Here are 88 books that The Foundling fans have personally recommended if you like
The Foundling.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is filled with fascinating facts about medieval medicine, surgery, humoural theory, disease, and diagnosis. But what is surprising is how many other aspects of the Middle Ages are covered through the theme of bodies.
We learn about strange creatures like blemmyae (who have no heads and faces in their chests) and cynocephali (dog-headed people), saints and relics, race relations and politics, manuscript manufacture, religion, literature, travel, eating habits, love, sexuality, and gender identity.
I love how the chapters are organized by body part, from head to feet, a clever approach I have never seen in a history book before. Hartnell demonstrates how the medieval past is "an uncanny place at once startlingly different from and strangely familiar to our own."
Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love, and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different from our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or where the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule.
In this richly illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored, and experienced their physical selves in the…
In the Spring of 2006, I went to the south of France searching for troubadours. It was my MA year and my thesis was looking at the influence of the courtly love tradition on Chaucer’s writing. Troubadours (and the female, trobairitz) were nowhere to be found. The closest I came was a café named Le Troubadour. However, evidence of their lyrics was there in the beauty and lushness of Languedoc in spring. I'm always drawn to the poetry, landscapes, and love stories of the past and have experienced how these connections enrich my life. I've completed a PhD in seventeenth-century literature and become an historical fiction novelist and a devotee of history and historical fiction.
A mammoth of an historical novel set in the time of the Ottoman Empire.
A unique love story between the elephant keeper (and royal architect) Jahan, his special white elephant, Chota, and the interesting princess Mihrimah. As funny as it is heartbreaking, with characters so compelling they felt like cherished friends mourned and missed at parting, but whom I’ll always remember with deep fondness.
A dazzling and intricate tale from Elif Shafak, Booker-shortlisted author of 10 Minutes 38 Seconds in this Strange World - chosen for the Duchess of Cornwall's online book club The Reading Room
'There were six of us: the master, the apprentices and the white elephant. We built everything together...'
Sixteenth century Istanbul: a stowaway arrives in the city bearing an extraordinary gift for the Sultan. The boy is utterly alone in a foreign land, with no worldly possessions to his name except Chota, a rare white elephant destined for the palace menagerie.
I’m the girl who loved school excursions to historical parks and the middle-aged author who cannot keep away from a house museum. Like most Australians, I love to travel (you’ll meet us everywhere), gravitating towards historical sites and weighing down my luggage with museum-shop trophies from Beijing to Bath and Cusco to Athens. All novels are mysteries the reader wants to solve, but stories with multiple timelines add an extra layer of puzzle to the mystery. As a writer I get to craft those puzzle pieces. And as a reader, I love solving them!
Of course, the title leapt out at me from the bookshop shelf! And on reading the first page I fell in love with Shafak’s lyrical writing.
As I read further, I was drawn into the stories of love in many guises within its pages. I was intrigued by the way the author wove a modern narrative of a deeply unhappy American housewife with a story about the historical character, thirteenth-century Sufi poet, Rumi, and his friendship with wandering dervish, Shams of Tabriz.
The story took me to a place and time far from mine and I learned about a very different culture—yet in its philosophical concerns and themes, not so different after all. And I really loved that both Shams and Rumi were storytellers so that the novel had layers of nested stories.
The international bestseller from the author of the Booker-shortlisted novel, 10 Minutes 38 Seconds in this Strange World, The Forty Rules of Love is part of our Penguin Essentials series which spotlights the very best of our modern classics
*One of the BBC's '100 Novels That Shaped the World'*
"Every true love and friendship is a story of unexpected transformation. If we are the same person before and after we loved, that means we haven't loved enough..."
Ella Rubinstein has a husband, three teenage children, and a pleasant home. Everything that should make her confident and fulfilled. Yet there is…
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
I was delighted when Maggie O’Farrell started writing historical fiction, and this one is a masterclass in novel writing.
It opens as teenaged Lucrezia is taken to a remote hunting lodge by her husband Alfonso, the Duke of Ferrara. He has ordered all her personal servants to remain behind and as they eat dinner, she realizes he is planning to kill her. What a beginning! The writing is lush and colorful, the characterizations subtle, and the story utterly gripping.
WOMEN'S PRIZE FOR FICTION FINALIST • REESE’S BOOK CLUB PICK • NEW YORK TIMES BEST SELLER • The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court.
“I could not stop reading this incredible true story.” —Reese Witherspoon (Reese’s Book Club Pick)
"O’Farrell pulls out little threads of historical detail to weave this story of a precocious girl sensitive to the contradictions of her station...You may know the history, and you may think you…
I have always been fascinated by stories that use darkness in plot and character growth. As a former funeral director, I find stories with death—whether it’s the power of death, the death of a loved one, or something similar—to be really poignant. I always write books that embrace the darkness, and I love to see how characters come out on the other side. I hope you enjoy these books as much as I do!
When I tell you I gasped at the end of this book, I am not exaggerating. I am not one to be surprised by books, but this one kept me guessing the entire time.
I was surprised multiple times throughout the book, and the complicated relationship between Anna and her aunt is fascinating from the very first page. I also really loved the worldbuilding and magic system as it is expertly woven into the story.
I find that many fantasy books have a magic system that is just there, but this one drives the plot.
The International Bestseller
Within the boroughs of London, nestled among its streets, hides another city, filled with magic.
'Magic and love. Love and magic. They destroy everything in the end ...'
Anna's Aunt has always warned her of the dangers of magic. Its twists. Its knots. Its deadly consequences.
Now Anna counts down the days to the ceremony that will bind her magic forever.
Until she meets Effie and Attis.
