Here are 100 books that Destiny for Love Arranged fans have personally recommended if you like
Destiny for Love Arranged.
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I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I couldn’t read fast enough to find out who Zoe really was before her accident and how everything would be revealed. And Jo Watson delivered a rollicking ride filled with feelings–so much feels!–and it just kept getting better, coming together like a tapestry right until the end. It was a journey the heroine went on, and as a reader, I also went along with her, which was magical & so enthralling!
Set in Johannesburg mainly and the South African countryside, it showed normal people living normal lives amid extraordinary circumstances, all with a feel-good, rom-com vibe throughout.
She's starting over. And the real her is letting loose.
From the author of the 100,000+ copy-selling rom-com, Love to Hate You! No one makes you laugh like Jo Watson!
If you love by Mhairi McFarlane, Sophie Ranald, Sophie Kinsella and Paige Toon, you'll LOVE Jo Watson - readers are raving about her glorious rom-coms!
Readers are already WOWED by Just The Way I Am!
'Without a doubt Jo Watson's best book so far, and I've almost read all of them'
'I have read ALL of Jo Watson's previous books and this is quite possibly my new favourite'
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
Imagine if Bridget Jones had been African–Nigerian, to be more precise, and instead of just a nosy/meddling mother, she had a huge Yoruba family to contend with! I absolutely adored the POV of the heroine, Nifemi, in this tale! I could read her stream-of-consciousness chapter starts forever and not be bored.
Feyi Aina writes with humour and that special touch of "down to Earth" that makes her heroine resonate. Anyone with a big, traditional family–whether Nigerian, Indian, or even Irish–will totally get Nifemi and her struggle to find what love means and where it’s waiting for her.
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I’m a sucker for all things Royal! Give me a prince and/or princess looking for love in today’s world, and I’m sold. This one has a princess and a prince!
Imagine you’re a princess bidden to enter a marriage of convenience with a neighbouring land’s prince. Then, on your wedding day, you get into an accident, your new husband dies, and when you wake from a coma, you find you’ve now been legally married off to the new Crown Prince, aka your late husband’s younger brother. And he’s hot as sin itself!
This one is more on the steamy side, but don’t let it deter you. Amidst all the heat is a treasure trove of feels and warring emotions and a seismic journey of falling for the "wrong" person who now happens to be exactly the right one!
India Saene, Princess of Bagumi, must enter a marriage alliance to save her kingdom from an economic crisis. Tragedy strikes when her husband of a few hours is killed in an accident on the way to their honeymoon. She recovers from a coma two weeks later to discover she has been inherited by her husband's younger brother! Sheikh Omar El Dansuri has never wanted to be king, nor does he desire a wife. However, when his older brother dies, he not only becomes the future king of Sudar, but he also inherits his brother’s bride through an age-old tradition. Falling…
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
Another one with the amnesia trope (I told you it’s a fave of mine!) Except in this one, the hero wakes up with amnesia, not recalling that his gorgeous wife is his on paper only…Kiru Taye can write angst! Feelings in general, but angst, turmoil, and passion that don’t just mean an opened bedroom door? She delivers.
I loved witnessing the romance brewing here and just waiting for the other shoe to drop. When it did, everything escalated, yet at no point did it feel like "too much." I also loved how it showed me a slice of Nigeria, in lifestyle, culture, and day-to-day living, that I’d never experienced before, opening my eyes to what life on the African continent is truly like when one looks beyond the trauma and misery overflowing in African literature.
I’ve always adored stories of courageous, sometimes outrageous women who forge aheadinto the unknown, survive in strange lands in troubled times, pursue their career dreams. Like my favourite picks, I’ve relished my own adventures in distant countries (Libya, Czechia, Kyrgystan, Mongolia…), while always earning my crust from writing. From motivational research in Dublin and London, I switched to financial journalism in Holland, where I met and was inspired by ground-breaking journalist Nel Slis whose story I’ve told in my book Hellcat of the Hague. Now I’m settled in London to concentrate on my novels and short stories and be near my family, I hope you love these books too.
Award-winning novelist Molteno takes us on a mesmerising journey of discovery, tracing the origins of her fictional worlds. From the mountains of Tajikistan to remote parts of Africa, in small English towns or huge Indian literary festivals, she engages with people she meets and is inspired by them. Through these vignettes she threads reflections on the creative process—why we write, and what fiction does for us. Through Marion’s clear and involving writing, we encounter not one but several truly remarkable women, as she weaves the emergence of her writing life into her own much-travelled and absorbing story.
Award-winning author Marion Molteno takes us on a magical journey of discovery into the life of a writer and her readers.
