Here are 78 books that Zombie Haiku fans have personally recommended if you like
Zombie Haiku.
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Like many of my generation, my formal introduction to the zombie genre started with George A. Romero's Night of the Living Dead. Stories of the zombie apocalypse, and the arterial sprays, dismemberments, and eviscerations that accompanied it, have fascinated me ever since. But, I'm also a psychology professor. Although I was initially captivated by the carnage of the undead, I quickly found that the mindsets of the survivors were equally fascinating. More than anything, I love seeing how fictional worlds represent real-world psychological concepts.
I will never survive a zombie apocalypse. I'm pretty sure my last words will be, "OMG, Zombies! I'm going to take a selfie! Arrgghh." But for those with good sense and practical intelligence, plans for defeating the undead will need to be developed and set in motion. That's where The Zombie Survival Guide comes in. Max Brooks' offering is a fascinating "how-to guide" for living in a world overrun with the living dead. This book has it all, from weapons and combat techniques to offensive and defensive strategies. The information in this book is invaluable for those prepping for the inevitable plaque of the undead.
Don't be reckless with you most precious asset - life. This book is your key to survival against the hordes of undead who may be stalking you right now without your even knowing it.
It covers everything you need to know, from how to understand zombie behaviour to survival in any territory or terrain.
The Zombie Survival Guide offers complete protection through proven tips for safeguarding yourself and your loved ones against the living dead.
It might just save your life.
'A bloody-minded, strait-laced manual for evading the grasp of the undead.' Time Out
Having completed military survival courses as well as stints in an improv comedy troupe, James Schannep knows the best zombie stories are those presented with a wry grin while staring down the end of the world. The product of an overactive imagination, the genre-hopping Click Your Poison series puts you in the driver’s seat against zombies, pirates, international spies, a detective whodunit, superheroes (and villains), exploration through a haunted house, and more!
This is another interactive, choose-your-path zombie book that I discovered after I’d published Infected. It’s off-the-wall zany. You play as a stuffed bunny who wields a chainsaw in the apocalypse. If most zombie stories are caused by viral pandemics these days, then Zombocalypse Now must be the resultant lucid fever dream. If you like nonsequiturs, this is the zombie book for you.
You're a stuffed bunny and it's the end of the world.Between you and safety are forty or fifty zombies gorging themselves on the flesh of the living. If you disguise yourself as one of them and try to sneak past the feeding frenzy, turn to page 183. If you grab a tire iron, flip out and get medieval on their undead asses, turn to page 11.Zombocalypse Now is a comedy/horror reimagining of the choose-your-own-ending books you grew up with. You'll be confronted with undead hordes, internet dating, improper police procedure, and the very real danger that you'll lose your grip…
I love writing and reading about comedy, friendship, and satire. I also love making fun of the absurdities in our society that we tend to accept without thinking. The world is a dark and scary place, and it’s my honor to help people leave their anxieties behind for awhile. I hope you enjoy the books on this list and the escape they provide as much as I do.
It might seem strange that this outrageous and thoroughly enjoyable comedy wound up on my list of workplace comedies.
In the original version of Pride and Prejudice, Elizabeth Bennet was stuck in a Regency-era comedy of manners. Her only choice of life “careers” was “wife.”
Grahame-Smith has taken Austin’s words and turned this classic upside down by giving her a very important job—Zombie Killer.
It’s a hilarious take on the power of women, and, strangely enough, adding a Zombie apocalypse has made some of the characters’ motivations much more understandable.
Elizabeth’s workplace is her small village in England, and, always on call, she has lots of work to do.
I loved this book, and I think Austin would have, too. It’s my kind of humor.
Hi, my name is CT Phipps, and I am a crazy nerd from Ashland, Ky. I'm married with two dogs and love superheroes. I mean love. I used to wallpaper my bedroom wall with Spider-Man comics in their polybags. I've been a lifelong superhero fan and just love all the melodrama, hilarity, and weird science as well as magic that are the undercurrents of the genre. I've never lost my love of the characters and their stories, so when the MCU first came out, I ended up writing this book as well as its sequels. I’ve also written a bunch of other humorous sci-fi/fantasy books but this is the series closest to my heart.
