Here are 71 books that On the Front Line fans have personally recommended if you like
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I have no expertise in the military – I wish I did. But I have incredible respect for their work. I remember reading about the death of Oz Schmid, a bomb disposal officer who was killed in Afghanistan. It was the bravery of his widow, Christina, discussing the appalling lack of equipment and her quiet dignity that touched me profoundly. I asked myself, what can I do to help? Being a writer, I decided to write about it. I quickly realised that I needed an insider’s insight, and found Troll through Felix Fund, the bomb disposal charity. Troll and I wrote the play Later, After, seeing it performed was the proudest moment of my career.
Most books about the military are written by men. But I was fascinated by this practical tip-based book by journalist Rosie Garthwaite. Wonderful anecdotes amongst real gems for staying safe in dangerous places. I also used it as research for one of my novels about a female war correspondent in Afghanistan.
Everyone needs this book if they want to know how to get out of difficult situations whether at home or abroad. Written by Rosie Garthwaite, whose career as a journalist started in war-torn Basra, this book combines practical advice with contributions from many journalists and commentators including Rageh Omar and John Simpson, who share their own experience and advice on surviving in difficult and dangerous situations. Topics include how to avoid being misunderstood; how to avoid bombs and booby traps; how to escape from a riot; how to deal with frostbite and heat exhaustion; how to avoid trouble in sex,…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Becker writes vibrantly about three intrepid journalists who covered the Vietnam War and the U.S. invasion of Cambodia: Pulitzer Prize-winning magazine writer Frances Fitzgerald, photojournalist Catherine Leroy, and combat reporter Kate Webb, whose insistence on getting close to the action led to her capture. Their individual stories, including traumas and injuries are set in relief against wider history.
The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war.
Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade.
At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and…
K. Lee Lerner is an author, editor, and producer of science and factual media, including four editions of the Gale Encyclopedia of Science and the Encyclopedia of Espionage, Intelligence, and Security. His expansive writing on science, climate change, disasters, disease, and global issues has earned multiple book and media awards, including books named Outstanding Academic Titles. An aviator, sailor, and member of the National Press Club in Washington, his two global circumnavigations and portfolio of work in challenging and dangerous environments reveal a visceral drive to explore and investigate. With a public intellectual's broad palate and a scientist's regard for evidence-based analysis, Lerner dissects and accessibly explains complex issues.
June Carolyn Erlick, editor-in-chief for ReVista, the Harvard Review of Latin America, casts a seasoned journalist’s eye on the 1980 abduction of Guatemalan journalist Irma Flaquer. Returning home, Flaquer was pulled from her car and was never seen again. Flaquer, a popular and respected journalist with an influential column, Lo Que Otros Callan or "What Others Don't Dare Write", was also the founder of the first Guatemalan Human Rights Commission. Throughout her career, Flaquer survived beatings, car bombs, and drive-by assassination attempts that did not daunt her from doing her job as a reporter to expose Guatemalan suffering at the hands of their corrupt U.S.-backed government and the cost the Guatemalan people paid as Cold War pawns.
"If I die, don't cry for me—because I was fighting for what I love."—Irma Flaquer
On a quiet October evening in 1980, Guatemalan journalist Irma Flaquer, returning to her downtown apartment after a visit with her four-year-old grandson, was dragged from her car, never to be seen again. Founder of the first Guatemalan Human Rights Commission, she was a crusading reporter who did not tolerate corruption or repression. Best known for her weekly column that ran for over twenty years in various Guatemalan newspapers—Lo Que Otros Callan or "What Others Don't Dare Write"—Flaquer criticized presidents, politicians, and the heads of…
I’ve been driven to help advance women and girls around the world for years, shining a light on their stories of resilience and strength, even in the most dire of circumstances. My thirty-plus-year career in global development has introduced me to hundreds of inspirational women who are changing their own lives, investing in their families, and building their communities. I am a woman for women because of them. The recommended authors are inspirational women in their own right who have used their writing to amplify the voices of other women. I hope you enjoy these books and can identify with the personal stories found in their pages.
It's What I Do: A Photographer's Life of Love and War is the memoir of Lynsey Addario, a photojournalist who is called to cover multiple wars in the Middle East and Africa. This book not only spans Addario’s professional journey to capture the utter devastation of life in the midst of war, but also her struggles to find a reasonable balance between her dangerous yet fulfilling career and the personal relationships in her life - something many women face! If you want an absorbing read and to be inspired, I cannot recommend this book enough.
“An unflinching memoir . . . [that] offers insight into international events and the challenges faced by the journalists who capture them.” —The Washington Post
War photographer Lynsey Addario’s memoir is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.
Lynsey Addario was just finding her way as a young…
I am a Bangkok-based journalist from San Francisco, California, reporting news from Asia since 1978 and winner of Columbia University's Foreign Correspondent's Award. My work, including this book, has taken me to Tibet, India, Nepal, Laos, Vietnam, Afghanistan, Sri Lanka, New York, and elsewhere. Fragments of people and their distant voices are the behavior and quotes that inspire. Slices, starting at random moments and ending in bleak locations, fascinate and hypnotize. And transcribing handwritten notes, impressions, and exclusive interviews, create my RocknRolla lyrics.
