Here are 100 books that Campaigns of Curiosity fans have personally recommended if you like
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I’m a professor of modern Britain with a specialty in nineteenth-century social history. I’m drawn to sources and topics that tell us about how everyday people lived and thought about their lives. One favorite part of my job is the challenge of discovering more about those groups, like working-class women or children, who weren’t the main focus of earlier histories. Since 2000, I’ve taught classes at Vassar College in Poughkeepsie, New York, on Victorian Britain, the British Empire, the First World War, and the history of childhood.
This is one of the first books that I remember buying for myself in graduate school. Cullwick’s descriptions of her relationship with upper-class Arthur Munby (whom she eventually married) and the photographs of her dressed as a maid-of-all-work, a lady, a “slave,” an agricultural worker, and a valet highlight Victorian power negotiations and performativity.
Cullwick started working as a servant at the age of eight. From her diaries, I learned much about the daily lives of domestic servants: their relationships with employers, the different levels of service and employment networks, and the sheer amount of hard, physical labor that it took to run a Victorian household.
"Hannah Cullwick (1833-1909) worked all her life as a maidservant, scullion, and pot-girl. In 1854 she met Arthur Munby, 'man of two worlds,' upper-class author and poet, with a lifelong obsession for lower-class women. And so began their strange and secret romance of eighteen years and marriage of thiry-six, lived largely apart. Hannah's diaries, written on Munby's suggestion, offer an obsorbing account of life 'below stairs' in Victorian England. But they reveal, too, a woman of extraordinary independence of will, whose chosen life of drudgery gave her the freedom not to 'play the Lady,' as Munby demanded. Rescued from obscurity.…
I became fascinated by the Victorian period when I started tracing my family tree in my teens. I wanted to find out more about my ancestors’ lives, and social history quickly became my passion. At weekends, I would visit stately homes and country houses, and I was always more interested in the kitchens and servants’ quarters below the stairs than the grand rooms upstairs. Oral history is one of the most under-valued sources, but it really brings history to life. This list features some of the most detailed memoirs and diaries by domestic servants who wrote about their working lives. Hope you enjoy them!
In spite of its title, Eric Horne’sWhat the Butler Winked At does not contain any really juicy tales about his employers. But what it does do is lift the lid on Horne’s working experiences as a footman, valet and butler during a career spanning 50 years, starting in the 1870s.
Interestingly, Horne wrote his book in 1923 at a time when the great country estates were beginning to break up and he was struggling to find work. Horne was not a professional writer so there are grammar issues; also, some of the anecdotes may not be amusing to modern readers. But the book is packed with fascinating details about what life was like working in domestic service, not just for male servants, but female servants too.
Eric Horne served as a butler in some of the great English country manors from the 1860s until just after World War I, when many of the families whose heirs died in battle were forced to sell off their homes. Born in Southampton, Horne came from a humble family who valued education. Horne excelled in school and wished to go to sea, but lacking his parents' permission, he instead ended up as a footboy for a local household. Over the years, Horne moved up in the service of the aristocracy: his goal was to become butler to the king of…
I became fascinated by the Victorian period when I started tracing my family tree in my teens. I wanted to find out more about my ancestors’ lives, and social history quickly became my passion. At weekends, I would visit stately homes and country houses, and I was always more interested in the kitchens and servants’ quarters below the stairs than the grand rooms upstairs. Oral history is one of the most under-valued sources, but it really brings history to life. This list features some of the most detailed memoirs and diaries by domestic servants who wrote about their working lives. Hope you enjoy them!
William Tayler worked as a footman in London for the wealthy widow Mrs. Prinsep and her unmarried daughter. He kept a diary for the year 1837 "as I am a wretched bad writer [and] many of my friends have advised me to practice more…" On Sundays, he usually went to see his wife and children who were lodged nearby, although he never mentions her or them by name.
As it focuses on just one year, the diary only provides a snapshot of William’s working life. However, it gives an illuminating insight into the life of a male servant for the gentry, including details of what William did in his spare time and how the wealthy entertained. Research has shown that he later became a butler.
