100 books like A Dance Autobiography

P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fate was an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.

P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fate was an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.

P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fate was an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.

P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fate was an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.

I’ve spent the past few years writing about the 1940 Katyń Massacre of 22,000 Polish prisoners of war by Stalin’s NKVD and the decades-long cover-up of their crime. My research has taken me far and wide across the recent history of eastern Europe but until the Russian invasion of Ukraine in February 2022 I was convinced the events I was studying belonged firmly in the past. Now, more than ever, we need to make an effort to understand the ways in which history informs the present. I most admire writers who combine a forensic attention to detail with a deep compassion for the individuals at the heart of every story.

I am an author and veteran journalist who reported for The Washington Post for more than two decades, and I write frequently about military history and intelligence. My father worked for the CIA, and I was born in Berlin when he was stationed there as a case officer. Later I was based in Germany as a foreign correspondent when the Berlin Wall came down. So it’s not too surprising that I am interested in Cold War espionage and history. As a reporter, author, and reader, I’ve always been attracted to stories off the beaten track, the ones that most people know little or nothing about. 

I am a historian of the Cold War and early post-Cold War period, focusing on Soviet/ Russian foreign policy in Afghanistan and in the Middle East in the 1970s and the 1980s. These are exciting topics on which an increasing number of new documents are released each year. I have a research project and lecture about these issues at the University of Zurich in Switzerland. But academia is my second career. Before my Ph.D., I worked as an aid worker, including for two years in the Middle East. I was in the region during the height of the Syrian crisis, notably running humanitarian multi-sector needs assessments.

I visited Moscow for the first time in 1964. The Cold War was in full swing. I was still at school, learning beginners' Russian. I returned a few years later as a graduate student. By this point I was hopelessly infected with an incurable and progressive disease: curiosity about the Soviet Union under communism. I was full of questions, many of which could not be answered for decades, until communist rule collapsed. Becoming a professional scholar, I spent the next half-century studying the history, economics, and politics of communist societies. The biggest obstacle was always secrecy, so it seems fitting that the system of secrecy is the topic of my most recent book.

I was born on April 22, 1939, just over four months before the start of World War II, and the very first words I can remember reading were a big black headline in August 1945: The War is Over. Ever since, I’ve been fascinated with that war, and about 75 years after it ended, I felt moved to write a book about how it began. Since I hold a PhD in English from Princeton, taught English at Dartmouth for nearly forty years, and I’ve been studying, teaching, and writing about literature for sixty years, I decided to make it a book about literature: the fiction, poetry, and drama inspired by World War II.

I’m passionate about spying. It was an absolute privilege for me to have been able to spend my life in the shadows, so to speak. I was undercover my entire career doing espionage and covert action operations for our country and the CIA. I discovered very early on that I had a particular fascination for the arcane and Byzantine subspecialty of counterintelligence. It’s hard to describe the exhilaration I felt when we nabbed an American traitor and brought him or her to justice. It doesn’t get any better than that.