Here are 100 books that Little Fortress fans have personally recommended if you like
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Although I grew up in New York City, from a young age I was drawn to the natural world, particularly through gardening and camping trips. Eventually I studied biology in college and earned a Master’s researching stream ecology. I also always imagined myself a writer. For years my writing was solely in letters and journals, but during my Master’s I started a novel featuring an immature mayfly in the stream (it was somewhat autobiographical). Ecology is all about the connection of organisms to their environment and to one another, and I think this perspective of connectedness has embedded itself deeply in my writing and my life.
I particularly love books that combine the trifecta of engaging story; interesting, complex characters; and good writing with real substance (as in, I stop to think about the content). Greenwood has all of these.
The writing is particularly lyrical—I could fill this space with beautiful quotes. The author takes the reader through four generations of a family, with each generation intimately connected to trees in different ways—from lumbermen to environmental activist to woodcraftsman to botanist.
And as the author “takes a core” through a family tree, the story captures both the characters’ relationships to one another as well as to the world in which they live. I cannot recommend this book enough!
'The truth is that all family lines, from the highest to the lowest, originate somewhere, on some particular day. Even the grandest trees must've once been seeds spun helpless on the wind, and then just meek saplings nosing up from the soil.'
2038. On a remote island off the Pacific coast of British Columbia stands the Greenwood Arboreal Cathedral, one of the world's last forests. Wealthy tourists flock from all corners of the dust-choked globe to see the spectacle and remember what once was. But even as they breathe in the fresh air and pose for photographs amidst the greenery,…
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This novel tells the story of one person, Astrid, who grows up in a dysfunctional failed utopian commune in British Columbia, Canada.
The story of Astrid is told from multiple points of view. Each character paints a different picture of this child-who-becomes-a-woman, at different stages in her life. But what I like most about this book is its exploration of the aftermath of growing up in a failed utopian commune.
How does a person carry this ejected-from-Eden baggage with them over a lifespan? Is it possible to overcome it and fit into “normal” society again? The answers to these questions might surprise you.
I grew up in a rural community and have lived most of my adult life in a small city in the Southern Interior of British Columbia. I’m fascinated with West Coast culture, particularly the Canadian version of it, which is connected to the environment and outdoors, shaped by more recent immigration and its sense of distance and disconnect from the country’s capital and economic and social centres, and informed by a more gentle climate. Rural west coast culture is especially rich in iconoclasts, those who live outside the norm, and I’ve explored these sorts of characters in all four of my novels and my short story collection.
I loved this book for the beauty of the prose and for Harold Rhenisch’s inimitable voice, his language, his wit, his eye for detail. Rhenisch has published many books of poetry and non-fiction about the BC Interior, and it’s difficult to choose just one. I liked this, a study of the apple and the rose, of pruning trees, of BC Interior orcharding, of a unique lifestyle and culture, and of life and living. Rhenisch is one of the best Canadian writers and should be more well-known.
I grew up in a rural community and have lived most of my adult life in a small city in the Southern Interior of British Columbia. I’m fascinated with West Coast culture, particularly the Canadian version of it, which is connected to the environment and outdoors, shaped by more recent immigration and its sense of distance and disconnect from the country’s capital and economic and social centres, and informed by a more gentle climate. Rural west coast culture is especially rich in iconoclasts, those who live outside the norm, and I’ve explored these sorts of characters in all four of my novels and my short story collection.
There’s so much to love about this book: the language, the location, the history, the characters. Anna, a young woman who is creating an exhibit on textiles from 19th-century Interior BC, discovers a box of the personal effects of a woman who lived decades before. Margaret is the daughter of an Aboriginal mother and a settler father. Kishkan recreates the unique beauty of the South Cariboo/Nicola valley landscape as a backdrop to this intricately woven story of family, friendship, love—and train robbers.
