Here are 84 books that Florence Gordon fans have personally recommended if you like
Florence Gordon.
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I grew up in Boston and New York and currently live in Montreal. I have worked primarily in writing performance texts and plays. I founded the performance company Bluemouth Inc., with whom I have written and staged over a dozen works. In 2018, I completed an MFA in Creative Writing at Concordia University, where I was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. As for my expertise in compiling this list, I am the daughter of a strong force-of-nature woman who fought for what she had and taught her kids they can get through anything as long as they have humor, music, and books.
I remember an awards ceremony where Bjork described herself as “a musical scientist.” Most likely accepting some well-deserved award, she spoke in this odd sing-song way that made her seem genuinely like a mad scientist.
I think Olga Tokarczuk is a bit like Bjork. Her voice is utterly unique, with a texture and humor perfectly suited to this book's marvelous protagonist. I loved Janina Dusezjko, a cranky old Polish woman wandering the hills of her village trying to solve a mystery. I could have listened to her for the whole book even if there was no mystery, so the unraveling felt like an added bonus!
With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Nobel Prize in Literature laureate Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she's unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By…
As a young person I loved to read history novels, but each book had to be about either British monarchs or American generals. Then I watched the movie Bye Bye Blues, a Canadian prairie story by Anne Wheeler, and realized for the first time that the story was about me, about us. It was such a heady feeling that I decided to study Western Canadian history at university. Three weeks after I got my M.A. from the University of Victoria I was offered the chance to write about Vancouver Island coal miners and the rest, as they say, is quite literally history.
Who would have thought that a novel about a ninety-year-old woman determined to avoid being put into a nursing home would become required reading for high school and university students? And yet this novel has been listed by several sources as one of the greatest Canadian novels ever written. Laurence’s writing style inspired me and gave me the assurance to write about Western Canadian history. It demonstrates one of the reasons why Laurence was named posthumously as “A Person of National Historic Significance” by the Canadian government in 2018.
Above the town, on the hill brow, the stone angel used to stand. I wonder if she stands there yet...
Hagar Shipley - an irascible, independent nonagenarian - has lived a quiet life full of rage. As she approaches her death, she retreats from the squabbling of her son and his wife to reflect on her past - her ill-advised marriage, her two sons, the harshness of farm life on the prairie, her own failures and the betrayals and failures of others.
Sister Bernard, the main character in my novel Obedience, is ninety. I’ve always been fascinated – and afraid – of what it means to grow old, particularly as a woman, and I like exploring the perspectives that age can bring. I enjoy seeing older women given a voice, especially when they don’t turn out to be the easy, likeable characters we might expect. There aren’t that many books with really old women as the main characters, because age is not glamorous or comfortable, but that’s why it’s interesting. I hope the novels on this list go some way towards redressing the balance.
In this short beautiful novel, Conxa looks back on a life blasted apart by the Spanish Civil War. The Pyrenean setting of the story is as magnificent and brutal as the action here, but what I love most is the calm, timeless voice of Conxa as she tells her story of love and war and family. This is a brilliant book about what it means to live a long life and the lingering effects of the past.
The beginning of the 20th century: 13-year-old Conxa has to leave her home village in the Pyrenees to work for her childless aunt. After years of hard labour, she finds love with Jaume - a love that will be thwarted by the Spanish Civil War. Approaching her own death, Conxa looks back on a life in which she has lost everything except her own indomitable spirit. ------- Why Peirene chose to publish this book: 'I fell in love with Conxa's narrative voice, its stoic calmness and the complete lack of anger and bitterness. It's a timeless voice, down to earth…
Like the Bach sisters in my novel Things We Do For Love, my sisters and I have cared for our mother, who battles Alzheimer's. Witnessing her transformation from a vibrant powerhouse to someone resembling the Walking Dead has been heart-wrenching. Despite the emotional rollercoaster, this journey has deeply connected us with our mother. Delving into the depths of her being has been a privilege, offering profound insights into her true essence. This challenging experience has unfolded as a disguised blessing. In this journey, we've discovered the beauty of unconditional love that binds our family together. It reflects the central question of my novel: What truly makes a happy family?
