Here are 100 books that Who Was Changed and Who Was Dead fans have personally recommended if you like
Who Was Changed and Who Was Dead.
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I’ve been a lifelong fan of Halloween, from the time I visited my town’s haunted house as a young kid in the 1980s to watching horror movies as an adult. As a writer of romance and romantic women’s fiction, love stories are also my jam. Many people think horror and romance aren’t compatible, but I combined both in my novella series Crazy, Sexy, Ghoulish, and the books in this list prove that Halloween and romance are meant to be.
I return to this dark, sensual collection of Angela Carter stories most autumns, often through audio book. While these are not technically romance stories, they’re what I call romance-adjacent: fairy tales centered on love and passion—and their dangers—with gorgeous language and twists that subvert your expectations.
My favorite story here is “In the Company of Wolves,” but really that’s like choosing a favorite child.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
I revere writing that doesn't cling to the ridiculously sacrosanct principle that conflict is essential to stories—especially conflict between good and evil. If any writer’s work completely sidesteps the convention of plot, it’s Lutz, who also publishes under the name Garielle Lutz. These voice-driven stories—of nameless folk seeking small comforts where they can find them—are nearly undescribable. Stomach-dropping little language surprises abound, and Lutz has a penchant for preserving American English heirloom words and phrases such as “Car-coat,” “shoehorn,” and “frankfurter shack". Many of the stories describe transient, uneasy relationships, yet laugh-out-loud humor is present, too. Some of the stories seem less to move forward narratively than to rock to and fro. Those interested in pure language-forward narratives by a master of sentences should read Lutz.
Even as a chapbook, it was one of Time Out New York’s Ten Best Books of 2007, and now we're proud to publish an expanded paperback edition of Partial List of People to Bleach, with six previously uncollected pieces, including the provocative and now-classic essay “The Sentence Is a Lonely Place,” and a foreword by Gordon Lish.
"Partial List of People to Bleach is at once cruelly honest, precisely painful, and beautifully rendered." —Brian Evenson
"Gary Lutz is a master—living proof that, even in our cliché-ridden, denial-drenched, hype-driven age, true originality is still an American possibility." —George Saunders
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
Constructed nonlinearly, this funny, playful, and complex novel concerns our culture’s pressure on men to “be” something; it’s also about the human sense of self in general. It has no conventional plot, though Kalich has created a perfectly workable structure: a kind of index that builds in intensity. Without giving particulars as to geography, age, family, or employment, the paragraph-length descriptions of Charlie P reveal him as hyperbolically great or defeated. Charlie P has accomplished both everything and nothing.
The character is an iconographic blank, perhaps an engineer or former bitcoin-seeker who, for all his striving, suffers an inability to engage with the world; perversely, he views that as “giving in.” It’s no understatement to say that readers of Charlie P, sometime in their lives, will have met a Charlie P.
“Charlie P is energetic, delightfully sardonic, dark without being oppressive, playful and very readable.”—Sven Birkerts
In Charlie P, New York author Richard Kalich offers us a singularly unique, comic, and outlandish everyman. Akin to other great American icons such as Sinclair Lewis’ Babbitt and Ring Lardner’s Al, Charlie P plumbs the relation between fantasy and reality to offer us a character both asocial and alienated and, at the same time, at the heart of the American dream.
I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.
This subtle and tender book is a moving look at life continuing in small moments after a bereavement. I love the marriage of words and images, where each part tells a different piece of the story and the relationship between the boy and his father. The boy asks questions, about the birds, the trees, the fox, and his mother, looking for reassurance. When the father repeats "everything is going to be alright," we are all reassured and comforted, and held safe in arms like a boat.
It's quieter than it's ever been. Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that…
I’ve always been drawn to stories about outsiders and misfits. Who hasn’t, at some point, wondered if they fit in with their family, friends, or school? I love the moments in stories when characters find their voice and recognize that being different can be empowering. As an elementary teacher, it’s my hope that each student in my classroom can share their uniqueness and let their voice shine. I want them to know that it’s okay to feel different or to be weird. The lead characters in the middle grade books I’m recommending all have that sense of being an outsider in some way. I hope you enjoy them.
"Everybody’s family is a little nutso. But there’s nuts…and then there’s the Kwirks." A scavenger hunt to find the ashes of their late grandfather! That premise may seem macabre, but John David Anderson has a gift for plotting the oddball, yet heartfelt, storyline with memorable main characters. With Rion Kwirk and his nutty family, he has done it again. From the opening chapter when a clown appears at the Kwirk’s door, singing a message about the death of their grandfather, I knew I was in for a hilarious, fun-filled journey—one that reminded me that being out of the ordinary only makes you extraordinary.
The acclaimed author of Ms. Bixby’s Last Day and Posted returns with an unforgettable tale of love and laughter, of fathers and sons, of what family truly means, and of the ways in which we sometimes need to lose something in order to find ourselves. Celebrate dads and Father's Day year-round with this warm and witty novel for tweens.
