Here are 100 books that The Poetry of Pablo Neruda fans have personally recommended if you like
The Poetry of Pablo Neruda.
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I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
It’s funny because he wanted to call it My Nigs, but didn't like the idea of white people saying, I loved your collection My Nigs!
That first poem “My President” just floored me with how he heralded all his friends by nominating them for office, like “the boys outside Walgreens selling candy/ for a possibly fictional basketball team” or the guy who hooks him up with a free slice of pizza as long as Danez gives him time to say salat.
There’s a poem about getting beat up, at once an act of violence and an act of care for while they're beating you up, they’re weirdly making sure they don’t kill you.
FINALIST FOR THE 2020 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY FINALIST FOR THE 2021 NAACP IMAGE AWARD FOR POETRY
Danez Smith is our president
Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can…
I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
I first came across this poet at a conference in Tennessee. You know you're legit when even the fiction writers are like, you need to read this guy.
The poem “Mexican Heaven” is about what heaven would be like if it were inhabited by all Mexicans. It’s hilarious and wise. He has this other poem about being disciplined by his dad, which captures the immigrant experience–how your dad beats you, but in the punishment is a strange form of love.
Olivarez is nice with it. His poems have rhythm and prowess, but they are also palatable in a way that doesn't sacrifice craft.
In this stunning debut, poet Jose Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Combining wry humour with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender,class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.
I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
Eve wrote a separate poem to incarcerated youth encouraging them to embrace their emotionality.
She said their tears were rain that they showed existed. It is a powerful poem, an incredible gesture to those working to overcome personal battles. Electric Arches, similarly, is everything you’d hope that a millennial would write. It updates the culture.
She has this poem about Emmett Till as an old man grocery shopping. The normalcy of this imagined life is the sadness of the piece. It basically said that if this man were alive, he'd be a regular guy going about his errands.
Electric Arches is an imaginative exploration of Black girlhood and womanhood through poetry, visual art, and narrative prose. Blending stark realism with the surreal and fantastic, Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances - Koko Taylor is a tall-tale hero; LeBron James travels through time and encounters his teenage self. Electric Arches invites conversations about race, gender, the city, identity, and the joy and pain of growing up.
I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
If you want a mix tape full of vibrant poets, this anthology has everybody and their mother.
Some of the cats I mentioned in the entries above plus Mahogany Browne, Fatima Ashgar, and so on. Word smiths respected by the literary scene and those hailed by the spoken word movement. If you're interested in the postmodern Hip-hop canon, this is the book for you.
Just as blues influenced the Harlem Renaissance and jazz influenced the Black Arts Movement, hip-hop's musical and cultural force has shaped the aesthetics of and given rise to a new generation of American poets. Edited by poets Kevin Coval, Nate Marshall, and Quraysh Ali Lansana, The Breakbeat Poets: New American Poetry in the Age of Hip-Hop is the first anthology of poetry from the hip-hop generation. The Breakbeat Poets are multigenerational and multiracial, employing traditional and wild style poetics to narrate a new landscape.
I worked at the International Center for Transitional Justice in 2009 when Uruguay held a second referendum to overturn the country’s amnesty law that protected the police and military from prosecution for human rights abuses during the country’s dictatorship. Despite the country’s stable democracy and progressive politics in the 21st century, citizens quite surprisingly rejected the opportunity to overturn the state-sanctioned impunity law. My interest in broader accountability efforts in the world and that seemingly shocking vote in Uruguay drove me to want to study the roots of that failed effort, ultimately compelling a broader investigation into how human rights culture in Uruguay evolved, particularly during and after its period of military rule.
So many books about the Pinochet dictatorship in Chile focus on the particularities of violence during that awful period in the country’s history.
Yet, Bread, Justice, and Liberty looks at a longer trajectory of the struggle for human rights in the country that focuses on socioeconomic justice that began long before the coup of September 11, 1973, and also continued much further afterward.
