100 books like Masters of Starlight

It doesn't matter that it was patently phony: The glamour that was Tinseltown in Hollywood's golden age was impossibly romantic and utterly irresistible. Much of it had to do with the social lives of movie stars, and in particular the shenanigans they got up to in swanky nightclubs where they danced, courted, and made merry. Jim Heimann is a superb chronicler of Los Angeles's architectural and cultural past, and this beautifully illustrated book is crammed with images of the likes of Clark Gable, Marlene Dietrich, Charlie Chaplin, Lucille Ball, Humphrey Bogart, and Lauren Bacall patronizing such swell spots as Mocambo, the Trocadero, Ciro's, the Coconut Grove, the Player's Club, and many others. They're all gone now, but this collection of hundreds of photos of the clubs, inside and out, and the patrons, dressed as if for a royal wedding, brings them back to vibrant life.

Before he became a writer of potboiler novels and true-crime journalism, Dominick Dunne was a film and television producer and a social butterfly who also happened also to be an avid amateur photographer. This memoir of his Hollywood days, which resulted in a crash-and-burn from which he emerged as a writer, is filled with intimate, candid images of such friends (not all faithful) as Jane Fonda, Elizabeth Taylor, Natalie Wood, Paul Newman, and Frank Sinatra, as well, of course, as Dunne and his family. There are dreamy and even eye-popping tales throughout, and if you're at all familiar with Dunne's books or magazine writing, you'll marvel at how so much of it so neatly dovetails with the life he actually lived and, thankfully, captured on film and in these frank and candid pages.

Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.

It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.

It must be said out loud and straightaway that much of this classic, influential book is, as the kids say, bullshit. But it is iconic bullshit, hair-raising bullshit, bullshit that you simply cannot ignore or pretend away. Anger, an avant-garde filmmaker whose work teems with sexual and occult content, published this book in 1965 when many of the stars of classic Hollywood whose hidden proclivities he discusses were still either alive or part of a revered pantheon: Marilyn Monroe, Errol Flynn, Lana Turner, Judy Garland, Charlie Chaplin, and so on. And his claims about their sex lives, criminal activities, and their, shall we say, 'flexible' morals were groundbreaking. It doesn't matter that much of it isn't true: the urban legends it inspired still walk the earth. And the lurid photographs of death scenes and stars at their most vulnerable, though often nightmarish, have also become iconic. As a journalist, I… show more.

Unique among those in Hollywood who dove head first into the American counterculture, Jane Fonda proved too committed to dismiss as a dilettante, too persistent to just fade away, too formidable for the FBI to destroy. Bosworth, a veteran Hollywood biographer (she has written books on Montgomery Clift and Marlon Brando as well) uniquely understands political celebrity; she’s never dismissive, but she’s not so easy on her subject either. Because she knows better: Bosworth’s father was the Hollywood 10 attorney Bart Crum. Bosworth surely understands the risks involved in Left-wing celebrity.

Sidney Lumet directed Twelve Angry Men and The Verdict, among many others, and the beauty of this short book is just how practical he is about his craft. In the magazine interviews and hagiographies about directors, we seldom get a true sense of the working day on a movie set, or what happens long before shooting begins and months after it finishes. But here Lumet reveals why he always tried to schedule a very simple shot for the first set-up on day 1 of production, the value of a rehearsal period (if he was granted one) and that he took a lunchtime nap. From first being offered a script to the final sound mix, this is what a movie director really does.

This forgotten masterpiece of a memoir by a prosecutor who took on corruption on the docks of New York came out in 1956, two years after that Marlon Brando classic, On the Waterfront.

William Keating, a hard-nosed, relentless, and incorruptible crime-fighter, gives an inside look at the reign of terror imposed on honest, hard-working longshoremen by the gangsters who ran their union.

Keating was by no means anti-labor – at the start of Chapter 2, he mentions that his father was an official in the United Mine Workers, and that his great-grandfather was a prominent Molly Maguire in the hard-coal fields of Pennsylvania. That earned points with me – I come from a long line of Irish American coal miners in that area. 

This is still the most comprehensive and detailed account of the writer’s life and works. Leeming worked closely with Baldwin as an assistant and secretary after first meeting him in Istanbul. 

I love this book, for it was my introduction to Baldwin and his life as an exile and one of the most powerful social and cultural critics of twentieth-century America. It’s written accessibly—the life-story narrative flows easily and one feels the author’s compassion for and understanding of the writer’s evolution, process, as well as his specific works. 

It has taught me that the best biographies both reveal and conceal their authors’ personal investment in their subject and their own life stories. And that the best biographers must skillfully and passionately play with both.

Years ago when I first read it, it was helpful in overcoming my initial terror as an immigrant from the Other Europe, the terror that I… show more.

To call this book a biography threatens to diminish the power and force of the story telling.

Yes, it covers the biographical details—the troubled family life, the delayed yet ferocious sexuality, the prodigious talent—but what makes this book extraordinary is the alchemy that occurs on the page; the blending of Williams’ voice with Lahr’s narrative focus gives us a deeply researched and insightful dive into the mind (and heart) of one of the greatest playwrights the American theatre has ever produced.

People today call everything “epic,” but this book truly is; it delves into Williams’ process, introduces his demons and muses, and shows the challenges all writers face of how to balance the people we’re committed to in our real lives with the characters we’re devoted to on the page.

The gift here is not in the gossip (though there’s plenty of great dish), it’s in the time travelling: to… show more.

We’ve outgrown vaulting over five-barred gates, running up mountains, drinking all night, and springing bright-eyed from our beds, and so what? For anyone in denial, or clinging stubbornly to youth, Dave is the Baby Boomer to point out the stark realities. He’s funny but he’s ruthless. Fifty’s not the new thirty. It’s fifty. The reason I recommend it is that it can be hard to let go and you’ll waste precious autumn if you don’t accept the inevitable, and move on with a spring in your step into what I have found to be the best period of all. Laughing helps. Laughing always helps.