They open her eyes to a London she never knew existed. A shop that sells memories. A secret library where the librarian feeds off words. A club where revellers lose…
Like any writer, I’m fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.
I hadn’t thought seriously about the problem of rubbish, sewage, and waste disposal before reading Jackson’s work.
I think it’s important, even crucial, for a fantasy writer to know where the poop and detritus go in the societies they’ve built; it’s part of the worldbuilding that gives an imaginary culture enough weight and heft to convince a reader.
Plus, Jackson’s prose is always marvelously clean, concise, and dryly funny.
In Victorian London, filth was everywhere: horse traffic filled the streets with dung, household rubbish went uncollected, cesspools brimmed with "night soil," graveyards teemed with rotting corpses, the air itself was choked with smoke. In this intimately visceral book, Lee Jackson guides us through the underbelly of the Victorian metropolis, introducing us to the men and women who struggled to stem a rising tide of pollution and dirt, and the forces that opposed them.
Through thematic chapters, Jackson describes how Victorian reformers met with both triumph and disaster. Full of individual stories and overlooked details-from the dustmen who grew rich…
What is it about women in their forties, fifties and beyond? What’s that you say? They feel invisible? A bit boring? Something about menopause? No, actually, I was going to say they’re absolutely bloody brilliant. That’s why (especially after entering my own fifth decade) I wondered where all the kickass midlife women were on TV and in literature. One editor admitted to me once that it was ‘safer’ to write about younger women, that people weren’t so drawn to the midlife heroine. But the more I thought about it, the more I realised how many great stories just weren’t being told.
This poignant, tragi-comedy of a novel is
both relatable and uplifting.
And though the protagonist is going through a bit
of a crisis, it’s ultimately a story of a woman finding herself and coming into
her own.
Grace’s relationship with her teenage daughter is so well described –
as mum of a teen girl I recognised the sadness she felt when she realised her
daughter needed her less than she’d used to.
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
Only one night with a handsome stranger in London? This has been my dream forever, and once I read this blurb, I immediately one clicked.
Sandi Lynn made me feel like I was literally living this, and I found it almost impossible to drag my eyes away. I wanted this book to continue forever, and if you haven't read it already, you need to.
Have sex with a stranger in a foreign country. It was on my list. It was something I’d never done before and I wasn’t sure if I could go through with it. But I did. Don’t tell him anything about yourself. No names. No personal information. Nothing. It’s all about the thrill. The mystery man. Keep him a stranger. That one night was the best night of my entire life. He was sexy, intense, and made me feel things I had never felt before. The next morning, the thrill was over and he was gone before I woke up. What…
Even as a child, I wanted to escape from current times and visit bygone or future eras. History and literature were favourites and I gleaned most of what I know of the past by reading. Then I found Georgette Heyer, prompting a lifetime love affair with all things Georgian and Regency. Agatha Christie got me into mystery. I loved both the puzzle of whodunit and being whirled away into Poirot, Marple, or Cadfael territory. A good mystery and a deep dive into history as well? Heaven! Best of all is the author who draws me so completely into their imaginary world that the real one fades away.
This one had me on the edge of my seat. More telling for me to be thrown back in time to the 1960s. I didn’t live this life, but the background was familiar. I remember the Kray brothers and I did once briefly have a job in the sleazy sort of club where the boss had his goons hold a guy so he could punch him in the gut. Scary. Simon Michael’s story is all too believable and it is a testament to his ability to pull me into that world that it threw up long-gone memories. The story is told in first person which works to keep you guessing along with the protagonist barrister sleuth. For me it was a thrill ride into the past.
The legal thriller series you need to read! Perfect for fans of John Grisham, Robert Bailey, Michael Connelly and Robert Dugoni.
Guilty until proven innocent…
London, 1960
Barrister Charles Holborne is not popular. A Jewish East Ender with a rough past, he is ostracised by his anti-Semitic and class-conscious colleagues who don’t want him in their prestigious Establishment profession.
And the bitterness Charles feels at work is spilling over into his personal life, putting his marriage under strain.
When a high-profile murder case lands on his desk, Charles is hopeful his fortunes will turn around. But after a shocking crime…
Without conflict there is no story. It doesn’t always have to be between the forces of good and evil with all of creation hanging in the balance. Nor does it need to entangle complex issues about morality and the human condition. Readers (and writers) can get just as pumped up about Karen from down the street arguing with her neighbour about that damn tree branch hanging over her fence. It just so happens that fantasy conflict, great and small, is my bread and butter. I was born and raised in New Zealand on a diet of anime and video games and I love reading a good honest dust-up.
Ruckley manages to strike a rare balance between high fantasy prose and Grimdark’s dirt-under-the-nails realism, and combines it all with thoughtful character development and an oftentimes sombre tone. On the one hand it’s about a boy’s coming of age journey and the tragedy of loss, and on the other a bitter and ultimately futile conflict of a people riven by the dogma of an emergent religion. There are visceral and superbly paced clashes between these opposing sides, which are both blinded by the all-encompassing madness of a magic user who is rapidly losing control of his own power. The fact that all of the suffering and slaughter in this story could easily be avoided is what makes it hit deepest. If everyone had just been nice to the poor boy, maybe he wouldn’t have turned into a narcissistic half-corpse hell-bent on psychic slavery and death. But hey, then there would…
It is a godless world. An uneasy truce exists between the human clans and ancient races. But now the clan of the Black Road move south, and their arrival will herald a new age of war and chaos. Behind it all seems to be one man, Aeglyss, a man whose desire for power will only be sated when he has achieved his ultimate goal: immortality.
Interested in
London,
worldbuilding,
and
presidential biography?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
London,
worldbuilding,
and
presidential biography.