This book inspired me to write my own account of dealing with my mum’s Alzheimer’s.
This darkly comic yet gripping novel reveals the humorous aspects of the disease. Maud, an eighty-year-old who grapples with forgetting even the cup of tea she just made or recognising her own daughter, surprisingly unravels a seventy-year-old mystery.
The story delicately weaves warm and uplifting moments with touches of comedy, anxiety, and sheer terror that arise when one realises the advancing years and the struggle to be heard in a society that often overlooks the elderly. The portrayal of dementia in this novel is both sympathetic and profoundly moving, capturing the emotional complexity of the experience.
Maud's character is both exasperating and compelling, embodying the kind of older protagonist I yearn to encounter more in literature.
NOW A MAJOR BBC DRAMA A SUNDAY TIMES TOP FIVE BESTSELLER
How do you solve a mystery when you can't remember the clues?
Maud is forgetful. She makes a cup of tea and doesn't remember to drink it. She goes to the shops and forgets why she went. Sometimes her home is unrecognizable - or her daughter Helen seems a total stranger.
But there's one thing Maud is sure of: her friend Elizabeth is missing. The note in her pocket tells her so. And no matter who tells her to stop going on about it, to leave it alone, to…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
If you want to learn about medieval Florence, why not go directly to the source? Dino Compagni was a Florentine merchant, a member of the silk guild, and an active member of the city’s government, contemporary with Dante. He was right in the middle of things during that turbulent period—he saw it all and took part in a lot of it. His chronicle, which covers from about the year 1280 to the beginning of the fourteenth century, relates the harm he perceived coming from factional strife. Bornstein’s translation is clear and readable, and his extensive notes and introduction help to make sense of this long-ago time.
Dino Campagni's classic chronicle gives a detailed account of a crucial period in the history of Florence, beginning about 1280 and ending in the first decade of the fourteenth century. During that time Florence was one of the largest cities in Europe and a center of commerce and culture. Its gold florin was the standard international currency; Giotto was revolutionizing the art of painting; Dante Alighieri and Guido Cavalcanti were transforming the vernacular love lyric. The era was marked as well by political turmoil and factional strife. The inexorable escalation of violence, as insult and reprisal led to arson and…
I have always had a strong, long-lived interest in all things Italian (including Italian food and wine). I spent my third year of university at a campus in Rome and travelled all over Italy during my year there. I’ve been back to Italy as a tourist and researcher numerous times, as five of my ten award-winning novels are set there (in Venice, Rome, Cremona, etc.). I have many Italian friends and my most recent novel,The Artist and the Assassin, is being translated into Italian and will be published by Les Flaneurs Edizioni, an Italian publisher in Bari, Italy.
The Monster of Florence is set in the famous Italian city of Florence (Firenze), as are all of Magdalen Nabb’s mysteries. She gives us fascinating insights into life in Florence, through the eyes of her detective, Marshall Guarnaccia. The Marshall is a very down-to-earth and believable character and does his best at trying to catch a serial killer on the loose in that part of Italy. The author takes the reader right inside life in Florence with a work that is entirely engaging and well-written.
Based on a chilling true crime, The Monster of Florence follows the reopening of a cold case—a serial killer who targeted unmarried couples and terrorized Florence for two decades.
Marshal Guarnaccia's job with the carabinieri—the local Florentine police—usually involves restoring stolen handbags to grateful old ladies and lost cameras to bewildered tourists. So when he is assigned to work with the police in trying to track down a vicious serial killer, he feels out of his league. To make matters worse, the Proc he must report to is Simonetti, the same man he knows drove an innocent man to suicide…
I’ve been writing crime novels and TV shows for years. For TV, I wrote for Law & Order, Pretty Little Liars, CSI: Miami, and several other crime shows. In the book world, I used to write amateur sleuth novels, and now I write thrillers. My favorite form of relaxation is to get a cup of tea, put my feet up, and read a great thriller. They inspire me. As I read, I study how they’re structured. There’s nothing I appreciate more than a twist I didn’t see coming, a morally good character who turns out to be evil, or a flawed character who ultimately turns out to be good.
