85 books like Blood Ties

McKinty takes you right to the streets of a city in chaos. An excellent, edgy, police procedural with a great sense of place––and McKinty doesn’t spare the language or violence in DS Sean Duffy’s first appearance.

In 1981 Belfast, it seems a serial killer is targeting homosexuals––an anomaly in Ulster during the troubles when most murders are sectarian. Just as Duffy starts to doubt this angle, a young woman, ex-wife of a hunger striker, commits suicide, or was she murdered––and was she connected somehow to the killings?

We’re immediately caught up in Duffy’s dysfunctional world, he’s a Catholic detective in the predominantly Protestant RUC. A hard drinker, too smart for his own good, but with a strong moral compass. 

There are a dozen reasons to read anything by Ken Bruen, but the best is this: His books are fun.

Unlike so many self-serious writers, Bruen never forgets that he’s writing for readers. And Bruen’s most compelling creation is Jack Taylor, a washed-up private investigator who always has a sharp comment, even when stuck in a scary situation. I read Bruen and find myself cackling just as often as I gasp.

Sarah Stewart Taylor is an American writer who has lived and studied in Ireland.

Her books offer complex, intelligent plots filled with flawed yet compelling characters. Maggie D'arcy, a detective in the North Shore of Long Island and divorced mother of a teenage girl, offers to go to Ireland to follow up on a phone call her uncle Danny received.

His daughter, and Maggie’s cousin, Erin, has been missing for twenty-three years, since disappearing on a hike in the Wicklow mountains. Back then, Erin went to Dublin to try and find her, and became involved in the initial enquiry. Now the Irish police have found something, a buried scarf they believe belonged to Erin. And another girl has gone missing.

The settings are finely-drawn––you can feel the rain and smell the peat fires. A beautifully written novel, not to be missed. That rarest of treats, a literary mystery.

This is the first of Dervla’s Detective Cormac Reilly books - and what a wonderful start to a new series.

Here is a book as dark and unpredictable as the early spring weather in Galway. Cormac springs to life, fully formed as a complex, honest policeman, uncompromising and determined to solve a case that has re-emerged after haunting him for over twenty years.

Back then he rescued a little boy and his sister from terrible squalor and abuse. Now grown up, that boy has apparently committed suicide and his missing sister has returned claiming he was murdered and accusing the police of a cover up.

Add to this, Cormac’s own problems with a new posting in Galway, a hostile squad of detectives and a relationship he’s frantically trying to hold on to. A wonderful, complex, engrossing book.

In contrast to earlier works on the Garda history, Conway frames policing experience in Ireland by examining its history and development in the context of post-colonialism, its impact, and lived experiences. As Ireland achieved independence, she shows, ‘time constraints and lack of alternative experience led to the retention of many core features of colonial policing’, resulting in an organisation ideologically different but practically similar to the Irish forces of the preceding century. In 1925, the new police of the Irish Free State absorbed the Dublin Metropolitan Police, the Civic Guards, who filled the niche left vacant by the disbanded Constabulary, and contentiously, many ex-RIC men. Conway skillfully weaves gardaí interviews into this varied contemporary history of policing the Republic of Ireland.

A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.

Say Nothing is nonfiction. Keefe is a first-rate storyteller, an expert researcher, and a writer who can explain complex matters simply and beautifully. 

Even if you’re not interested in the Troubles of Ireland, or in Ireland, this book allows for an understanding of how local war is, how neighbors become enemies, how war breeds war, and how governments don’t work to erase poverty or manage the anger of young people. 

On top all of that, there are the archives at Boston University, which figure in the tale, and, the passage of time, which allows the participants to reflect on their youth. This was the best book that I read in 2018.  

Inspector Mallon covers the latter decades of the nineteenth century in Dublin history, which were characterised by unrest, extremist violence, and police strikes. The late 1800s were also the service years of the celebrated Dublin Police detective John Mallon, ‘the Great Irish Detective’. The book explores the behind-the-scenes relationships between official Dublin and the force, and between the police and the political activists. McCracken examines the impact the Dublin detectives, known as G-men due to their work in the G Division, had on undermining the political threats and bringing known Fenians and members of the Invincibles, responsible for the horrific Phoenix Park murders, to trial.

No one does dialogue and atmospheric tension like Tana French. Faithful Place is my favorite of hers.

I felt like the characters were so alive that I could hear their voices in my head long after I had closed the book. This story is rife with a gritty, urban Irish atmosphere and thick with familial tension. French does a cross between literary fiction and procedural that is devastating, at times quite dark, and yet ringing with hope—one of my favorite qualities in a mystery.

Best read on a dark, rainy afternoon with a mug of rich coffee—or a Guinness. 

In Dublin Hanged, Henry paints an evocative picture of the turn-of-the-eighteenth-century Irish capital collapsing under rising property crime, food shortages due to series of particularly inclement winters, and political unrest. He also vividly captures the events that led to the organisation of the first metropolitan uniformed police in the British Isles, which came to be widely unpopular. Henry shows, the organisation of the force was costly and in order to fund the new police, the household tax ‘skyrocketed’ virtually overnight. Henry’s analysis reveals there was a marked decline in the frequency of rape and violent assaults in the years following the introduction of the police in October 1786, indicating a degree of effectiveness of the new police despite the lack of its popularity.