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I was seeking a direction for the third novel in the Bluebird series and my dates led me to Malta. Even as an avid reader of history, I knew shockingly little about the island’s tortuous punishment at the hands of Axis air forces. After much reading I was compelled to visit Malta myself, to tour the locations I would use, and ensure my fiction reflected the character of the landscape and the nature of the people that defended it so doggedly. Standing at Ta’Qali, where an airfield received in one single raid the same tonnage of bombs that crippled Coventry, I felt I’d been given permission.
James Holland is a popular historian because his works are so eminently readable. This book was his first and sprang from the BBC documentary, Battle for Malta, that he also wrote and presented.
Once Mussolini declared war on Britain, Malta, an island no bigger than the Isle of Wight, became a strategic keystone in the Mediterranean and was destined to become the most bombed place on earth. Holland uses survivor testimonies, diaries, and personal letters to focus his narrative on the tribulations and suffering as well as the hopes and fears of the ordinary Maltese and the servicemen sent to defend them. This is a splendid book that does much to illuminate a somewhat neglected part of British military history.
The extraordinary drama of Malta's WWII victory against impossible odds told through the eyes of the people who were there.
In March and April 1942, more explosives were dropped on the tiny Mediterranean island of Malta - smaller than the Isle of Wight - than on the whole of Britain during the first year of the Blitz. Malta had become one of the most strategically important places in the world. From there, the Allies could attack Axis supply lines to North Africa; without it, Rommel would be able to march unchecked into Egypt, Suez and the Middle East. For the…
I was seeking a direction for the third novel in the Bluebird series and my dates led me to Malta. Even as an avid reader of history, I knew shockingly little about the island’s tortuous punishment at the hands of Axis air forces. After much reading I was compelled to visit Malta myself, to tour the locations I would use, and ensure my fiction reflected the character of the landscape and the nature of the people that defended it so doggedly. Standing at Ta’Qali, where an airfield received in one single raid the same tonnage of bombs that crippled Coventry, I felt I’d been given permission.
George Taylor, young and Scottish, a private in the Royal Army Medical Corps, arrived in Malta in 1940, naïve to what the future held for him. Four years later he left as a cynical sergeant (and incidentally, a Master Freemason). In the interim, while letters home were heavily censored, he kept his own truths in an extensive secret diary. His candid narrative documenting the siege of Malta and the daily, pounding attacks from Axis air forces is shot through with his real anxieties for the survival of his relationship with Nettie, his fiancée back home. This is both a war story and a love story from a private world into which we have been invited by George and Nettie’s own daughter.
Four years: 3 million bombs: Zero Hour Food approaching ’The diary was kept secret because it had to be. Taylor knew he would be in trouble if it were found. There is no censor in the diary.' The Scottish Association for the Teachers of History 'Based on words and feelings recorded at the time it is probably unique.' Don Marshall, Military History Enthusiast The true story of WW2 Malta from an eye-witness account written at the time in a secret diary, a diary too dangerous to show anyone, and too precious to destroy. Four years, 3 million bombs, one small…
I was seeking a direction for the third novel in the Bluebird series and my dates led me to Malta. Even as an avid reader of history, I knew shockingly little about the island’s tortuous punishment at the hands of Axis air forces. After much reading I was compelled to visit Malta myself, to tour the locations I would use, and ensure my fiction reflected the character of the landscape and the nature of the people that defended it so doggedly. Standing at Ta’Qali, where an airfield received in one single raid the same tonnage of bombs that crippled Coventry, I felt I’d been given permission.
This compact, but detailed, history has been painstakingly researched from original Italian and German sources. The author explains the technical and tactical capabilities of the Axis air forces involved in the attacks on Malta and how their campaigns related to the wider Mediterranean war. We are treated to three full colour battle scenes painted by the renowned aviation artist, Graham Turner, as well as 3D tactical diagrams that recreate the airspace during key moments of the battle. The concise text is peppered with contemporary photos of the aircraft used, the personalities involved, and scenes on the ground. An essential handbook to fully understand the siege of Malta.