In her vibrant first novel, Sisters of Grass, Theresa Kishkan weaves a tapestry of the senses through the touchstones of a young woman's life. Anna is preparing an exhibit of textiles reflecting life in central British Columbia a century ago. In a forgotten corner of a museum, she discovers a dusty cardboard box containing the century-old personal effects of a Nicola valley woman. Fascinated by the artifacts, she reconstructs the story of their owner, Margaret Stuart. Margaret, the daughter of a Native mother and a Scottish-American father, she tries to fit into both worlds. She's taught photography by a visiting…
I've loved writing since childhood when I lived in an 18th-century farmhouse in England that I was convinced was haunted. I'm now passionate about the history of British Columbia where I live today, and have written over twenty non-fiction historical books, true crime books, historical columns, and numerous articles for magazines and newspapers. My own forthcoming fictional trilogy, The McBride Chronicles, tells the story of a fictional family from the beginnings of British Columbia until present day so I can truly say I love all fiction set in our beautiful province by BC writers. I'm delighted that we have so many talented fiction writers in the province including the ones I recommend.
As an historian, I enjoyed Vanessa Winn’s portrayal of Colonial Victoria in The Chief Factor’sDaughter. Hudson Bay Chief Factor, John Work, protects all his daughters with many restrictions on their lives causing his eldest daughter, Margaret, to fear that at age 23 she will never find a suitor and is destined to remain a spinster forever. The author shows a fascinating side of society in 1858 where although Margaret and her sisters belong to the upper class in the fur-trading community, they are also the victims of snobbery and racism because their mother is Metis. Winn’s sequel Trappingscontinues with the story of Kate Work, another daughter, and both books are a good read for those who love family history.
Chief factor: In the Hudson’s Bay Company fur-trade monopoly, the title of chief factor was the highest rank given to commissioned officers, who were responsible for a major trading post and its surrounding district.
Colonial Victoria in 1858 is an unruly mix of rowdy gold seekers and hustling immigrants caught in the upheaval of the fur trade giving way to the gold rush. Chief Factor John Work, an elite of the Hudson’s Bay Company fur trade and husband to a country-born wife, forbids his daughters to go into the formerly quiet Fort Victoria, to protect them from its burgeoning transient…
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
An amazing play that explores the repercussions of Residential schools on the Indigenous population, and how its effects are frequently intergenerational. Winner of Canada’s Governor General’s Award for Best Drama, this play spares no one as it sheds light on the damage and healing happening in Indigenous communities across the country.
Where the Blood Mixes is meant to expose the shadows below the surface of the author’s First Nations heritage, and to celebrate its survivors. Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd’s alcoholism, under the pain and isolation of the play’s main character?
Loring’s title was inspired by the mistranslation of the N’lakap’mux (Thompson) place name…
I have a B.S. degree in Medical Technology and connect my stories with science. The more I began researching problematic issues in our society for the subject matter of my trilogy, the more I began to empathize with the different kinds of suffering that people endure. I’ve incorporated traumas in all of my Euphoria trilogy stories, from illicit drugs, illnesses, loss, burns, skin regeneration, and human trafficking. Societal awareness is my passion; presenting issues to people who don’t realize these problems are as widespread as they actually are.
I like how
Twisted Lies addressed a young woman’s trauma and loss using fiction. C.B.
Clark’s writing style flows smoothly and has a lot of description. Clark brings
realistic problems like alcohol as a focus in the character’s life, but also
intertwines romance and mystery in the characters. I laughed and cried as I
read Twisted Lies. The case behind the story had me guessing up until the end.
Athena Cooper's tragic past drives her to seek solace in a bottle. The addiction threatens her legal career, and she risks spiraling out of control. When her dog engineers a meeting with an all-too-handsome hunk, it's lust at first sight…until she discovers his identity.
Businessman Russell Crawford is desperate to find the woman who cheated him out of his inheritance. His shock when she's the gorgeous redhead he'd met briefly is only intensified when she claims his father was a murderer.
Athena and Russ declare a truce and join forces to investigate the mystery of her parents' disappearance from an…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
As I read M. Wylie Blanchet’s book, I myself was transported through time to one of the most magical and beautiful places in North America—the islands, bays, fjords, and estuaries of British Columbia.
