100 books like Argos

When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.

I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”

To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!

I am a historian with a doctorate and years of experience in diplomatic history. While researching a foreign minister’s policy decisions, I stumbled across his wife’s diaries. Later, I went back to read them. What started as sheer curiosity turned into a mission when I realised how vital diplomats’ wives were to the functioning of twentieth-century diplomacy. Yet I had spent years in the field without reading about the influence of gender. I wrote a book to bridge the gap and challenge the idea that diplomatic history can disregard gender if its focus is political. The books on my list show how everyday gendered practices are connected to political power.

I’m an Egyptologist by training and a storyteller by nature. Fascinated by the origins of patriarchy since I was a small girl raised by strong women in a patriarchal context, I turned to Greek and Roman history for answers. I earned an MA and a richer understanding of the civilizations that influenced the classical period, which led to the study of Egypt and Mesopotamia and finally to a Ph.D. in Egyptology. At heart, I’m more creative than scholar. Telling stories that bring ancient Egypt to life and leave readers better informed of the challenges women have faced, and sometimes overcome, is my passion.

I daylight as a lawyer, moonlight as a stand-up comic and gaslight as a storyteller. A connoisseur of mythology and momos, I have often wondered how our ancient tales might have unfolded if narrated from women’s perspectives - a curiosity kindled since I listened to my grandmother’s grievances even as she regaled me with these stories. In the same breadth, I could not help but see how harmful and reductionist “evil” labels can be especially when history is chronicled only by victors. It is this quest of humanizing the vanquished and the vilified while honouring the essence of a timeless epic that led me to play a medieval matchmaker by wedding Indian Lore to Italian Renaissance.

My interest in the heroes and myths of the Trojan War came from a dream. My father was a wounded Greek youth and I carried him down into the Underworld. As I explored that dream and my relationship to my father, the world of Greek mythology opened to me. I absorbed The Iliad and The Odyssey, read the fragments and summaries of the other six poems that in antiquity had been part of the Epic or Trojan Cycle, immersed myself in Greek myths and gods, wondered if Homer wrote both surviving epics (I don’t think he did), and found within myself the voice of Telemachus ready to narrate On Wine-Dark Seas.

Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.

I am a big fan of two things… one is graphic novels and the other is funny stuff! When those two things come together I am in my zone. I read lots of graphic novels when I was a kid and I've never really stopped. They are a great part of anyone’s reading diet. Now I write funny graphic novels for kids with my writing partner Jol. We’ve written 20 books to date including The Underdogs series, but there’s more to come!

I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.