In 1940, the strategically vital island of Malta was Britain's last toehold in the central Mediterranean, wreaking havoc among Axis shipping. Launching an air campaign to knock Malta out of the war, first Italy and then Germany sought to force a surrender or reduce the defences enough to allow an invasion. Drawing on original documents, multilingual aviation analyst Ryan Noppen explains how technical and tactical problems caused the original Italian air campaign of 1940-41 to fail, and then how the German intervention came close to knocking Malta out of the war. Using stunning full colour artwork, this fascinating book explains…
I was seeking a direction for the third novel in the Bluebird series and my dates led me to Malta. Even as an avid reader of history, I knew shockingly little about the island’s tortuous punishment at the hands of Axis air forces. After much reading I was compelled to visit Malta myself, to tour the locations I would use, and ensure my fiction reflected the character of the landscape and the nature of the people that defended it so doggedly. Standing at Ta’Qali, where an airfield received in one single raid the same tonnage of bombs that crippled Coventry, I felt I’d been given permission.
Malta operated a small fleet of submarines from Manoel Island in Valletta’s north harbour. Painted cobalt for camouflage, they were kept submerged at their moorings to avoid enemy attention. Padfield’s book is a huge tour de force that details all aspects of the Mediterranean campaign together with all the other major submarine campaigns during the second world war. We learn about the submarine arms of Britain, America, Japan, and Italy, as well as the anti-submarine measures deployed by all sides. First-hand accounts, from submariners at the sharp end to the decision-makers in dusty ministry offices, are used to embellish this technically definitive account of the cloak and dagger world of underwater warfare.
The first book to cover the major submarine campaigns in all the WWII theatres.
The canvas is broad and deep, from the strategic perspective at the top to the cramped and claustrophobic life of the crews in their submersible steel tubes; from the feats of ‘ace’ commanders to the terrifying experiences of men under attack in this most pitiless form of warfare.
War Beneath the Sea describes the technical and tactical measures by which the Western Allies countered Admiral Karl Dönitz’s U-boat ‘pack’ attacks in the all-important North Atlantic battle; the fanatical zeal with which, even after defeat, Dönitz continued…
I am a successful published author of military history nonfiction and fiction with 44 titles in print and have been a lifelong obsessive on the subject of WWII which was my parents’ war. I started on a diet of black & white war movies, then epics such as Tobruk, Raid on Rommel et al. I have been lecturing on the subject at the former Centre for Lifelong Learning at Newcastle University (Now the ‘Explore’ Programme) for 25 years. I am also an experienced and much travelled WWII Battlefield tour guide, with experience of guiding all the major Western Front campaigns. I’m a lifelong historical interpreter and re-enactor.
A good modern account of the battle with a well-researched and detailed context. The authors are primarily journalists and the story is fully fleshed out with a good, well-paced contextual analysis and their version makes an interesting comparison/contrast with the more traditional, often hagiographic accounts of the Battle and of Montgomery as a general.
'Excellent ... a remarkable achievement and ought to be recognised as one of the most successful histories of the Western Desert and North African fighting yet to have appeared' John Keegan, Daily Telegraph
For the British, the battle fought at El Alamein in October 1942 became the turning point of the Second World War. In this study of the desert war, John Bierman and Colin Smith show why it is remembered by its survivors as a 'war without hate'. Through extensive research the authors provide a compellingly fresh perspective on the see-saw campaign in which the two sides chased each…
Glyn Harper has been researching and writing military history for over forty years. He is the author of numerous best-selling books on military history and is also an award-winning author of books for children and young adults. A former army officer, Glyn is New Zealand’s only Professor of War Studies.
This was the book that established Niall Barr’s reputation as one of the United Kingdom’s leading historians of the Second World War. Meticulously researched, thoroughly readable, and compelling, Niall Barr’s Pendulum of War has become the recognised standard work on the desert war in 1942. Anyone interested in the battles of El Alamein must read this book.
