100 books like On the Occasion of My Last Afternoon

In the plague years of 14th century England, a young runaway priest, Nicholas Barber, hides himself by joining a troupe of traveling players and thereby finds himself a new role in a wider world. Nicholas’s story begins at an inflection point, when the residents in a particular town are more interested in an actual crime of murder than in seeing yet another iteration of the traditional religious Morality play. To captivate and keep their audience, the actors—with Nicholas now one of them—create a play of real life about the town’s murder. Their drama evolves in a series of performances as they discover more details of the mystery, at last leading them to its resolution. A fascinating interplay of history, mystery, theater, and human nature! I love this book.

Biography is one of my favorite ways to explore history, and this double-biography is a doozy. The feud between Sarah Bernhardt and rival actress Eleonora Duse comes to dramatic life on the page as these remarkable women thrill theater audiences across the globe with their on-stage performances and off-stage scandals. Bernhardt created her public persona as the first superstar, and her name and fame certainly endure. But Duse intrigues me even more in contrast with the Divine Sarah. Unlike Bernhardt playing herself while playing a role, Duse disappeared into her roles with her natural, believable style of acting. Her technique revolutionized the theater from the late 19th century onward. And Duse’s style is the one that I find plays best in my head each time I read a novel.

Dickens created a panoply of over-the-top characters scripted for dramatic and comedic acting out in readers’ heads and in Victorian parlors where parents read his books aloud to their families. Dickens, too, could not resist acting his part as the famous author portraying his characters. With his vast talent and imagination and his theatrical inclinations, he toured himself to exhaustion performing his works before crowds of transfixed fans. This page-turner of a biography delves into a series of mysteries in the novelist’s life, including that of his public readings, which may have contributed to the curious circumstances of his death—all the while, revealing Dickens as a visionary artist as intriguing as any of his literary creations.

Everything about this literary novel captures my imagination, from the beautiful language to the quirky characters and atmospheric setting. It feels as if I’ve stepped into a fairytale with a mystery at the heart of it: a mysterious child has shown up at the local pub, and as the book unspools, we discover the secrets of the town and eventually the secret of the missing girl. 

The Armstrongs, Daunt, and Rita are characters as real as any people I know. Part of me still stays in the village of Radcot and wants to share stories at the local pub, The Swan.

Julia Cherry Spruill is herself a fascinating character, one who worked in her husband’s shadow most of her life, an academic wife, as it were, creating research methods for the decade-long project of examining women’s experiences in the New World. The book, after being published, was largely ignored for thirty years, until it was published in paperback at a time when women’s history was attaining status as an academic field. Women’s Life and Work is overflowing with details concerning women’s activities, clothing, food and drink, childbearing, and death, with personal anecdotes of their feelings about it all. 

A great book for teaching me how much the wartime experiences and political resistance of the soldiers’ wives and the slaves impacted the fate of the Confederacy and pushed it in directions never imagined by the planters who created the Confederacy to serve their interests and not the majority of the population they expected to do their bidding. 

A wittily written, powerful evocation of women’s lives in Arkansas from the 1930s to the 1980s, the history of how they got there and what made them such strong women. This is a revelation of family myth and tradition told fondly, yet with piercing pragmatism, in a way that provides insights into how we can understand women’s lives at all periods and in all places.

The period after the Civil War known as Reconstruction has long been overlooked by historians and educators; even less has been written about this period from a gendered perspective.

Laura Edwards provides an excellent analysis of the experiences of newly-emancipated women in shaping and surviving the political, social, and economic landscape of Reconstruction. She studies their history through first-hand narratives of how they established households, pursued their legal rights, and claimed their new roles as free women.

The book is not only a fascinating read about Reconstruction, it helped contextualize Edmonia Lewis’s and Meta Fuller’s emancipation sculptures, and their message about the freedwoman’s new identity.

There is one very excellent reason to read this book: It’s hilarious. Ms. King delivers her memoir of a 1950s-60s Southern childhood with searing, laugh-til-you-cry wit as she turns classic Southern tropes on their eccentric heads. Everything from the ubiquitous obsession with lineage (“Who are your people?”) to a mother’s nickname for a wayward child (“Mama Tried”) receives its due. It’s a must-read if you want to understand Southern culture or if only to make acquaintance with Ms. King’s most famous one-liner, an admission of the indelible effects of Southern training even in failed ladies: “No matter what sex I slept with, I never smoked on the street.” 

When Lauren Cook and I published They Fought Like Demons, we knew that our book, although groundbreaking, was only the tip of the iceberg in the story of women soldiers in the Civil War, and we always hoped that another scholar would pick up the torch and move the story forward.  Shelby Harriel has done just that.  Behind the Rifle is a meticulously researched and ably written account of the distaff soldiers who hailed from Mississippi, or found themselves there.  Citing previously unknown sources along with revealing newly-located photographs, Harriel’s contribution to the history of women soldiers is remarkable.