It is a beautifully written monograph that focuses on shantytown communities’ experiences and activism and expands our understanding of Chilean politics and human rights.
Winner of the SECOLAS Alfred B. Thomas Book Award Named Best Social Science Book, LASA Southern Cone Studies Section
In Santiago, Chile, poverty and state violence have often led to grassroots resistance movements among the poor and working class. Alison J. Bruey offers a compelling history of the struggle for social justice and democracy during the Pinochet dictatorship. Deeply grounded by both extensive oral history interviews and archival research, Bread, Justice, and Liberty provides innovative contributions to scholarship on Chilean history, social movements, popular protest and democratization, neoliberal economics, and the Cold War in Latin America.
I’m always delighted when a reader asks, “Did you work for the CIA?” It tells me I achieved the verisimilitude I was striving for in Under a False Flag. I’m also proud that my novel has been included in a university-level Latin American history curriculum. That tells me I got the history right. No aspect of modern history is more intriguing or controversial than the role covert action played, for better or worse, in the Cold War. With the exception of the Cuban Missile Crisis, which took us to the brink of nuclear disaster, the Cold War in Latin America was mostly fought in the shadows with markedly ambivalent achievements.
The 1973 coup in Chile violently destroyed the freely elected Marxist government of Salvador Allende and installed the brutal 17-year dictatorship of General Augusto Pinochet. For years afterward suspicions swirled that the U.S. was behind the event. But evidence was largely anecdotal. What is so impressive about this book is Kornbluh’s persistence deploying the Freedom of Information Act to obtain thousands of classified documents related to the coup. Kornbluh connects the dots and reveals the smoking guns. Through facsimiles of actual cables, telexes, and phone memos (many still highly redacted) this dossier allows you to draw your own conclusions about what really happened in Chile.
The Pinochet File reveals a record of complicity with atrocity by the U.S. government. The documents, first declassified for the original edition of the book, formed the heart of the campaign to hold Gen. Pinochet accountable for murder, torture and terrorism. The New York Times wrote of the original 2003 edition, 'Thanks to Peter Kornbluh, we have the first complete, almost day-to-day and fully documented record of this sordid chapter in Cold War American History.' With this 40th anniversary edition, the record is even more complete and up-to-date.
For almost thirty years, I have studied and tried to understand Latin America and the Caribbean. As a historian I have worked with manuscripts and newspapers and books, in archives and libraries and private collections, but I’ve learned my most important lessons elsewhere: on the baseball diamond in Holguín, Cuba, at pick-up cricket matches in Port-of-Spain, Trinidad, and in soccer stadiums in Rio de Janeiro, São Paulo, and Buenos Aires. These books help give us a sense of the power of such places, the power of sports to reveal the region, and as such they’re a great place to start to understand it.
As is the case everywhere, sports in Latin America are deeply political, and students of Latin America have noticed how leaders like Juan Perón and Fidel Castro have used sports to gain followers and shape their nations. In her impressive work on Chilean soccer, Brenda Elsey demonstrates that it is not only charismatic leaders who have understood sports’ political utility. She shows how Chilean workers and labor activists used soccer to construct their communities and defend their class interests in the midst of rapid capitalist expansion during the twentieth century, reminding us that sports are not only arenas of athletic activity; they are also always venues for practicing citizenship.
Futbol, or soccer as it is called in the United States, is the most popular sport in the world. Millions of people schedule their lives and build identities around it. The World Cup tournament, played every four years, draws an audience of more than a billion people and provides a global platform for displays of athletic prowess, nationalist rhetoric, and commercial advertising. Futbol is ubiquitous in Latin America, yet few academic histories of the sport exist, and even fewer focus on its relevance to politics in the region. To fill that gap, this book uses amateur futbol clubs in Chile…
I've been interested in U.S.-Latin American relations ever since my junior year in college when I studied abroad in Chile, a country that had only two years prior been run by dictator Augusto Pinochet. Often referred to as America’s “backyard,” Latin America has often been on the receiving end of U.S. machinations and expansions. In terms of the history of American foreign policy, it's never a dull moment in U.S. involvement in its own hemisphere. I have now had the privilege to work inside the executive branch of the U.S. government on Latin America policy, stints which have forced me to reconsider some of what I had assumed about U.S. abilities and outcomes.