In late June 1942, the dispirited and defeated British Eighth Army was pouring back towards the tiny railway halt of El Alamein in the western desert of Egypt. Tobruk had fallen and Eighth Army had suffered a humiliating defeat at the hands of Rommel's Panzerarmee Afrika. Yet just five months later, the famous bombardment opened the Eighth Army's own offensive which destroyed the Axis threat to Egypt. Explanations for the remarkable change of fortune have generally been sought in the abrasive personality of the new army commander Lieutenant-General Bernard Law Montgomery. But the long running controversies surrounding the commanders of…
An avid reader, and a spec-fiction/fantasy reviewer for CM Canada online, I’ve wanted to tell stories for as long as I can remember. I write “pantser-style” and let the characters run loose, looking at their motivation to steer the tale, often starting with little more than an idea and, if lucky, a character or two. My love of history led me to writing mediaeval or historical fantasy, as my first group of published novels attest, but to avoid stagnation added science fiction and a fantasy detective series of novellas. To date have fourteen novels and three anthologies of my novellas published and have appeared on panels at several cons.
A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”
The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.
The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation's carcass, slaughtering and being slaughtered in turn.
This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.
This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.
Jane Finch lives in Norfolk, England and is married with one son. Jane has travelled extensively and has also lived in Canada, Spain, and the Caribbean. Having spent over twenty-five years working in English Law, Jane decided to try her hand at writing crime thrillers. Her first novel, Due Process, is based in her hometown in Norfolk. Her book, The Black Widows, published by Solstice Publishing, reached the top ten of Amazon’s crime thriller list. Jane is a member of International Thriller Writers Inc. Now retired, Jane is free to write full-time, when inspired to do so, although she says, “None of my friends tell me anything anymore because they know I’ll write about it!”
When John Darwin got into debt and ran out of money-making ideas, he decided to fake his own death so that his wife could claim the life insurance. The plan was to move to another country and live off the proceeds of his crime. But things didn’t go to plan. The arrogance and ineptitude of John Darwin, and his complete disregard for his family, defies belief. I couldn’t wait to read this book and was not disappointed. It has now been made into a drama by the BBC in the UK.
When Anne Darwin told the world and her family that her husband, John, had disappeared while canoeing in the North Sea, her life changed forever.
She had just lied to the police, the press, her friends and neighbours, insurance companies and her own sons.
While her husband hid in a bedsit in their rental house next door, Anne had to face the music. She claimed the life insurance payouts, endured the police questioning, accepted the consolations and left the country she loved to start her life again.
But why, when she had been perfectly happy with her lifestyle, knowing her…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
I was born within sight of Pembroke Castle, birthplace of Henry Tudor, who later became King Henry VII and began the Tudor Dynasty, so I’ve always had an interest in his story. I found several biographies, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three. Since then, I’ve continued to follow the Tudor ‘thread’ all the way from Owen Tudor’s first meeting with Catherine of Valois, and culminating with the Elizabethan Series.
Katherine was Sir Walter Raleigh’s mother, and this is her story. The slender thread of history flows through the book, and I particularly like the way Rosemary Griggs draws from fascinating details of Elizabethan life, weaving them with vivid descriptions of the Devon countryside to create an evocative narrative. Although I’ve had a lifelong fascination with Walter Raleigh, I never imagined I’d be present at his birth, and there is enough history here to help me appreciate something of his background and upbringing.
Few women of her time lived to see their name in print. But Katherine was no ordinary woman. She was Sir Walter Raleigh's mother. This is her story.
Set against the turbulent background of a Devon rocked by the religious and social changes that shaped Tudor England; a Devon of privateers and pirates; a Devon riven by rebellions and plots, A Woman of Noble Wit tells how Katherine became the woman who would inspire her famous sons to follow their dreams. It is Tudor history seen though a woman's eyes.
As the daughter of a gentry family with close connections…
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