In addition to being right on the water and immersed in the great forests, I was also, like her young children, at school, constantly learning new things about history, culture, ecology, philosophy, and even seamanship! The lively dialogue also made me feel like one of the family, conversing easily as we explored a land that was at that time, very sparsely populated by humanity.
Throughout the book, I noticed and enjoyed a theme of a rich cultural history that portrayed both the First People cultures as well as the fiercely independent and tough early Europeans who settled in select places along the coast.
After her husband died in 1927, leaving her with five small children, everyone expected the struggles of single motherhood on a remote island to overcome M. Wylie Blanchet. Instead, this courageous woman became one of the pioneers of "family travel," acting as both mother and captain of the twenty-five-foot boat that became her family's home during the long Northwest summers. Blanchet's lyrically written account reads like fantastic fiction, but her adventures are all very real. There are dangersrough water, bad weather, wild animalsbut there are also the quiet respect and deep peace of a woman teaching her children the wonder…
I've loved writing since childhood when I lived in an 18th-century farmhouse in England that I was convinced was haunted. I'm now passionate about the history of British Columbia where I live today, and have written over twenty non-fiction historical books, true crime books, historical columns, and numerous articles for magazines and newspapers. My own forthcoming fictional trilogy, The McBride Chronicles, tells the story of a fictional family from the beginnings of British Columbia until present day so I can truly say I love all fiction set in our beautiful province by BC writers. I'm delighted that we have so many talented fiction writers in the province including the ones I recommend.
I always enjoy a good mystery and R.M. Greenaway’s River of Lies is definitely one I would recommend. This book is the fifth in the B.C. Crime Series of mysteries by Greenaway but it was the first I had read—and it won’t be the last. The two detectives, Cal Dion and David Leith, are strong characters who come together in this book to solve a murder of a young black female janitor, a missing child case, a drowning, and an apparent suicide. Once they find the missing link between all these incidents, they are able to make progress. I found this an absorbing whodunit that held my attention to the very last page.
In rain-drenched Vancouver, detectives Dion and Leith work to separate truth from lies in two seemingly unrelated cases.
February is the month of romance, but in North Vancouver it's also become the month of murder. While the North Shore RCMP slog through the rain in the search for whoever left a young woman to die in the Riverside Secondary School parking lot - their first clue a Valentine's Day card - a toddler mysteriously vanishes from a Riverside Drive home in the midst of a dinner party.
With Constable JD Temple's full attention on the parking lot murder, Constables Dave…
I’m a reporter, author of nine books, and the host and producer of the Cold Case Canada podcast. I fell in love with my city’s murky underbelly on a trip to the Vancouver Police Museum in the 1990s. Axe murders, murder by milkshake, Vancouver’s first triple murder—it was all there. I’ve tried to give those true crime exhibits new life by talking to law enforcement, relatives, and friends, digging up never-seen-before photos and documents, and wherever possible, giving the victims back their voice. I run the Facebook group Cold Case Canada where people share their thoughts, and in a best-case scenario, find leads that could help solve a murder.
While Janet Smith was Vancouver’s shame in the 1920s, Willy Pickton was our boogeyman in the ‘90s. How did this pig farmer get away with murdering up to 50 women?—he was convicted of only six—because the women were sex workers and drug addicts that he picked up in Vancouver’s notorious Downtown Eastside and the police really didn’t give a shit. An investigative journalist, Cameron does a great job of outlining the botched police investigation and the department’s reluctance to believe it was a serial killer. Pickton is pure evil, and what I loved about Cameron’s work is how she not only gets into his head, but tells the stories of the victims, and in doing so, helps give them back a voice.
Verteran investigative journalist Stevie Cameron first began following the story of missing women in 1998, when the odd newspaper piece appeared chronicling the disappearances of drug-addicted sex trade workers from Vancouver's notorious Downtown Eastside. It was not until February 2002 that pig farmer Robert William Pickton would be arrested, and 2008 before he was found guilty, on six counts of second-degree murder. These counts were appealed and in 2010, the Supreme Court of Canada rendered its conclusion. The guilty verdict was upheld, and finally this unprecedented tale of true crime could be told.
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