Before you read William’s Journal, it is necessary to sketch in his background as briefly as possible. He came from the hamlet of Grafton, which is situated in the south-west corner of Oxfordshire, not far from Faringdon in Berkshire. Its seven grey Cotswold stone farmhouses are linked together by a brook and in the old days you could walk from one house to another along the brookside. These farmhouses sit like old ladies facing the sun and are all on the north side of the brook. In front of them lies all that is left of Grafton Common. If you…
I became fascinated by the Victorian period when I started tracing my family tree in my teens. I wanted to find out more about my ancestors’ lives, and social history quickly became my passion. At weekends, I would visit stately homes and country houses, and I was always more interested in the kitchens and servants’ quarters below the stairs than the grand rooms upstairs. Oral history is one of the most under-valued sources, but it really brings history to life. This list features some of the most detailed memoirs and diaries by domestic servants who wrote about their working lives. Hope you enjoy them!
With this book, you get two servants for the price of one! This is a collection of memories from working women who were members of the Women’s Co-operative Guild. The two servants are Mrs. Layton (chapter titled "Memories of Seventy Years") and Mrs. Wrigley (chapter title "A Plate-Layer’s Wife"). Mrs. Wrigley’s recollections of domestic service only span three pages, but she describes her first place, aged nine, as a servant-of-all-work in heart-breaking detail. Mrs. Layton describes ten years in service from the age of ten with some kind (and not so kind) employers. After her marriage, she became a midwife.
“You unlocked a drawer and took out a packet of papers. . . . Sometimes, you said, you got a letter which you could not bring yourself to burn; once or twice a Guildswoman had at your suggestion written a few pages about her life . . .” ―Virginia Woolf to Margaret Llewelyn Davies, describing the circumstances leading to the publication of Life as We Have Known It
A first-hand record of working class women’s experiences in early twentieth-century England, Life as We Have Known It is a unique view of lives Virginia Woolf described as “still half hidden in…
I’ve always loved history, whether ancient or “modern.” Past societies and how humanity has changed over the years has always fascinated me. As a young mystery reader, I began with Nancy Drew and then quickly graduated to Victoria Holt. I’m not sure there’s a gothic fiction reader out there who won’t be familiar with that name. The stories are a wonderful blend of mystery, history, and a dash of the supernatural. Decades later, I’d write my fourth series, Duchess of Blackmoore Mysteries, in true gothic Victorian style.
Another fabulous London-set book where magic is real! The character of Eliza is a fantastic one to follow through this first book and the series. The web of intrigue will draw you into this alternate-history saga and keep you turning pages way past your bedtime! By now, you probably can tell how much I love magic mixed with the real world, and this book does a fantastic job of blending the two. With a fantastic set of characters, fabulous historical setting, and the mystery of magic, it sets up for a great story and a great series.
London is a powder keg… and Eliza Braxton is the match.
Imagine a London where magic is real… real, but feared. This is Eliza Braxton’s London, and she has always accepted her place in it gladly. As one of the Riftborn, her magic has relegated her to the servant class, where she dutifully serves as the lady’s maid in one of the most powerful households in the country. There, she uses her remarkable powers of persuasion to keep Elder Hallewell’s rebellious daughter in the path to an arranged match of power and prosperity. Eliza has never questioned her loyalty… until…
Stories of the past are always about making claims to the present and future. These claims include which stories—whose stories—are persistently silenced, ignored, or made very hard to hear, see, and know in the dominant culture. I am a cultural historian of U.S. political history, broadly imagined. My work is almost always driven by the same question: Why didn’t I already know this? Quickly followed by: What has it meant that I didn’t know this? Invariably, the answers are found in the histories of women, gender, race, sexuality, class, and immigration.
Childress’s novel is a compilation of short pieces originally published serially in two different Black-owned newspapers. In each story, Mildred, a Black domestic worker in New York City, recounts to her friend, Marge, the humorous, infuriating, and all too familiar experiences of working for various white families across the city. She also describes her refusal to remain silent in the face of white employers’ micro-aggressions, outright venom, and fantasies that she’s their loving mammy. Childress’s stories were a powerful salve to the Black household workers and others who first read them in a newspaper. Most of them daily confronted similar situations and worse, but lacked the safety or resources to resist in the same direct ways.
