100 books like North Woods

I love books about books, so I was thrilled when Oxford's Bodleian Library and a bewitched alchemical manuscript turned up as the linchpin of this enchanting love story between a vampire and a reluctant witch.

While this story was made into a television series, do yourself a favor and read the entire trilogy. Harkness creates a compelling framework of history and heroics, love and loss, and friendship and betrayal for her underworld creatures to inhabit. And these are not your typical creatures of the night, but accomplished scholars, physicians, and scientists.

This book is one of those rare novels I wish I could read again for the first time and fall under its magical and mesmerizing spell anew.

This book is always on my list of favorite reads. Morgenstern invites us to inhabit a world where magic not only seems possible but wholly believable. I’ve read this book numerous times, and it always casts a spell over me so completely that the rest of my troubles disappear as quickly and mysteriously as the circus moves to another town.

The competition-turned-love story between two young magicians, Celia and Marco, moves the plot forward at a driving pace while enchanting subplots abound. Whenever I feel like I need to rekindle the magic in my own life, I pull this novel off the shelf.

I devoured this book when it first came out in 2006, indulging in every delectable morsel of its language, culture, and history. I remember racing to finish the last hundred pages before my children (now grown) hopped off the school bus.

There are scenes from this novel that remain as fresh in my mind today as when I first read them. Urrea creates an immersive, lush, and lyrical setting for this story based on the life of his real great-aunt, Teresita, who had healing powers and was acclaimed as a saint.

I love reading historical fiction that transports me to another time and place and educates me without feeling like a history lesson. 

Isn’t it wonderful when you pick up the right book at the right time? That’s exactly how I felt about this book.

I inhaled this novel, reading it in just a few sittings over two days. I loved how the three female protagonists were linked through time by their connection to Weyward Cottage and their exceptional connection to nature.

This novel moves effortlessly between points of view in 1619, 1942, and 2019. Hart ties the three women’s stories together beautifully at the end, making this read as satisfying as a perfect cup of tea on a cold winter’s day.

Pitkin writes in a very accessible style. What drew me into this book, in particular, is that he starts the book off with a personal experience. He writes of the incident that turned him from a skeptic into a believer in the paranormal. Intriguing stuff, to be sure ... but this revelation also changed his attitude towards teaching, making him more tolerant of other cultures, and more open to sharing different worldviews with his students. Whereas prior to this experience, he had been dismissive of what he saw as "primitive" beliefs (regarding African belief in witchcraft and the afterlife), he was now more willing to explore alternative belief systems with his students.

Harriette Merrifield Forbes pioneered the field of American gravestone studies. Her admirable study has separate chapters on several artisans, including the 17th and 18th-century stonecutters of Boston, the Lamsons of Charlestown, the Fosters of Dorchester, the stonecutters of Groton and Harvard, and the “Thistle-Carver” of Tatnuck. It also has chapters on the gravestones of Rhode Island and Connecticut. 

Forbes initiated real interest in this area of research. I found it astounding that she could have accomplished so much in the 1920s—before the introduction of modern battery-powered flash systems (which I relied on so often in highlighting shallow carvings and lettering)—and almost singlehandedly lit the fire of inquiry in so many of us who followed her model. She was also attentive to the human side of this craft, with many interesting observations on the stonecutters’ intentions and skills.

John Putnam Demos remains the “dean” of historians of the Salem witch trials. 

Entertaining Satan remains his most impactful contribution to the study of the events of 1692 by providing their cultural context in early New England, upon which historians have built over the years expanding upon Demos’ findings.

Perhaps his greatest contribution is his interdisciplinary approach invoking the research tools of psychology and sociology, as well as cultural history. His concluding chapter, “Communities: Witchcraft over Time,” provides broadly, excellent insights drawn from his extensive research.  

The Tashjians’ book challenged the idea that Puritans rejected visual art. Their study is important in documenting a new aesthetic, where the skull (death’s head) gives way to the winged faces of angels (cherubs), which were more gentle and sentimental in style rather than dark and threatening. Specific stonecutters discussed in this book include John Bull, William Codner, Zerrubbabel Collins, William Young, Henry Christian Geyer, Joseph Lamson and his shop, William Mumford, John Stevens and family, and Jonathan and Moses Worster. These are names well-known to anyone versed in this art form.

I was taken by the fact that new motifs in gravestone design could spread through the stonecutter community with such personalized innovations and styles. Further, in chapter 8: "The Icons of Essex," County provided a contrast with another style of cutting faces in stone. This book significantly broadened my view of stonecutting styles in New England. It also… show more.

This is one of the nonfiction books I read as a teenager that convinced me to become a professional writer. The author, Sebastian Junger, doesn’t just describe the titular storm (which hit the U.S. East Coast in 1991) in terrifying detail—he also manages to assemble all of the weather-driven chaos into a real, gripping narrative. We don’t know a lot about what actually happened to the Andrea Gail, the fishing boat at the center of the narrative, but Junger recreates its final hours in a way that feels bracingly real—and heartbreaking.

Even if you don’t like nonfiction books, The Perfect Storm has the pacing and heart of a novel. I consider it one of the finest—maybe the finest—disaster narrative ever written, and it’s a perfect choice of book if you’re trapped inside by a raging storm.

This book is densely illustrated (I’d guess that about three-quarters of the 430 8”x10” pages of the main text are filled with images). This was what first led me to travel to New England to see these stones for myself, which I did six years later.

This combination of rich art and Puritan values should challenge anyone’s assumptions about early American sensibilities.