Here are 100 books that Tolkien, Enchantment, and Loss fans have personally recommended if you like
Tolkien, Enchantment, and Loss.
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I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
I am fascinated by the contradictions of Tolkien’s women and by the tension between Christian and pagan in his writing.
This book is particularly valuable for its explication of Tolkien’s integration of Marian and Valkyrie imagery, resulting in female characters of transcendental beauty and heroism. And the writing is absorbing and informative.
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
Verlyn Flieger is the doyenne of Tolkien criticism, and this collection sees her at her best.
I’ve often found that her brilliance lies in pointing out what’s been hiding in plain sight–and once you have seen it, your view is forever changed. “But What Did He Really Mean?” and “Politically Incorrect Tolkien” are my favorites, but there are many gems here worth excavating.
Devoted to Tolkien, the teller of tales and co-creator of the myths they brush against, these essays focus on his lifelong interest in and engagement with fairy stories, the special world that he called faerie, a world they both create and inhabit, and with the elements that make that world the special place it is. They cover a range of subjects, from The Hobbit to The Lord of the Rings and their place within the legendarium he called the Silmarillion to shorter works like "The Story of Kullervo" and "Smith of Wootton Major."
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
If you are anything like me, one of the reasons you keep coming back to Middle-earth is the landscape. This is the field guide I want to take on my next trip!
This is a very thoroughly researched compendium of information and folklore about real-world plants in Tolkien’s world—and about his invented plants as well. It's nicely illustrated, too!
The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution.
The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned…
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
I love a good, solid, chewy book of critical essays around a specific theme—I know, it’s a specialized taste. This is a good one.
Yes, I’d love to tramp peacefully around Middle-earth with the field guide I reviewed above, but there are horrors there as well, and this collection gives Tolkien’s dragons, wolves, spiders, and other monsters their due.
Fear and horror are an inextricable part of Tolkien's great mythology and his use of medieval sources for his evocations of fear and horror contribute to the distinctive tone of his work. This collection of essays shows how his masterly narrative techniques transform his sources, both familiar and unfamiliar, so that hitherto benign characters, objects and landscapes, as well as his famous monstrous creations, engage with deeply rooted human fears. The essays, by an international group of scholars, confirm Tolkien's worldwide reputation. They highlight the depiction of the fear associated with marginalised characters; explore the moral implications of light and…
Thanks to developing interests in both psychoanalysis and German idealism during my time as a student, I came across Slavoj Žižek’s writings in the mid-1990s. Žižek immediately became a significant source of inspiration for my own efforts at interfacing philosophies with psychoanalysis. By the time I began writing my dissertation – which became my first book, Time Driven: Metapsychology and the Splitting of the Drive – I had the great fortune to meet Žižek. He soon agreed to serve as co-director of my dissertation and we have remained close ever since. I decided to write a book demonstrating that Žižek is not dismissible as a gadfly preoccupied with using popular culture and current events merely for cheap provocations.
One prominent feature of Žižek’s oeuvrethat initially brought him to fame is his impressive ability to make Lacan’s writings and ideas crystal-clear and tangibly concrete—and this by contrast with Lacan himself, who often is described as “notoriously difficult.” Écritsis Lacan’s magnum opus, containing his most important essays and articles from the 1930s through the mid-1960s. Although the volumes of Lacan’s Seminar are comparatively easier to read, Écritsprovides the single most comprehensive survey of Lacan’s thinking provided by Lacan himself. This 1966 book contains such Lacanian contributions to psychoanalytic theory as the mirror stage, the unconscious structured like a language, and the Real-Symbolic-Imaginary triad. Neither Lacan nor Žižek can be fully comprehended without a tour of the Écrits.
Brilliant and innovative, Jacques Lacan's work lies at the epicenter of modern thought about otherness, subjectivity, sexual difference, the drives, the law, and enjoyment. This new translation of his complete works offers welcome, readable access to Lacan's seminal thinking on diverse subjects touched upon over the course of his inimitable intellectual career.
I have spent a great deal of time exploring how psychoanalytic theory might be the basis for a critique of capitalism. I had always heard the Marxist analysis of capitalist society, but what interested me was how psychoanalytic theory might offer a different line of thought about how capitalism works. The impulse that drives people to accumulate beyond what is enough for them always confused me since I was a small child. It seems to me that psychoanalytic theory gives us the tools to understand this strange phenomenon that somehow appears completely normal to us.
