89 books like Evil Woman

I enjoyed being along for this wacky ride as Finlay accidentally gets herself hired as a contract killer, disposes of a body, and navigates the criminal underworld–all while raising her two small children and dealing with her infuriating ex-husband. There’s a love triangle in this book, but the relationship I enjoyed most was the friendship that develops between Finlay and Vero, her former nanny turned partner in crime.

This story is completely absurd, laugh-out-loud funny, and very suspenseful. 

Social media expert Maddy Montgomery, left standing at the altar, is #StartingOver in small-town Michigan after inheriting her great-aunt’s bakery and a 200-pound English Mastiff named Baby. Her plan to sell the bakery and go back to her sophisticated life is spoiled by a restriction in the will requiring her to spend a year in New Bison. Maddy doesn’t bake, and her Louboutins aren’t made for walking giant dogs, but the locals are friendly, and Lake Michigan is beautiful. Maddy feels ready to take on the challenge—until New Bison’s mayor is fatally stabbed, and her fingerprints are on the knife. When there’s another murder, she even begins to suspect the one person she has trusted. Maddy’s snarky dialog and clever use of hashtags, along with the irresistible Baby, make this a stand-out.

Anastasia Pollock is caught in an outrageous situation. Husband, Karl, is at a sales meeting in Harrisburg. No, wait! He drops dead in Las Vegas where he has gambled away their nest egg, tuition for their sons’ college, and $50,000 he owes a loan shark. Lucille, Anastasia’s hateful mother-in-law, an outspoken eighty-something card-carrying Communist, has moved in with Anastasia because she’s broke and has nowhere to go. Anastasia designs projects for a craft magazine, and Marlys, her self-centered fashion editor, is found dead, glued to Anastasia’s office chair. When it turns out that Karl and Marlys were having an affair, Anastasia is the prime suspect in the murder. Anastasia survives all this with sarcastic humor, deadpan comments, and a parrot who quotes Shakespeare. First in a highly successful series.

When her scam-artist almost-ex-husband, Charley, saves her life after a motorcycle accident, Amanda almost forgives him. Then she discovers he was murdered hours before the crash. And he never went into the light—he’s been rejected. As a ghost, he cannot lie, and he cannot leave Amanda’s side. She’s stuck with him.

Amanda is desperate to solve the murder, clear herself as prime suspect, and get rid of Charley. Digging deep exposes more of Charley’s lies—the family he claimed died is loving and alive in a tiny Texas town; he was blackmailing both his killer and Amanda’s father the judge. Amanda not only traps the killer but discovers new relationships that change her life forever. Charley still doesn’t go into the light—he’s around for four sequels.

Some scary scenes, Amanda’s dry wit, and a ghost no one else can see or hear makes this fun to read.

No one can say exactly when Rock ’n’ Roll was born, including biographer, novelist, poet, and recently deceased journalist Nick Tosches, but he provides enough background musings to take us on a wild ride through American musical history.

His book reveals twisted roots indeed, some that provided me with reference material regarding a connection between minstrelsy and one of the most popular Christmas tunes of all time. And a country song breaks loose from the genre corral and into the world of pop music when it is made into one of the best-known ballads ever by a singing politician.

This is an odd one out, because it’s in audiobook form. Margarita is a part of her uber-famous country star sister and gets thrown into the limelight when the label gets into hot water for not being inclusive enough. This audible original truly shines with its amazing story and wonderful music! Personally, I liked the way the story tackles Margarita’s struggles to figure out her place within Latin culture and processing the feelings of what that means for her.

Though often overlooked in Bradbury’s canon of masterpieces, The October Country is such a fantastic treat. I recommend it every chance I get and often quote his descriptions of Autumn. “It was September. In the last days when things are getting sad for no reason.” I mean…right?? How heartbreakingly beautiful is that?

The book comes together as a collection of short stories that take place in a world of perpetual autumn, where trees drop their fiery leaves one by one, lakes become still, and darkness creeps in earlier each day.

I swear, if I could wrap myself in a cocoon of this feeling, I’d be a happy camper. Plus, touches of the supernatural? Yes. All day. Count me in. Forever and ever. Amen.

Edna O’Brien’s 2012 autobiography Country Girl is a blunt, gripping, lyrical and non-self-pitying depiction of her early life in the west of Ireland. It exposes the stultifying conformity imposed by the Catholic Church, family and community which I experienced myself. She rebelled as she sought freedom and self-expression from a domineering mother and drunken father. Edna’s escape to Dublin, London and New York as well as her exile from Ireland reflects an individual addicted to drugs and alcohol who seeks acknowledgement, liberty and success through many failed relationships. Edna’s autobiography resonates with many of my own experiences of the 1960’s. Country Girl demonstrates how one Irish female writer broke the cultural silence so that others would not feel alone. Her writing was an inspiration to me for my own memoir.

Musicologist Lydia Hamessley delved into Dolly’s songwriting corpus over the course of a decade, analyzing her tremendous output of songs, according to different categories.

“Coat of Many Colors,” for example, is the most beloved from among Dolly’s autobiographical songs. Lydia breaks down the harmony, and relationships between melody and lyrics to explain why the song works so well.

Songs about women’s lives, in another section, includes deeply affecting vignettes like “Down from Dover,” about a pregnant young woman’s despair after being abandoned by her lover and rejected by family.

Lydia’s book systematically unpacks the musical heart of Dolly’s creative genius, a quality that can at times be overshadowed in writings about her by the outsized nature of Dolly’s public persona.

Sometimes uncanny stories are the best place to start in discovering your new author. Lisa Hannett’s Songs for Dark Seasons is a literary degustation that gives more than a hint of what to expect from this author. Her stories are clever and full of twists, wretched with longing yet swathed in hope. Fast-paced, tense, and transforming—all the reasons to familiarise yourself with South Australian Lisa Hannett’s magic.