches the soul.
For four years John Lewis-Stempel managed Cockshutt wood, a particular wood - three and half acres of mixed woodland in south west Herefordshire - that stands as exemplar for all the small woods of England. John coppiced the trees and raised cows and pigs who roamed free there. This is the diary of the last year, by which time he had come to know it from the bottom of its beech roots to the tip of its oaks, and to know all the animals that lived there - the fox, the pheasants, the wood mice, the tawny owl - and where the best bluebells grew. For many fauna and flora, woods like Cockshutt are the last refuge. It proves a sanctuary for John too.
To read The Wood is to be amongst its trees as the seasons change, following an easy path until, suddenly the view is broken by a screen of leaves, or your foot catches on a root, or a bird startles overhead. This is a wood you will never want to leave.
- Print length304 pages
- LanguageEnglish
- PublisherBLACK SWAN
- Publication dateMarch 14, 2019
- Dimensions7.8 x 5 x 0.72 inches
- ISBN-101784162434
- ISBN-13978-1784162436
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Frequently bought together
Similar items that may deliver to you quickly
Product details
- Publisher : BLACK SWAN (March 14, 2019)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 1784162434
- ISBN-13 : 978-1784162436
- Item Weight : 7.4 ounces
- Dimensions : 7.8 x 5 x 0.72 inches
- Best Sellers Rank: #691,955 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Top reviews from other countries
Although writing in prose, Lewis-Stempel has delivered a book that deserves to be considered alongside these forbears. Among all his works, this one counts as the most poetic he has delivered, and is remarkable for the way in which it coins new uses of words, ('emerald' as a verb), as well as minting new words entirely, such as 'skyrows' to describe the flight of a heron. At every step, Lewis-Stempel is attempting to portray Cockshutt wood in minute detail, and in this sense his keen observations recall the work of John Clare. Just like the labourer-poet, the inherent veracity of what Lewis-Stempel relays is never in doubt. A modern 'green man', he understands nature in a way that the vast majority do not.
Larger than life, Stempel is as much a presence in this book as the woodland creatures he describes. Writing in an almost stream-of-consciousness prose, he oscillates between poetic meditations, ruminations on Pagan/Christian spiritualism, and biting modern humour. You never know just where the narrative is going to take you, as Lewis-Stempel has a habit of throwing in anachronisms such as Twitter, Saabs, and pop music into a world that he presents as being unalterably timeless. This gives the dramatic sense of the author navigating between these worlds and trying to find some deeper meaning connecting them.
Strangely, the strongest writing in the book is that which describes the wood in winter. December (which begins the text), January, and February, feature the most vivid descriptions of the natural world, and constantly show Stempel's brilliance using onomatopoeia, simile, and other poetic devices. His description of birdsong as being sewn upon the silence in the early part of the year is just one example of this. Elsewhere, he is adept at using metaphor to create meaning: the wood in the modern context is constructed as a retreat from society, a bulwark against modernisation where the spirit is renewed and connectedness restored. You can see that spiritual longing throughout the book: Stempel notes Pagan/Christian beliefs with an open-ended curiosity, a tentative 'what if?' It is his unwillingness (or incapability) of defining himself that makes him such a fascinating narrator.
The book closes plaintively. Particularly in the final chapters 'October' and 'November', Stempel's ruminations about the wood become more laconic, clipped into what are effectively lists of glistering observations. It is at this stage of the book that it most closely resembles a sort of requiem: he is saying goodbye to the wood, but also calling time on a period in his life. Lurking in the background also is the sense that the wood may be lost forever once it falls out of Stempel's paternal care. He is letting it go into a world that does not care about it in the same way that he does, so in some ways the book he has written serves as a tentative, poignant epitaph.
The emotion here is what distinguishes Stempel as a writer: we know how much he cares about the wood (and by extension the English countryside) without him needing to say it directly. It is accrued in the background of his writing, in his sharp humour, in his everyday recollections of the commonplace, and in his fondness for mystery, storytelling, and myth-making. When a writer can write as well about nature as he can, the need for didactic posturing and pontificating about climate change is overridden. This is why Stempel's appeal for the natural world never falls into vain preaching; Stempel is the English countryside in the same way John Clare was. The vital, life-defining importance of it to him is represented in his poetic expression of it.
If you love nature, culture, history, poetry ..........this book is a treasure-trove and while reading it you learn such a lot.
Not to forget the "pig-jokes" - very funny!
A book that makes you really happy! I'm sure, I will read it again, though I want to read some of John Lewis-Stempel`s other books first.