Superheroes and zombies seem like a terrible combination, but Peter Clines makes a fascinating story of zombies destroying the Earth but for a collection of superhero guarded survivors.
It's a bit like The Walking Dead combined with the Justice League, though the power level of the people involved is closer to Marvel's street level. The first book has some crass jokes that get dropped from the sequels but not enough that I didn't enjoy it. I have to say my favorite characters are Saint George (a Superman analog) and Stealth (a female Batman).
The Mighty Dragon. Stealth. Gorgon. Regenerator. Cerberus. Zzzap.
They were superheroes fighting to make Los Angeles a better place.
Then the plague of living death spread. Billions died, civilization fell, and the City of Angels was left a desolate zombie wasteland.
But the ex-humans aren't the only threats the heroes face. Another group is amassing power . . . led by an enemy with the most terrifying ability of all.
I have written stage and radio plays, poetry, short story collections, and, beginning in 2013, novels that comprise The American Novels series, published by Bellevue Literary Press. Unlike historical fiction, these works reimagine the American past to account for faults that persist to the present day: the wish to dominate and annex, the will to succeed in every department of life regardless of cost, and the stain of injustice and intolerance. In order to escape the gravity of an authorial self, I address present dangers and follies through the lens of our nineteenth-century literature and in a narrative voice quite different from my own.
I suspect that I was led to takeThe Malady of Death from my shelf by a subconscious directive. I admit that I am afraid of this book, its relentless probing, afraid I will never understand it however much I struggle. Confounded by it twenty-five years ago, I put it aside until my consciousness could mature. (Ha!) The fault must be mine, since her style, language, and structure are as limpid as Ernaux’s or Davis’s, although Duras’s prose carries a poetical charge deliberately absent in the other two writers. I begin to think that the trouble lies in my sex, that as a man, an Other to women, I can’t possibly know what Duras’s narrator is being made to gradually reveal not with the leer of a striptease artist but with the solemnity of a priestess presiding over ancient feminine mysteries.
A man hires a woman to spend several weeks with him by the sea. The woman is no one in particular, a "she," a warm, moist body with a beating heart-the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn love. It isn't a matter of will, she tells him. Still, he wants to learn to try . . .This beautifully wrought erotic novel is an extended haiku on the meaning of love, "perhaps a sudden lapse in the logic of the universe," and of its absence,…
I’ve loved words from the moment I met them. I wrote my first poem when I was eight years old and haven’t stopped yet! As a children’s book author, I love incorporating rhyme, poetry, or lyrical prose in the stories I write. I was a shy kid and often felt like my poetry wasn’t “good enough.” It is my goal to get kids excited about all forms of poetry and I want them to know that they can be poets if they want to and that writing, reading, and sharing poetry is fun and rewarding.
I love that this book incorporates riddles and haiku!
Kids can turn the pages and travel through the seasons (spring through winter) in an illustrated playful guessing game. “I am a wind bird/ sky skipper, diamond dipper,/ dancing on your string.” If you guessed a kite, you are right! A clever combination of art, riddles, and poetry wrapped up in a beautiful picture book package.
Spoiler Alert: Lion of the Sky is a firework! Wow!
you gasp as I roar, my mane exploding, sizzling― lion of the sky!
Haiku meet riddles in this wonderful collection from Laura Purdie Salas. The poems celebrate the seasons and describe everything from an earthworm to a baseball to an apple to snow angels, alongside full-color illustrations.
Many people are intimidated by poetry. For a big part of my life, I was too. So much of the poetry I had been exposed to was either indecipherable or irrelevant to me. Then I discovered some poems that I loved—accessible poems about subjects I related to. I started collecting poetry books, by both adult and children’s poets. Eventually, I was inspired to write poetry of my own. Today, I’m a poetry advocate, recommending my favorites to anyone who shows interest. The satisfaction I get from poetry boils down to this: When I read a good poem, I think to myself, “Wow, I didn’t know words could do that.”