The hilarious, uncompromising novel about African American domestic workers—from a trailblazer in Black women’s literature and now featuring a foreword by Roxane Gay
First published in Paul Robeson’s newspaper, Freedom, and composed of a series of conversations between Mildred, a black domestic, and her friend Marge, Like One of the Family is a wry, incisive portrait of working women in Harlem in the 1950s. Rippling with satire and humor, Mildred’s outspoken accounts vividly capture her white employers’ complacency and condescension—and their startled reactions to a maid who speaks her mind and refuses to exchange dignity for…
I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
This wonderful novel looks at the whole affair from the servants’ points of view. “If Elizabeth Bennet had the washing of her own petticoats, Sarah often thought, she’d most likely be a sight more careful with them.” I love this book.
Love the way the historical domestic details are covered so effortlessly and the emotions explored of those silent characters who watch their “betters”, take messages, serve meals, and endlessly wash clothes!
THE SUNDAY TIMES TOP TEN BESTSELLER A RICHARD AND JUDY BOOKCLUB PICK 'Utterly engrossing' Guardian
It is wash-day for the housemaids at Longbourn House, and Sarah's hands are chapped and raw. Domestic life below stairs, ruled with a tender heart and an iron will by Mrs Hill the housekeeper, is about to be disturbed by the arrival of a new footman, bearing secrets and the scent of the sea.
What readers are saying:
'A novel to be savoured' 'Highly recommended' 'Very enjoyable exploration of the background to Pride and Prejudice'
Women’s rights in the workplace have been my passion for thirty years. As a sociologist who does fieldwork and oral histories, I am interested in understanding work through workers’ perspectives. The most important thing I’ve learned is that employers can be notoriously reluctant to enact change and that the most effective route to workplace justice is through collective action. I keep writing because I want more of us to imagine workplaces that value workers by compensating everyone fairly and giving workers greater control over their office’s rhythm and structure.
Did you know that until 1974, the job category ‘domestic worker’ was excluded from labor rights that were established in FDR’s New Deal legislation such as the minimum wage and workers’ compensation? Did you know that 1960s union leaders ignored the exploitative labor conditions of domestic work because they considered these workers “unorganizable”?
Historian Premilla Nadasan’s wonderful book tells the story of Black domestic workers’ exclusion from legal rights to which other workers were entitled and their fight to gain those rights beginning in the 1950s and extending through the establishment of the Fair Labor Standards Act in 1974.
Telling this history through the life stories of domestic workers who were leaders in this movement makes this book a particularly compelling and worthwhile read.
Telling the stories of African American domestic workers, this book resurrects a little-known history of domestic worker activism in the 1960s and 1970s, offering new perspectives on race, labor, feminism, and organizing.
In this groundbreaking history of African American domestic-worker organizing, scholar and activist Premilla Nadasen shatters countless myths and misconceptions about an historically misunderstood workforce. Resurrecting a little-known history of domestic-worker activism from the 1950s to the 1970s, Nadasen shows how these women were a far cry from the stereotyped passive and powerless victims; they were innovative labor organizers who tirelessly organized on buses and streets across the United…
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This novel about an English butler’s lifetime of service and his friendship with the housekeeper, Miss Kenton, is an absolute stunner.
Near the end of the book, when the butler and the housekeeper run into each other again, years after their service to Lord Darlington, the scene is expertly understated.
This book doesn’t give in to trite sentimentality, but rather, it moves you by its keen understanding of human nature.
*Kazuo Ishiguro's new novel Klara and the Sun is now available to preorder*
The Remains of the Day won the 1989 Booker Prize and cemented Kazuo Ishiguro's place as one of the world's greatest writers. David Lodge, chairman of the judges in 1989, said, it's "a cunningly structured and beautifully paced performance". This is a haunting evocation of lost causes and lost love, and an elegy for England at a time of acute change. Ishiguro's work has been translated into more than forty languages and has sold millions of copies worldwide.
Stevens, the long-serving butler of Darlington Hall, embarks on…
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Peake writes with the experience of someone who paints and that has a remarkable effect on his use of imagery. There are certain figurative turns of phrases he uses, such as “a face like scrunched up paper” or describing a cat purring as “the sound of an ocean inside a shell,” that click in my mind like—yes! You’ve put that into words! And Titus Groan is, once again, full of that amazing and immersive wordsmithery that elevates the text into something cinematic.
The first volume of the GORMENGHAST trilogy of fantasy novels. Titus Groan is born the heir to Gormenghast castle, and finds himself in a world predetermined by complex rituals that have been made obscure by the passage of time. Along the corridors of the castle, the child encounters some of the dark characters who will shape his life.
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