Here are 100 books that Montrose fans have personally recommended if you like
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I am the author of sixteen novels—six of them set in the mid-seventeenth century. The English Civil Wars and their aftermath is a period very close to my heart—combining as it does fascinating personalities, incredibly complicated politics, and all the drama and bloodshed of civil conflict. My greatest pleasure has been finding and featuring real men whose names are now largely forgotten.
Set in Cornwall, before and during the Civil War, this is a terrific tale based upon the lives of real people—most notably, perhaps, Sir Richard Grenville the King’s General in the West. It’s the story of the Rashleigh Family and Menabilly—where Daphne du Maurier herself lived.
Well written as one would expect of du Maurier—it’s a beautiful story, beautifully told; absorbing, exciting and hard to put down.
Inspired by a grisly discovery in the nineteenth century, The King's General was the first of du Maurier's novels to be written at Menabilly, the model for Manderley in Rebecca. Set in the seventeenth century, it tells the story of a country and a family riven by civil war, and features one of fiction's most original heroines. Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone. As Richard rises through the ranks of the army, marries and makes enemies,…
I am the author of sixteen novels—six of them set in the mid-seventeenth century. The English Civil Wars and their aftermath is a period very close to my heart—combining as it does fascinating personalities, incredibly complicated politics, and all the drama and bloodshed of civil conflict. My greatest pleasure has been finding and featuring real men whose names are now largely forgotten.
The famous story of Charles the Second’s escape from England during the six weeks following the Battle of Worcester in 1651. I believe Heyer based her book on the account Charles gave to Samuel Pepys. Interestingly, while in exile, the King never told the whole tale and changed numerous details to protect those who had helped him.
Royal Escape is an enjoyable and entertaining read told by a master storyteller.
A fascinating look into a tumultuous interlude in British history and the life of Bonnie Prince Charlie.
This brilliantly entertaining novel is a fictionalization of the true story of Charles II (May 29, 1630 ? February 6, 1685), charting his daring flight to France after the Battle of Worcester, where Cromwell and his Protestant forces defeated the Catholic king. For six weeks, Charles' life was in danger as he hid in the English countryside, disguised as a servant, unable to find a way across heavily guarded borders. His loyal courtiers were appalled by the ease and glee with which he…
I’m a Scottish writer of historical fiction and historical romance. I’m also a history graduate with imagination, by which I mean I’m as interested in what mighthave happened as what definitely did! So much of history is open to interpretation, taking account of who wrote what for whom, and why, and that is a large part of what fascinates me. And of course, I love a good historical novel that combines compelling writing with excellent research—especially when a controversial hero is shown in a new or captivating light.
I first read this in my teens and was utterly blown away. It tells the story of the young Prince Rupert of the Rhine, most famous for fighting for his uncle, King Charles the First in the English Civil Wars. I knew little about “Roundheads and Cavaliers” at the time but had the vague idea that cavaliers were silly dandies with long hair who deserved to lose, and that Rupert was a mere mercenary desperate to make money out of someone else’s war. The Rupert of this beautifully written and impeccably researched novel is so much more—dashing, yes, and fascinated by war, but also skilled, thoughtful, honourable, loyal, and unexpectedly vulnerable to those he loves. I believed in Ms. Irwin’s Rupert utterly. After my own studies, I still do.
I am the author of sixteen novels—six of them set in the mid-seventeenth century. The English Civil Wars and their aftermath is a period very close to my heart—combining as it does fascinating personalities, incredibly complicated politics, and all the drama and bloodshed of civil conflict. My greatest pleasure has been finding and featuring real men whose names are now largely forgotten.
First published in 1847, the writing style seems somewhat ponderous these days. I read it when I was about twelve—and this is where I discovered the English Civil War. It begins in 1647 and tells the story of four children who, their home burned by Parliamentary soldiers, flee to hide in the forest during a time of danger, persecution, and war. Its bias is unashamedly Royalist but that isn’t necessarily a flaw.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
This is an integrated and detailed account of the Wars of the Three Kingdoms across Britain and Ireland, the English Republic and the Restoration of the Monarchy in 1660. It is written in an engaging and lively style and concisely integrates the large body of scholarship that emerged with the new British histories in the 1990s and early 2000s.
This is the definitive history of the English Civil War, set in its full historical context from the accession of Charles I to the Restoration of Charles II. These were the most turbulent years of British history and their reverberations have been felt down the centuries. Throughout the middle decades of the seventeenth century England, Scotland, and Ireland were convulsed by political upheaval and wracked by rebellion and civil war. The Stuart monarchy was in abeyance for twenty years in all three kingdoms, and Charles I famously met his death on the scaffold.
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
This is another classic within the historiography of the period which along with S.R. Gardiner’s work is still considered one of the solid early professional histories of the period. Although some historians may consider it a little dated, it is a concise and detailed analysis of the Wars of the Three Kingdoms. Wedgewood’s style of writing is accessible and lively. This 3 book series is still considered as some of the best books ever written on the period (be sure to check out The King's War and Trial of Charles as well).
This volume tells the story of the four eventful years which immediately preceded the Civil War, years which transformed the tranquil dominions of King Charles into a land rent by mistrust and menaced by fire and sword. It tells of the rise of the covenanters in Scotland with such leaders as the gallant Montrose and the mysterious Argyll. It tells of Parliament's opposition to the King under the skilful leadership of John Pym. The tragedy of Strafford is linked with the terrible insurrection in Ireland. Miss Wedgewood has sought to convey the vivid day sequence of events as they flooded…
There is a saying that you can take the girl out of Scotland but not Scotland out of the girl. I am that girl. Born and raised in Scotland, I earned an MA from Edinburgh University and a M.Litt from Oxford. I met my husband during the summer at Dartmouth College and the rest, as they say, is history. Or, at least it would be, except for the hankering back to Scotland that never leaves. My novel set in Scotland was published by Simon & Schuster.