From book events in small English towns to huge literary festivals in India and Pakistan, from the mountains of Tajikistan to remote parts of Africa, she traces the roots of the fictional worlds she has so brilliantly created in her novels.
Weaving through these vignettes are reflections on the creative process, her own and anyone's - her own journey as a writer, what fiction does for us, and the vital relationship between writers and readers.
With an ability to…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
Naipaul's long-form reportage "Crocodiles of Yamoussoukro," included in this collection of essays from around the world, including Africa, taught me to root my stories simply.
When I was struggling to locate the core thread of Stringer, I stumbled upon this essay about the Ivory Coast, and more than the descriptions of the place—often dark and mystical—what moved me most was when Naipaul described his reasons for traveling to the Ivory Coast: in part because he was enamored with his French teacher, an elegant woman wearing an African headdress.
It seemed to me marvelous that a large journey could begin in such a precise, universal moment.
This collection of V.S. Naipaul's essays, the first of two volumes, showcases a lifetime of intelligent and profoundly enjoyable writing. It features pieces taken from his earlier books - The Overcrowded Barracoon, The Return of Eva Peron and Finding the Centre - and also includes several previously uncollected essays.
Concentrating mainly on V.S. Naipaul's writings about India, the Americas, Africa and the Diaspora, it is a clear-eyed and magnificent introduction to the writer's extraordinary world.
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This extraordinary book forces anyone who attempts at studying African politics during the post-colonial period (‘on the postcolony’ in Achile Mbembe’s term) as well as in the late Cold War to (re)consider the role of Africans in the shaping of post-colonial Africa. The author uses various examples to nuance the dilemma of the African state-building process. The notion of ‘the politics of the belly’ derived from a Cameroonian saying, not a Bayart’s creation, as many in the West would think of it.
The State in Africa is one of the important and compelling texts of comparative politics and historical sociology of the last twenty years. Bayart rejects the assumption of African 'otherness' based on stereotyped images of famine, corruption and civil war. Instead he invites the reader to see that African politics is like politics anywhere else in the world, not an exotic aberration. Africans themselves speak of a 'politics of the belly' - an expression that refers not only to the necessities of survival but also to a complex array of cultural representations, notably those of the 'invisible' world of sorcery.…
Sixty-one years ago I, a young white woman, married a Black man and together we had two children. Raising them (and then watching my biracial children grow to maturity) started my career, professionally and personally, as an anti-racism activist and scholar. They also caused me to question “race”: how did this myth come to be accepted as reality? How could people who were segregated as Negro, as my children were called in the 1960s, have come out of my body, called “white”? As a writer and avid reader, I am fascinated by every aspect of “racial identity.”
A memoir by a young biracial woman who travels to Israel, Jamaica, Ethiopia, Ghana, and the U.S. South, searching for her own identity.
The pleasure in the memoir comes from her journey. She is a good storyteller and takes us inside her often uncomfortable encounters with folks she has romanticized as being the “real” Black folks. Raboteau discovers, after searching for ten years all over the world, that rather like Dorothy in The Wizard of Oz, her true home lies within.
One of the things I loved about the book was her well-told conversations and visits with people in countries I knew little about. The book was the winner of American Book Award.
A decade in the making, Emily Raboteau’s Searching for Zion takes readers around the world on an unexpected adventure of faith. Both one woman’s quest for a place to call “home” and an investigation into a people’s search for the Promised Land, this landmark work of creative nonfiction is a trenchant inquiry into contemporary and historical ethnic displacement. At the age of twenty-three, award-winning writer Emily Raboteau traveled to Israel to visit her childhood best friend. While her friend appeared to have found a place to belong, Raboteau could not yet say the same for herself. As a biracial woman…
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the “otherness,” what an old friend called “primitava” captures one’s soul and changes your life.
A man bereft of connection to the modern world is used, agreeing to be so, by the spy world with consequences neither he nor his handlers predicted. A wonderful journey undercutting & exposing Western misuse of Africa and African rights. Nobody writes the ordinary man stepping up to a great task in thrillers better than Le Carré. Le Carré uses intellect as demonstration of character, and in so doing, he finds redemption in morals needed to achieve a thriller’s conclusion.
As an interpreter of African languages, Bruno Salvador is much in demand. He makes it a principle to remain neutral - no matter what he hears. But when he is summoned on a secret job for British Intelligence, he is told he will have to get his hands dirty. His mission is to help bring democracy to the Congo - democracy that will be delivered at the end of a gun barrel.
The Mission Song is an excoriating depiction of a corrupt world where loyalty can be bought and war is simply an opportunity to settle old…
Interested in
Africa,
marriage of convenience,
and
India?
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