Rion Kwirk comes from a rather odd family. His mother named him and his sisters after her favorite constellations, and his father makes funky-flavored jellybeans for a living. One sister acts as if she’s always on stage, and the other is…
Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.
Jessica Warman’s Between is a marvelous study in flawed characters, who, by their very nature, are at times unlikeable. Ironically, I love unlikeable characters—because they’re written realistically and with plenty of potential for growth. Because I prefer to write characters with realistic attributes, and those in my own bookare no exception, I love reading their points of view. Additionally, it’s always interesting when these characters are dropped into situations requiring suspension of disbelief, and it’s even better when protagonists lead a cast of such characters. Between checks all of these boxes. It’s delicious!
Elizabeth Valchar-pretty, popular, perfect- wakes up after spending her eighteenth birthday party on her family's yacht to investigate a thumping noise. What she finds will change everything she thought she knew about her life, her friends, and everything in between. As Liz begins to unravel the circumstances surrounding her birthday night, she will find that no one around her, least of all Liz herself, was perfect-or innocent.
My love for magical and mysterious books was inspired by Harriet the Spy, Nancy Drew, Judy Bolton, and Harry Potter. Since I was 8 years old, I longed to write my own mystery series—SO I DID! My latest mystery series, The Curious Cat Spy Club, is based on my own childhood club. My friends and I played cryptic games, spied on suspicious neighbors, and helped abandoned kittens. I love writing about mysteries + animals. And I’m excited to share my favorite mysterious and magical books with you!!
I love a thrilling mystery with secrets, humor, and surprises. I couldn’t turn the pages fast enough to find out if anyone would realize Rosie and Baker were hiding their Great-Grandma in a freezer. It was all Great-Grandma's idea! The kids race against time to piece together clues to find a missing will and save the family home from destruction. Reminiscent of an Alfred Hitchcock story with unexpected twists and heart-pounding danger. Fun mystery!
A dead body. A missing will. An evil relative. The good news is, Great Grammy has a plan. The bad news is, she's the dead body.
Rosie and Baker are hiding something. Something big. Their great grandmother made them promise to pretend she's alive until they find her missing will and get it in the right hands. The will protects the family house from their grandmother, Grim Hesper, who would sell it and ship Rosie and Baker off to separate boarding schools. They've already lost their parents and Great Grammy--they can't lose each other, too.
I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
Maggie Callanan and Patricia Kelley were both hospice nurses when they wrote this book in 1992 and their book, having sold over 500,000 copies, is still a guide for those who find themselves in the presence of the dying.
The authors act as interpreters for the living and help them understand the language the dying often use. As a hospice social worker, it was not uncommon for me to hear the dying speak of packed suitcases or imaginary taxis pulling up to their doors.
This book helped me to engage with that language and to enter the altered reality that the dying often experience. It encourages us to let go of the rational and invites us into the mystery of death and dying in ways that are life-changing.
In this moving and compassionate classic—now updated with new material from the authors—hospice nurses Maggie Callanan and Patricia Kelley share their intimate experiences with patients at the end of life, drawn from more than twenty years’ experience tending the terminally ill.
Through their stories we come to appreciate the near-miraculous ways in which the dying communicate their needs, reveal their feelings, and even choreograph their own final moments; we also discover the gifts—of wisdom, faith, and love—that the dying leave for the living to share.
Filled with practical advice on responding to the requests of the dying and helping them…
I’m an author and human rights lawyer passionate about making reproductive rights accessible in law and in real life. My written work translates my legal cases into stories to engage readers in the fight to expand rights for all. My legal work leading the Abortion Coalition for Telemedicine seeks to make medication abortion legally available in all 50 states, regardless of a person’s ability to pay for it. I have 2 daughters and am always looking to learn from their experience in an ever-changing world and from a diverse range of other women making decisions about whether, when, and whom to have and raise children.
There are three things that Americans try to avoid talking about: sex, money, and death. This book takes us on a journey to explore the meaning of life and how we find wisdom in its endings.
Examining our habits, culture, and rituals it shows us different ways to face loss. As someone who has never liked to peer too closely into the dark cave to explore the meaning of death, I found the book gently and intelligently leading me by the hand into thinking about loss. Reading it even helped me to reconcile the pain of my mother’s loss and death by Alzheimer’s, shifting my focus to the parts of her that remain with and as a part of me.
When her earliest childhood friend is diagnosed with a terminal illness, Becker sets off on a quest to immerse herself in what it means to be mortal. Can we live our lives more fully knowing some day we will die?
With a keen eye towards that which makes life worth living, interfaith minister, mom and perpetual seeker Barbara Becker recounts stories where life and death intersect in unexpected ways. She volunteers on a hospice floor, becomes an eager student of the many ways people find meaning at the end of life, and accompanies her parents in their final days.
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