So much ink has been spent on the Nixon administration’s early 1970s plotting and policies during the regime of democratic socialist president Salvador Allende. This exquisite book is a sharp reminder that, while far less studied, the Reagan administration was deeply involved in a Chile run by the very political actor who ousted Allende: General Augusto Pinochet. Yet, contrary to what we often assumed, the Reagan team eventually embraced a policy aimed to get Washington’s erstwhile ally out of power.
This book is the first comprehensive study of the Reagan administration's policy toward the military dictatorship of General Augusto Pinochet in Chile. Based on new primary and archival materials, as well as on original interviews with former US and Chilean officials, it traces the evolution of Reagan policy from an initial 'close embrace' of the junta to a re-evaluation of whether Pinochet was a risk to long-term US interests in Chile and, finally, to an acceptance in Washington of the need to push for a return to democracy. It provides fresh insights into the bureaucratic conflicts that were a key…
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
Using a truly interdisciplinary approach anchored in queer studies and affect theory, Frazier subverts the common approach to sex as privatized and located in individual subjectivity by looking at desire as a central component of political culture and power. The book explores a variety of Chilean political projects and actors throughout the twentieth century including feminists, the revolutionary left, and the military dictatorship to understand the ways in which both sexual and non-sexual practices and ideologies were intrinsically connected to emotions and ideas of pleasure and to sexualized and gendered discourses and experiences.
Desired States challenges the notion that in some cultures, sex and sexuality have become privatized and located in individual subjectivity rather than in public political practices and institutions. Instead, the book contends that desire is a central aspect of political culture. Based on fieldwork and archival research, Frazier explores the gendered and sexualized dynamics of political culture in Chile, an imperialist context, asking how people connect with and become mobilized in political projects in some cases or, in others, become disaffected or are excluded to varying degrees. The book situates the state in a rich and changing context of transnational…
I’m always delighted when a reader asks, “Did you work for the CIA?” It tells me I achieved the verisimilitude I was striving for in Under a False Flag. I’m also proud that my novel has been included in a university-level Latin American history curriculum. That tells me I got the history right. No aspect of modern history is more intriguing or controversial than the role covert action played, for better or worse, in the Cold War. With the exception of the Cuban Missile Crisis, which took us to the brink of nuclear disaster, the Cold War in Latin America was mostly fought in the shadows with markedly ambivalent achievements.
David Atlee Phillips played such a major role in covert ops in Latin America I had to make sure he appeared in my novel. After a long and successful CIA career, Phillips wrote this memoir of undercover derring-do. It reads like recruiting propaganda for the agency but what fascinated me was his frankness about the missions he ran and the methods he used. He was publisher of an English-language newspaper in Chile when the CIA recruited him in 1950. A natural storyteller, Phillips describes his undercover shenanigans in Guatemala, Cuba, the Dominican Republic, Mexico, and Brazil. By the 1970s he was at Langley HQ, in charge of all Western Hemisphere covert ops, including the actions (discreetly omitted in his memoir) leading to the coup in Chile.
For 25 years David Atlee Phillips stood "the night watch" for the CIA. He directed Western Hemisphere Operations when the Chilean government was overthrown (with CIA help) in 1973.
Phillips details his experiences in 18 countries. Along the way, we learn much about "the company," certainly one of the least understood and most controversial pillars of our defense ever to have been invented.
"Phillips is as skilled a writer as he was a spook, and his astonishingly readable book makes a convincing case for the necessity of an intelligence service such as the CIA." --Joseph C. Goulden.
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