100 books like Reading the Holocaust

Alexei Yurchak was part of the last Soviet generation—the last citizens born in the USSR who also lived through its collapse as adults. As the title suggests, Everything Was Forever Until It Was No More is a profound and poetic work about truth and what we come to accept as real. Yurchak wants to explain the paradox that, while Soviet people knew by the 1970s that their government was telling them almost nothing but untruths, they were still shocked to their core by their country’s demise. What I loved most about the book was Yurchak’s descriptions of ordinary life among his generation (their intriguing taste for the operatic qualities of metal, the elaborate public pranks they staged, the way they treated life like performance art). With pathos and humor in equal measure, Everything Was Forever Until It Was No More paints a brilliant portrait of a world that millions of… show more.

For me, the power of both history and anthropology as disciplines of knowledge is their shared capacity for taking a thing you thought you knew and showing you that you didn’t actually know anything about it at all—in fact, you didn’t even know what questions to ask about it. I would be seriously remiss in a list like this if I did not mention the book that first fascinated me, as a historian, with the anthropologist’s way of posing questions. In this towering classic of British social anthropology, Professor Douglas forces us completely to rethink something we actually never think about at all: dirt. But trust me, once you pose the question, “what is dirt?” you can never think about filth (and its structural counterpart, purity) in the same way again.

This book is a raw peek into America’s troubled past. It’s a series of interviews that Hurston conducts with a man who was on the last slave ship to make the transatlantic passage. It is a difficult read on two levels: subject matter and English. Hurston presents the words of a man named Cudjo Lewis as authentically as possible. What may seem to some today as parody, is translated to the page with accuracy. For me it communicated first-hand some of the past my main character has lived through. Books like this help to inform my protagonist’s current attitude toward the world (Alexander Smith in Blood For The Sun and All The Dead Men).

The Anti-Witch is kind of a follow-up to Favret-Saada’s complex and brilliant Deadly Words, in which the author wrestled with the phenomenon of modern witchcraft beliefs in northern France’s Bocage region and tried to get inside the logic of those beliefs. I said modern witchcraft beliefs, because for me as a historian, what Favret-Saada contributed most to my understanding of this phenomenon lay in the way that she insisted on its historicity. That’s a historian’s way of saying that she did not treat witchcraft beliefs as “timeless relics” that some people weirdly “still” believe, but rather as an evolving set of practices and ways of thinking about how the world works, and the place of evil within it.

Peter Kupfer travels back to Germany on several occasions to delve into the business his father was forced to abandon because of the Nuremberg Laws, helping him understand his father – and especially, his father’s emotional distance, and shows how Jews after the Shoah plunged ahead with their lives with something between stoicism and nihilism, which made it difficult for subsequent generations to understand their own emotions. 

I loved this non-fiction book, and reading it, I often broke down in tears, realizing this personal and innocent true teenage story was all leading up to the tremendous death of millions of innocent people.

This is the only Anne Frank book that I recommend to everybody from a young age. It is THE introduction to the real events of World War 2.

In my many years of teaching the Holocaust, I discovered that many students learn about the Holocaust from films. The problem is that many films are not accurate and in our age of Holocaust denial it is imperative that films be as accurate as possible in their depiction of the SHOAH. Browning’s book is by far the best available guide to films—the good, the bad, and the inaccurate, that depict the Holocaust.

This classic is about the need to speak up when someone sees something wrong. The story mirrors what many seemingly good people did not do during the WWII Holocaust. This story is told about different groups of animals, which is easier for young readers to understand. When the Terrible Things come to take away one group, the others feel relief. But one by one the Terrible Things take away another group. During this time no one speaks against what’s happening. They are just happy their time hasn’t come. By the time the Terrible Things come for the last group, there is no group left to protest and save them. The author wrote this book to “encourage young children to stand up for what they think is right, without waiting for others to join them.” That’s exactly what children in my books do and what I want to encourage in readers.

This novel evokes an extraordinary range of emotions. Skibell works wonders with folklore and history, turning out a tale of tales that is by turns shocking and horrifying, tender, and outrageously funny. The language is deceptively simple and beautiful. Consider this description from the murdered narrator, on returning to his plundered neighborhood after climbing out of a mass grave: “In front of every house were piles of vows and promises, all in broken pieces. How I could see such things, I cannot tell you.” The balance here—of imagination, grief, and lightness—is exquisite.

The partisan experiences of Primo Levi—chemist, Auschwitz survivor, and writer—are researched and offered in gritty, thorough detail by Luzzatto. Levi, in his writings, alluded to incidents that occurred during his time as a partisan, and Luzzatto delves deeper into the motivations behind these events and the personalities involved. The Resistance in its early days, while being hunted by Nazis and their Italian allies, became a small force of its own making, using collective, military-style decisions and tactics, and meting out its own forms of justice. An important book to gain insight into the complexities of purpose within the Resistance, learn about the crimes and subsequent justice of members of Salò—the puppet government installed in northern Italy—and understand the influences on political alignments and fascism in the period beyond the war.