32 books like The Killings at Badger's Drift

It was so difficult to pick just one book by the ‘Queen of Crime’, but for me, The Body in the Library is the perfect murder mystery set in an English village. When Dolly Bantry finds the body of a beautiful young woman in her library one morning, she immediately calls her best friend, Jane Marple. Miss Marple arrives at the hotel where the dead girl worked and finds herself in a world of glamorous dancers and wealthy invalids. She sets out to uncover the murderer and restore her friends’ reputations.

This is another murder mystery set in a quintessential English village and where we meet detective Adam Dalgleish for the first time. The day after the church fete, Sally Jupp is found dead in her bedroom, the door locked from the inside. I loved the way tension gradually builds through the story and how expertly each character is drawn. Nobody is who they seem, including the victim.

I chose this book as it was the one that introduced me to Morse, not the code but the Detective Chief Inspector. Apart from being an excellent crime solver, he is also a superb Times crossword solver. I liked that this cerebral activity was a clue in itself to his method of disentangling the threads linking the criminal to the murder. In that respect, he resembles Poirot, like Morse, a man of limited physical activity.

I found the man, rather than the policeman, was an enigma. He can be charming, but mostly he’s curt, cranky, and cynical. He has a passion for Real Ale, Scotch Whisky, and pubs but loses himself in classical music and opera. He’s a bachelor, sometimes a little lecherous, but he loves and admires women.

I was amused by the fact no one knew his first name. If asked, he would say it was Inspector. In… show more.

I first discovered the Inspector Littlejohn stories by George Bellairs when I briefly lived on the Isle of Man. Littlejohn has a dry sense of humour and a sharp tongue. In this story he is called in to investigate the death of a bishop whose emaciated body has been found at the bottom of the cliff at Cape Marvin. Little is known about the bishop and it is up to the inspector to discover if the answer to his death can be found in his past or in the secretive village of Cape Marvin.

Graham's village mysteries are dark reflections of the villages found in Agatha Christie, and she is especially good at looking under the rocks and finding what's crawling behind the idyllic villages. Chief Inspector Barnaby is the perfect British sleuth, both tough and intelligent. She does a terrific job of finding the problems that drive us in everyday lives, in this case, the secret passions that hide at an amateur production.

When Peter Robinson passed away in 2022, he had written 28 novels in the Detective Chief Inspector Alan Banks series.

Robinson needs no introduction here, but I have included him on this list because he sets these novels in a fictional town in the Yorkshire Dales, close to where I grew up, and also because he was very encouraging to me personally when I wrote my first Joe Romano novel.

Whereas the books are very much mainstream crime novels, they also have a literary quality to them. He manages to achieve a fine balance between genre fiction and a more literary style. You often forget that you’re reading crime at all.

The series was also made into TV series (DCI Banks) starring Stephen Tompkinson, which ran for five series, and really captures the essence of the books.

Among the Shadows is set in Portland, Maine. That was its first appeal since I live 30 minutes from Portland and because I’ve met Bruce at a couple of events for Maine writers. As a twenty-seven-year veteran in law enforcement, I figured he’d know his stuff. Among the Shadows isn’t just the intriguing story of a cop investigating the death of other cops, it’s also, you guessed it, got a flawed and tormented detective at the heart of the investigation. His recent separation from his wife and his love/hate relationship with alcohol, make Detective Sergeant John Byron a guy I wanted to get to know. It was well worth my time.

As a high school senior planning a career in law enforcement, I was mesmerized by Joseph Wambaugh’s account of the kidnapping of two Los Angeles police officers in 1963, and the murder of one of them.  Wambaugh unsympathetically details the stories of the two men convicted in the case, while at the same time humanizing the officer who survived and suffered from humiliation and guilt again and again throughout seven years of court proceedings against the men who kidnapped him and murdered his partner. The courtroom dialogue is verbatim, and to me, that leads to a feeling that the reader is actually there watching the proceedings. Wambaugh is a superb writer, and I consider this book is another must-read.

This National Book Award-winning novel is the story of an unnamed writer negotiating life in a Black skin that pre-empts most people from seeing him as an individual human being. And it has one of the funniest (pee-in-your-pants) first chapters I’ve ever read.

I not only laughed, but I so identified with the writer (and I think most readers will, no matter what your race—that is the genius of this writing), that I lived every moment of this crazy quest to be seen in a world that absolutely refuses to drop its projections.

But ultimately, the person who needs to see this man as a human being, accepting all of his history, hurt, and uniqueness, is the unnamed writer himself. This is a combination of crazy humor and pain.

For my last pick, I’ve chosen a novel published near the end of the Golden Age (roughly the 1920s through the 1950s). Author and solicitor Michael Gilbert set his novel in the chambers of Horniman, Birley, and Craine. After the death of the firm’s senior partner, a hermetically sealed deed box is opened, revealing the corpse of Marcus Smallbone, a co-trustee with the late Mr. Horniman of the valuable Ichbod Trust. With the help of newly qualified solicitor Henry Bohun, Chief Inspector Hazelrigg sorts through a maze of lies and misdirection to uncover the surprising perpetrator and motive. Martin Edwards, in the foreword to the Poisoned Pen Press edition, said, “The book blends in masterly fashion, an authentic setting, pleasingly differentiated characters, smoothly readable prose, and a clever puzzle.”