61 books like The Robert Sheckley Collection

As much a book about language as anything else, its central message may be the need for a love of education, but don’t let that put you off. It’s full of wordplay, puns, and wonderful whimsy.

Take, for instance the ‘watchdog’ called ‘Tock’ who’s large, can speak, and has alarm clocks on each side of his body. You might call it ‘picaresque,’ you might call it ‘bonkers,’ but never ‘predictable’!

I don’t remember that it contains a sword.

Technically, this book is science fiction instead of fantasy–aliens, spaceships, planet-hopping, check. But Adams isn’t particularly interested in the science or the predictive aspects as he is in finding a backdrop for his hilarious satire. His phrasing is so deft, his jokes so devastating that people are quoting him decades later. They’re still some of the funniest books ever written.

But there’s a bitter wounded heart under it all that comes out in a wistful strain of melancholy, which makes it all ring true. It’s funny because it has something deep and urgent to say about humans and our nature. But also because every traveler knows what he means by something “almost, but not quite, entirely unlike tea.”

Finishing Titus Groan, the first volume of the Gormenghast series, made me feel as though I was one of the few people to have scaled a towering, oddly-shaped mountain.

Set in the sprawling, half-ruined Castle Gormenghast, Titus Groan centers on the constrained, almost frozen relations between a declining noble family and their many servants, some of whom strain against the social order with all the energy of Satan in Paradise Lost.

Peake’s work is by turns inspiring and maddening: he would turn a phrase or describe a scene in such an arresting way that I couldn’t imagine how he pulled it off; at other times, I scratched my head at the loosely plotted, self-indulgent writing. But I’ve also never read anything like the Gormenghast series: Peake has such a gift for arresting imagery and wordplay that his work seems like a novel-length set of Edward Gorey drawings.

Liking Terry Pratchett is a bit like liking pizza: not terribly remarkable.

Pratchett is a master storyteller who commands not only tropes but the idea behind them with such skill that I can read one of his books and never realize I’m getting the most profound lesson of my life. I could have recommended any of his books, and more to the point, any of his City Watch books, but I single out this particular book for a reason. I’m a humanist, like Pratchett, and this book explores his humanism most effectively.

And it’s also an amazing mystery and incredible comedy. 

Laumer’s satirical books about Jame Retief, a functionary in Corps Diplomatique Terrestrienne, were inspired by his real-life career in the U.S. Foreign Service. They don’t have to be read in any order and mix short stories (as in this collection) and novels. Much of the humor comes from Retief ignoring the diplomatic niceties in dealing with the problems involving Earth and various alien races.

Wandering Stars is a landmark anthology that should be the starting point for anyone interested in Jewish science fiction and fantasy. It contains a collection of incredible short stories; it’s nearly impossible to pick out the best. My own favorites include William Tenn’s “On Venus, Have We Got a Rabbi,” Avram Davidson’s “The Golem,” Harlan Ellison’s “I’m Looking for Kadak,” and Isaac Bashevitz Singer’s heartbreaking, “Jachid and Jechidah.”

I fell in love with this book when I was eleven years old, and I still love it now. That’s despite the fact that I now see just how corrupt and vicious the first human visitors to the moon truly are.

Yet there are moments here that still hold the old enchantment. There’s the instant when the "hero" grasps that night is falling on the moon, and as the shadow of a new, strange "sunset" starts to lengthen that he has perhaps only minutes to live, or there’s the encounter with the Selenites and the realization that he faces an absolutely alien consciousness with no connection to his own.

No-one outdoes Wells in making the fantastic utterly real to the reader.

This book tries to answer one of those vital questions that we have asked ourselves since we were children and that, at least in my case, continues to be part of my interest as an adult: Why don't we have any real proof of the existence of other civilizations beyond Earth?

This question has its own name: the Fermi Paradox, the apparent contradiction between the high probability of extraterrestrial life and the lack of evidence for alien civilizations. I enjoyed how the author, Stephen Webb, goes over all the possible solutions to this paradox that science has been able to imagine. In the end, Webb gives his own solution (which does not match mine).

Asimov is known as the grandfather of A.I. Science Fiction, and yet, you don’t have to have much of an interest in robotics in order to appreciate many of his stories. One of the best examples of this would be Liar! A story that tackles how a robot, one which isn’t allowed to hurt humans, would try to circumvent peoples’ emotions in a situation in which their desire for career success and romance are on the line. As someone who has dealt with all sides of these affairs, Lair! Is one of those stories that reminded me that no matter what, I’m only human.

This novel captured my imagination when I first read it in high school, a time when I felt especially isolated. Not only is it a good outsider story, it’s a good come-uppance story (the evil forces get their come-uppance in the end).

When he’s eight years old, Horty Bluett runs away from his abusive adoptive family and his classmates who torment him. Some carnival people, also outcasts, take him in. Horty doesn’t realize until he’s older that he is an alien, grown by alien organisms from another world, and his special power is the ability to duplicate, or “mimic”, other life forms. This talent helps him thwart the sinister carnival owner’s plans and, as an added bonus, exact revenge on his cruel adoptive father, Judge Bluett.