This is an extensive biography of Scotland’s celebrated bard, Robert Burns, and includes a collection of unpublished letters. Scotland’s own “heaven taught ploughman,” gave life a run for its money, giving us in his few but fruitful years lines of poetry that match Shakespeare himself.
Oh, would some
Power the giftie
gie us
To see ourselves as
Others see us!
McIntyre gives Burns a good shot. No Scottish writer, including myself, could think of their career trajectory without Robert Burns standing out prominently along that line. He gave us the gift of hubris and the gift of the poetic gab.
This biography illuminates and explores the complexities and contradictions of Burns's character and personality, untangling the myth from the legend. Based on new evidence from 700 letters Burns wrote during his life, McIntyre concentrates on the circumstances of the writing of poetry itself, and paints a vivid picture of Burns's emotional and impulsive political views, the cruelty and gentleness of which he was capable, stressing the importance and the quality of the satirical poetry as well as the unforgettable love poetry immediately associated with his name.
I’ve written books for kids of all ages, and always there were birds. Sparrows singing on windowsills, cardinals arrowing across yards, cormorants diving into Lake Erie, pigeons poking beneath park benches. Those things with feathers make my own heart sing! Slowly it dawned on me that I wanted to write a book where birds didn’t just flit across the pages but nested at the story’s heart. I had to do a lot of bird research for Perfect. What I learned about the precious, fragile bonds among all Earth’s creatures became one of the book’s themes: big and small, bound by gravity or able to defy it, we are all deeply connected.
Because…I relish quiet books that sneak up on me. This one starts out slowly, with shy Callie and her family moving into an inherited (and decrepit) Scottish castle.
No ghosts, but a journal left behind by a girl who once lived there sparks Callie’s interest in “twitching”, Scottish for bird-watching. As Callie discovers the wonders of birds, she also discovers herself and the new friends who become her flock. The story nods at how hard it (still) is for women to command the same respect as men, and it will definitely have readers looking for videos on “murmuration”.
From the author of A Field Guide to Getting Lost comes a heartwarming, “emotionally perceptive” (Kirkus Reviews) story about new beginnings, burgeoning friendships, and finding your flock.
Callie can’t wait for her new life to start. After a major friendship breakup in San Diego, moving overseas to Scotland gives her the perfect chance to reinvent herself. On top of that, she’s going to live in a real-life castle!
But as romantic as life in a castle sounds, the reality is a little less comfortable: it’s run-down, freezing, and crawling with critters. Plus, starting off on the wrong foot with the…
I have been a passionate devourer of fairytale retellings ever since I happened upon Robin McKinley’s Beauty at the library when I was eleven years old. Fairytales have such a timelessness to them that allow them to be retold over and over, reinterpreted, and reimagined in seemingly countless ways, and I’m honored to have now written a few of my own. Fairytales have shaped my own writing from the beginning.
A poignant, passionate retelling of The Seven Wild Swans set in an alternate Scotland, this gorgeous book stars a prickly, fierce girl who will do anything to save her brothers from a wicked enchantment. Rowenna’s mother Mairead dies before she can teach Rowenna the magical craft she is so desperate to learn. But when Mairead seemingly comes back from the dead, Rowenna is powerless to defeat the evil creature wearing her face, who proceeds to curse Rowenna, her brothers, and the boy named Gawen Rowenna rescued from the sea. The boys are turned into swans by day, only shifting back to their human forms at night. Rowenna herself is robbed of her voice by day. There is only one thing that can save her brothers and herself—shirts woven out of stinging nettles. But can she weave the shirts before time runs out?
For fans of Serpent & Dove and A House of Salt and Sorrows comes a darkly atmospheric and romantic fantasy about an untrained witch who must unlock her power to free her brothers from a terrible curse and save her home.
Rowenna Winthrop has always known there's magic within her. But though she hears voices on the wind and possesses unusual talents, her mother Mairead believes Rowenna lacks discipline, and refuses to teach her the craft that keeps their Scottish village safe. And when Mairead dies a sinister death, it seems Rowenna's only chance to grow into her power has…
Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
A Trocchi renaissance, including a film of Young Adam starring A-Listers Ewan McGregor, Tilda Swinton, and Emily Mortimer, added to a growing reappraisal of Trocchi as a great Scottish writer, his reputation having been tarnished, fairly or unfairly, with drug use, indolence, and writer’s block.
Young Adam is a Scots crime novel the way James Hogg’s The Private Memoirs and Confessions of a Justified Sinner is a high-jinx picaresque, which is to say only technically, and on the understanding that Hogg and Trocchi sit head, shoulders and in fact a full body length above these genres. But moment of madness there is, and arrest, trial, judgment, and condemnation. But the twist is that Trocchi’s own judgment and condemnation of society is what matters.
Set on a canal linking Glasgow and Edinburgh, Young Adam is the masterly literary debut by one of the most important British post-war novelists. Trocchi's narrator is an outsider, a drifter working for the skipper of a barge. Together they discover a young woman's corpse floating in the canal, and tensions increase further in cramped confines with the narrator's highly charged seduction of the skipper's wife. Conventional morality and the objective meaning of events are stripped away in a work that proves compulsively readable.
