100 books like A Countess Below Stairs

Judith Ivory has one of the most distinctive voices in historical romance. I wish she was still releasing new work! The Proposition is a fun take on My Fair Lady, where Henry Higgins is a down-on-her-luck duke’s daughter and Eliza Dolittle is a charming rat catcher. Yes, you heard that right. We’re a long way from the usual historical romance fare of dukes and rakes. Not only that, Mick Tremore, the rat catcher in question, has the most wonderful dog Win who threatens to steal the show every time she’s on the page. Charming, clever, witty and full of delicious sexual tension, this is a compelling read – and it has a serious message about how often the greatest barriers to our dreams are those our minds place on us. 

Georgette Heyer is the queen of Regency romance. My mother gave me my first Heyer when I was about eight and I’ve loved her work ever since. Witty, beautifully written, romantic, glamorous, her books were the perfect introduction to historical romance. I’m currently in the middle of my fifth re-read of all her books and this time 'round, I think my favorite is Faro’s Daughter. This pairs the very rude and unromantic (but irresistible!) Max Ravenscar with clever, independent Deborah Grantham, a well-bred lady brought low by financial trouble who now runs her aunt’s gambling house. When Max sets out to rescue his beef-witted cousin from Deb’s clutches, the stage is set for a clash of titanic proportions. This book sparkles like good champagne, and it always makes me laugh.  

Loretta Chase presents a thoroughly entertaining Beauty and the Beast story in Lord of Scoundrels, book three of her Scoundrels series. Miss Jessica Trent attempts to negotiate with the Marquess of Dain in order to extract her idiot brother from Dain’s unhealthy influence. But Dain dislikes the species known as “ladies” and trusts them even less. He offers Jessica his own self-serving terms, which she roundly rejects. They’re horribly attracted to one another, which Dain refuses to acknowledge, and Jessica knows is the road to ruin. Experiencing this big, powerful, beastly man’s taming at the hands of a small, beautiful, fiercely intelligent woman is delightful. Their dialogue and banter are stellar and their constant battles a thing of beauty. Truly, one of the best Regency’s out there.  

This is a book I both adore and abhor. Why would I say such a thing? Because my heart physically hurt in the reading of it.

On the surface, the confident, scientifically minded hero has everything, including a disdain for anyone “lower” than him. But when he’s felled in an instant, everything changes. He cannot communicate—at all—until the lowly daughter of a fellow numerist finds a way to break through the strange walls that now inhabit his brain…

Experiencing these two falling in love was both poignant and yet destructive to my peace of mind. This is one of those books I set down, yes for several months, because I could not bear for it to end, and I needed to fortify myself before reading through to its conclusion.

Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.

Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.

It is a compelling epic of the bloody Russian Revolution to show how Don Cossack suffered and fought during World War I, the Russian Revolution, and the following civic war. The love story is beautiful and moving. The main character Grigori was moving between the White and Red army, with pain and daze. Like other Cossack people, he was torn between royalty and betrayal, right and wrong, justice and barbarism.

Set in Moscow on the eve of the Russian Revolution, this novel’s plot does not scream “funny,” but it’s one of the most deeply funny books I’ve ever read.

An English printer living in Russia wakes up one day to find that his wife has left him and taken their children away, and revolutionaries have broken into his shop to print manifestoes.

From this unlikely setup, Fitzgerald spins a hilarious tale of loss, love, and redemption.

Amazingly, in the spring of 1917 an Interview Commission was formed in Russia to obtain oral histories of the revolution that led to the abdication of Czar Nicholas II. Thirteen key players were interviewed about their role in the sweeping and often violent events that had occurred just two months earlier. You can sense the ambivalence that they were struggling with. Of special note is Alexander Kerensky, who would become the leader of the Provisional Government, describing how he called Nicholas’ brother Michael in the middle of the night, waking him up, and persuading him to renounce the throne.

Of the hundreds of books on revolutions I have read in a decades-long career, this remains the most powerful and enthralling of them all.  Unfolding like a grand Russian epic in the manner of War and Peace, Trotsky tells the story of the Russian Revolution and the triumph of the Bolshevik Marxists over every challenge and tribulation.  No other book gives you the feeling of being a revolutionary like this one, as Trotsky takes you from the meetings of workers in the factories of St. Petersburg to the halls of the Winter Palace, all the while debating whether the events he is witnessing, indeed the history he knows he is making, conform to the Marxist vision of history that inspires him. No other account of revolutions offers such a combination of theoretical brilliance and detailed, almost cinema-like descriptions of feelings and events. 

If How to be a Dictator gives you an overview of the great tyrants of the 20th century, then Service’s biography of Joseph Stalin provides a close analysis of one of the great monsters of the 20th century. Everybody knows about Hitler’s terrible crimes, but Stalin’s are less familiar, due to a mystifying reluctance on the part of several generations of educators to teach “the youth” about the USSR. What I especially admire about Service’s book is that he really engaged with Stalin’s own writings (which are awful) and so he provides a lot of insight into the ideas that drove this ex-seminarian as he transformed himself into the supreme leader of the largest country in the world. The Stalin that ultimately emerges from this portrait is no raving lunatic but rather a highly intelligent and profoundly evil man who is completely in control of himself. Chilling.