After writing 14 children’s books about art appreciation, I decided to try my hand at children’s poetry. When I read this collection of haiku by Jack Prelutsky, it was a revelation. Each poem is a first-person description of an animal, full of rich, unexpected language. By writing in first-person, Prelutsky broke one of haiku’s cardinal rules. But it worked—and inspired me to write my own collection in the first person as well. Here’s one of my favorites poems in his book:
Raucously we caw.
Your straw men do not fool us.
We burgle your corn.
Seventeen haiku composed by master poet Jack Prelutsky and illustrated by renowned artist Ted Rand ask you to think about seventeen favorite residents of the animal kingdom in a new way.
On these glorious and colorful pages you will meet a mouse, a skunk, a beaver, a hummingbird, ants, bald eagles, jellyfish, and many others. Who is who? The answer is right in front of you. But how can you tell? Think and wonder and look and puzzle it out!
A creature whispers:
If not for the cat, And the scarcity of cheese, I could be content.
I’ve loved words from the moment I met them. I wrote my first poem when I was eight years old and haven’t stopped yet! As a children’s book author, I love incorporating rhyme, poetry, or lyrical prose in the stories I write. I was a shy kid and often felt like my poetry wasn’t “good enough.” It is my goal to get kids excited about all forms of poetry and I want them to know that they can be poets if they want to and that writing, reading, and sharing poetry is fun and rewarding.
A pet adoption story told completely in haiku? Yes, please!
This delightful story begins at a pet shelter when a little boy chooses a cat to take home. It is told from the point of view of the cat with “catitude” and is so clever and funny! I am more of a dog person, but this story won me over and warmed my heart! Younger kids will enjoy the story and darling illustrations while older kids will recognize the three short lines of the clever “one breath” poetry.
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
While Jack Kerouac can arguably be synonymous with the Beat generation, the poems in this collection reveal a lesser-known and seldom seen but poignant side of Kerouac’s legacy. He distills his surroundings into short vignettes, reminiscent of the Beat style and motif, but incorporates a significant amount of nature imagery. They’re beautiful glimpses of the world through the eyes of one of America’s most influential authors.
Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence,…
I am the author of ten collections of microfiction and poetry. I came to microfiction after having written several novels and short story collections. I just felt that I was saying more than I wanted to say. Microfiction has allowed me to completely distill my stories to the essence of what makes them tick. Of the 26 books I have written, the microfiction collections are my favorites because every word and idea is carefully measured. I am presently working on my next collection of microfiction and have no immediate plans to return to writing at longer lengths. Oddly, writing small has freed me up so I can experiment with various genres, structures, and ideas. I honestly feel microfiction has made me a much better writer.
John Edgar Wideman is the first African-American writer I can clearly point to who took microfiction seriously enough to write an entire collection. His stories are filtered through the lens of Blackness, but that is not the major reason why I like this book. Wideman does things with language that force me to completely step back and rethink things. I find myself reading his words aloud, simply because they feel as though they transcend the page. If it were not for Wideman, I would not feel as comfortable revealing the authenticity of my experience in my work.
BRIEFS is a groundbreaking new collection of "microstories" from celebrated author John Edgar Wideman, previous winner of both the Rea and O. Henry awards saluting mastery of the short story form. Here he has assembled a masterful collage that explodes our assumptions about the genre. Wideman unveils an utterly original voice and structure-hip-hop zen-where each story is a single breath, to be caught, held, shared and savored. A relief worker's Sudan bulletin, a jogger's bullet-dodging daydreams, your neighbor's fears and fantasies, an absent mother's regrets-Wideman's storytellers are eavesdroppers and peeping Toms, diarists and haiku historians. The characters and compass points…
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