Kornbluh’s book is an incredible revelation. It shows that psychoanalysis provides an insistence on a formal interpretation that allows it to have a privileged critical position relative to capitalism. By showing capitalism’s formal impasses, psychoanalysis provides the perfect supplement to a Marxist critique and opens up possibilities for envisioning a non-capitalist future. The book uses realist fiction as a way to envision the formal critique of capitalism and really makes one want to read the books under discussion. I have taught this book to students, and they love it more than any other I’ve ever used.
In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to--and substantially shifts--that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity.
Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state…
Writing is in my blood – my grandmother wrote poetry, my mother writes novels, and over the last twenty-plus years I’ve written just about everything (and now I teach writing at my local university). I’ve loved stories for as long as I can remember. While my fiction career may be newly revived, I spent over 20 years as a pop culture commentator, poking at the minutia of the stories I love. I think stories may be one of the most important things in our culture – they inspire us, they brighten our day, they bring us to tears, and sometimes when we are lost they show us the way.
This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of whythe elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.
Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special. The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages…
I am a lawyer and novelist with a Master’s degree in philosophy. I read philosophy and its history to seek wisdom, knowledge, morality, meaning, and the means by which to think well. That is also why I read fiction. And a great philosophical novel can do what a treatise cannot: it can enlighten by style, perspective, the elicitation of empathy, by poignancy and aesthetic awe, and other qualities unique to good fiction. Although I could not possibly represent all the great philosophical novels in this short list, I’ve tried to present a meaningful cross-section. I hope you find these novels as enjoyable and meaningful as I have.
Nausea does not rely on the extreme or outlandish scenarios of science fiction to explore philosophical themes. Rather, this novel is about a person’s growing malaise over his conscious relationship to objects, people, and ultimately himself. It reaches into some very fundamental aspects of our relationship to the world, and asks you to look at the mere structure of existence after all particularities (names, shapes, colors, history, etc.) are wiped away, and then asks you how you feel about it. Through an existentialist lens, it also explores certain political questions. And for those more technically interested in philosophy, the novel does a better job of showing existentialism’s relationship to phenomenology than many academic papers.
Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogs his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spreads at the bottom of the viscous puddle, at the bottom of our time - the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain."
Winner of the 1964 Nobel Prize in Literature (though he declined to accept it), Jean-Paul Sartre - philosopher, critic, novelist, and…
I am a Regents Professor of Psychology at the University of Arizona. Ever since I was a child growing up in the South Bronx, I have been interested in why people are so driven to believe they are right and good, and why there is so much prejudice in the world. This has led to me to a lifelong exploration of the basic motivations that guide people’s actions, and how these motivations influence how people view themselves and others, and the goals they pursue.
This book summarizes the contributions of Otto Rank, the brilliant and influential psychoanalyst. Rank focused on two core psychological motivations, the desires for psychological security on the one hand, and for stimulation, growth, and creativity on the other. His work illuminates how these desires often work in concert but also often can be in opposition over the course of the lifespan, contributing to guilt, anxiety, and stunting growth. Rank’s analysis inspired the development of both existential psychology and humanistic psychology. Rank’s approach to psychological well-being is based on accepting and even affirming the limitations of life, understanding what you really want in life, and developing the will to move creatively toward achieving those goals so that one can live an authentic and satisfying life.
I am a professor of philosophy and editor or author of 12 books. I started out in ‘Freud Studies’ in the 1990s with no agenda, just a deep interest in Freud’s ideas. Since then I’ve written quite a lot on it. Unfortunately, the field is so contentious, so overrun with books by former patients and analysts, that casual readers couldn’t possibly make heads or tails of it. Readers are best served by reading complete works of Freud and making their own assessments. After that, they can look at Freud’s voluminous and eye-opening correspondence with colleagues. Then they can consult good books, and lists of recommended works, that put them in the right direction.
While some thinkers, such as Ernest Jones and Philip Rieff, had noted Freud’s lifelong reliance on 19th-century biology, it wasn’t until Sulloway’s tome of 1979 that a systematic investigation of Freud’s embarrassing biology was published. Hence the demystification Sulloway offers of a ‘psychoanalytic legend’ that routinely erases the foundational roles that Lamarckian inheritance and Haeckelian recapitulation play throughout Freud’s oeuvre. This dense, difficult, but well-argued and undeniable work is meant for experts but is key for all serious students of psychoanalysis.
In this monumental intellectual biography, Frank Sulloway demonstrates that Freud always remained, despite his denials, a biologist of the mind; and, indeed, that his most creative inspirations derived significantly from biology. Sulloway analyzes the political aspects of the complex myth of Freud as psychoanalytic hero as it served to consolidate the analytic movement. This is a revolutionary reassessment of Freud and psychoanalysis.
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