100 books like Floating Clouds

I have always been fascinated by family histories, and am the self-selected historian in my family. I wrote my mother’s memoir, I Turned a Key and the Birds Began to Sing, put together a newsletter for aunts, uncles, and cousins near and far, and became a ghostwriter to help other people mine their personal and family stories. I’ve worked with company CEOs, survivors of the Holocaust; World War II U.S. veterans, and Hollywood celebrities. In the midst of writing books for other people I turned my sights on my husband who was born in Osaka, Japan and asked his permission to write his family’s story.  

I am an academic historian in the UK, and before that, I was a journalist in Tokyo, where I lived for twenty years. To me, Japan is one of the most intriguing and sensuous places on earth. I never tire of its smells, sounds, signs, and flavours. The language is mesmerizing. The landscapes are stunning. The culture is endlessly surprising. I research and write about Japan’s past – its transformations, upheavals, and traditions – to make sense of the incredible array of experiences I have encountered while living there. 

I am a journalist and a novelist. I was both Forbes Magazine’s longest serving foreign correspondent – having served 18 years in London as their European Bureau Chief – and wrote the feel-good international best-seller The Hundred-Foot Journey, a novel that Steven Spielberg and Oprah Winfrey made into a much-loved 2014 film starring Helen Mirren. These twin careers have shaped my approach to writing in that I believe a good micro-story (fiction) should also make astute macro points (journalism). So, the journeys my characters undertake in my novels are also trying to address points about the world or life or humanity at large.

I am an academic historian in the UK, and before that, I was a journalist in Tokyo, where I lived for twenty years. To me, Japan is one of the most intriguing and sensuous places on earth. I never tire of its smells, sounds, signs, and flavours. The language is mesmerizing. The landscapes are stunning. The culture is endlessly surprising. I research and write about Japan’s past – its transformations, upheavals, and traditions – to make sense of the incredible array of experiences I have encountered while living there. 

As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.

I am a comparative urban specialist who came to Japanese urban history through my aspiration to place Russian urban studies within a comparative context.  Several Japanese and Western Japan specialists encouraged me to advance this exploration by examining capitalist industrial urbanization in Japan.  Historians and political scientists -- particularly at Kyoto National University -- provided a platform for me to expand my engagement with Japanese urbanization; relations which have continued for some three decades.  More recently, I included Kabuki in The Muse of Urban Delirium, a collection of essays that seeks answers to the challenges of urban diversity, conflict, and creativity using various performing arts – opera, dance, theater, music – as windows onto urban life.

My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.

I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.

I have a degree in history and political science, with a particular interest in military history—especially World War II history, and most especially Eastern Front history. My family has Polish roots, and my own stories tend to focus on the Polish and Ukrainian experiences, but I keenly feel the need for more YA books not only about the Eastern Front but about other, even lesser-known theaters of World War II.

I'm a lawyer (Harvard Law School) who loves to write. My books reflect my eclectic interests. I've written nonfiction books about John Kennedy’s presidency, Supreme Court Justice Louis D. Brandeis, CBS Founder William S. Paley, Don Larsen’s perfect game in the 1956 World Series between the New York Yankees and the Brooklyn Dodgers, and Pearl Harbor. Each of my nonfiction books tries to focus on something with respect to a particular person or event that had not been addressed in detail in any other book. I've also written a thriller (Deadly Risks) which revolves around JFK’s assassination and can be likened to John Grisham’s book, The Pelican Brief.