I loved this book so much! This is a fun, twisted novel about a lost soul who's desperate to find her way in the world.
The hero/antihero of the book is Florence Darrow, a young woman who wants to be somebody one day. She wants to be special. She wants to be great. For her, that takes the form of dreaming of becoming a bestselling novelist. She'll do anything to achieve that dream. Anything.
Maybe this shows my own moral failings as a human being, but I totally related! So when she... well, I won't say what she does because that would be a spoiler. But when she does some very bad stuff, I'm with her all the way. Couldn't stop turning the pages.
'Clever, cunning, and diabolical in the best possible way. Anyone longing for a good old-fashioned thrill need look no further' Ann Patchett
Celebrated, bestselling, elusive...who is Maud Dixon?
Florence Darrow wants to be a writer. Correction: Florence Darrow IS going to be a writer. Fired from her first job in publishing, she jumps at the chance to be assistant to the celebrated Maud Dixon, the anonymous bestselling novelist. The arrangement comes with conditions - high secrecy, living in an isolated house in the countryside . Before long, the two of them are on a research trip to Morocco, to inspire…
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
Nino Latino is the nephew of Fra Filippo Lippi, one of the greatest Florentine painters. For Nino, every taste brings a heightened connection to the people and places around him. He rises to culinary acclaim but it’s the forbidden hand of a woman that threatens to undo him. Appetite is a book to relish and devour.
Florence, 1466. A lust for life, a passion for power and a taste for adventure...
In Florence, everyone has a passion. With 60,000 souls inside the city, crammed into a cobweb of clattering streets, countless alleys, towers, workshops, tanneries, cloisters, churches and burial grounds, they live their lives in the narrow world between the walls. Nino Latini knows that if you want to survive without losing yourself completely, then you've got to have a passion.
But Nino's greatest gift will be his greatest curse. Nino can taste things that other people cannot. Every flavour, every ingredient comes alive for him…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
It’s impossible to understand the turbulence that frequently swept over Florence in those years without some sense of what the magnate class was all about: its pride and its violence, its lawlessness, its emphasis on knighthood, and its private military forces. Lansing shows how the magnate class evolved as a distinctive culture, becoming powerful and disruptive to the city’s peace well beyond even what its considerable economic clout would suggest. She places a lot of emphasis on the role of women among the magnates, even though women could never be full members of the lineage, since they married into other lineages. Lively and readable, with lots of stories of interesting individuals.
In the 1290s a new guild-based Florentine government placed a group of noble families under severe legal restraints, on the grounds that they were both the most powerful and the most violent and disruptive element in the city. In this colorful portrayal of civic life in medieval Florence, Carol Lansing explores the patrilineal structure and function of these urban families, known as "magnates." She shows how they emerged as a class defined not by specific economic interests but by a distinctive culture. During the earlier period of weaker civic institutions, these families built their power by sharing among themselves crucial…
Born into a family with friction between parents, I never thought relationships could get much worse. When my parents divorced, father became estranged, then died by apparent suicide, memoirs by diverse voices opened my world and made me feel less alone. When I went through a sexual and gender identity crisis of my own, they helped me navigate the turmoil in my own life. I spent more than twenty-five years writing professionally for corporate and academic employers before writing biography and memoir became a coping skill.
Preston and Spezi’s memoir helped me learn how to write from inside a murder investigation. I knew I needed to write about my father’s unusual death and my suspicions, but I didn’t have the tools to tackle it. The two journalists describe how they solved an infamous serial killer case only to become suspects themselves. Preston and Spezi drive their story with a momentum I tried to match in telling mine.
The Monster of Florence, which was shortlisted for the prestigious CWA Gold Dagger Award for Non Fiction in 2010, is a true account of brutal serial murder in idyllic Florence. After settling in Italy in 2000, Douglas Preston discovered that the olive grove in front of his family's new home had been the scene of one of the most infamous double-murders in Italian history, committed by a serial killer who had never been found and was known only as the Monster of Florence. Preston, intrigued, met Italian journalist Mario Spezi, who had followed the case since the first murders in…
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