The fiercely independent spirit of surrealists and other people trying to survive during World War 2 permeates this opulent novel with ghostly quotes and rebellious beliefs.
Laced with angels, forests, dreams, and women, this diary becomes increasingly fraught with questions of obedience, patriotism, dictatorship, and freedom.
Will your own perceptions be radicalized or soothed by this war story?
Inspired by one of the finest lyrics in the English language, the anonymous, pre-Shakespearean "Tom o'Bedlam" ("By a knight of ghosts and shadows / I summoned am to tourney / Ten leagues beyond the wide world's end / Methinks it is no journey..."), Kenneth Patchen sets off on an allegorical journey to the furthest limits of love and murder, madness and sex. While on this disordered pilgrimage to H. Roivas (Heavenly Savior), various characters offer deranged responses, conveying an otherworldly, imaginative madness. A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic…
As someone who loves my work, I’ve noticed that in fiction when a woman is successful at her career, often that career mainly functions as a source of guilt or stress. Fictional working women spend a lot of time second guessing their choices, and, hey, it is hard to balance work and family. Women are torn in multiple directions. But I also believe it’s okay to love your job. It’s okay to find joy in it and to not beat yourself up. I find deep satisfaction in writing, and I enjoy reading about characters who know the rush of doing a job well.
I’ve never read anything quite like this novel centering on a female photographer, Helen Adams, covering the Vietnam War. Years after reading it, I can still picture scenes and, I swear, feel the heaviness of the air and hear the fruit falling from the trees. Soli has talked about how she got tired of reading wonderful novels where the men went off and had wartime adventures and the women just dropped off the page. So she wrote her own wartime saga.
Helen Adams never drops off the page—she leaps off them. The writing is as lush as the landscape, and you’ll fall entirely into the world of the book. There’s war and treachery and duty and passion, and nothing is ever simple.
A New York Times Best Seller! A New York Times Notable Book!
A unique and sweeping debut novel of an American female combat photographer in the Vietnam War, as she captures the wrenching chaos and finds herself torn between the love of two men.
On a stifling day in 1975, the North Vietnamese army is poised to roll into Saigon. As the fall of the city begins, two lovers make their way through the streets to escape to a new life. Helen Adams, an American photojournalist, must take leave of a war she is addicted to and a devastated country…
While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.
Some readers may know about the late great Martha Gellhorn through her dramatically volatile relationship with the novelist Ernest Hemingway. But she was a fierce and passionate writer of fiction herself, and when I discovered her collection of war journalism I realised that she ranked and still ranks amongst the finest of war correspondents. Even decades after the event, Gellhorn still has the power to shock and move us. By choosing to put the suffering of individuals at the heart of her writing, by the unflinching detail of her descriptions, evoking the sights, smells, and sensations of war she drives home her own profound conviction that while the fight against fascism had been necessary in her time, war itself is nearly always an evil, driven by the cynicism and greed of powerful old men.
A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair).
For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Foreign correspondent Hilsum uses unpublished diaries and interviews with Colvin’s friends, family, and colleagues to create an incomparable portrait of this indefatigable, daring, modern woman who was killed in 2012 while reporting in Syria. Like Gellhorn, Colvin reviled “objectivity shit,” and wrote about the horrors she witnessed in Kosovo, “when you’re physically uncovering graves…I don’t think there are two sides to a story. To me there is a right and a wrong, a morality.”
A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November
"Now, thanks to Hilsum’s deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York Times
The inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed…
I am a Bangkok-based journalist from San Francisco, California, reporting news from Asia since 1978 and winner of Columbia University's Foreign Correspondent's Award. My work, including this book, has taken me to Tibet, India, Nepal, Laos, Vietnam, Afghanistan, Sri Lanka, New York, and elsewhere. Fragments of people and their distant voices are the behavior and quotes that inspire. Slices, starting at random moments and ending in bleak locations, fascinate and hypnotize. And transcribing handwritten notes, impressions, and exclusive interviews, create my RocknRolla lyrics.
Being a foreign correspondent in the so-called "developing world" is complicated in a myriad of ways, and journalists often become so deep into the story that their needs become strangely surgical, legal, and surreal.
Need some specific quotes to describe what is happening amid a bloodbath? Want to profile victims of torture and slaughter? Behr's book brings you into his experience as a foreign correspondent for Newsweek in Africa and other media work in a way few other reporters would like to admit -- except to each other.
This foreign correspondent's book gives an account of the author's time in China and South-East Asia during the 1960s and 1970s when he was South-East Asian Bureau Chief for "Newsweek".
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
Moseley was the Chief European Correspondent for The Chicago Tribunefor the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship.
It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.
Readers get a vivid sense of how World War II was just that—a war that raged across the globe.
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II's daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents' writings to relate, in an exhilarating parallel narrative, the events across every theater-Europe, Pearl Harbor, North Africa, and Japan-as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies.
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