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The Invention of Tradition (Canto Classics) Reissue Edition
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- ISBN-109781107604674
- ISBN-13978-1107604674
- EditionReissue
- PublisherCambridge University Press
- Publication dateMarch 26, 2012
- LanguageEnglish
- Dimensions5.43 x 0.75 x 8.51 inches
- Print length324 pages
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- ASIN : 1107604672
- Publisher : Cambridge University Press; Reissue edition (March 26, 2012)
- Language : English
- Paperback : 324 pages
- ISBN-10 : 9781107604674
- ISBN-13 : 978-1107604674
- Item Weight : 1.01 pounds
- Dimensions : 5.43 x 0.75 x 8.51 inches
- Best Sellers Rank: #357,065 in Books (See Top 100 in Books)
- #237 in Customs & Traditions Social Sciences
- #698 in History (Books)
- #8,425 in World History (Books)
- Customer Reviews:
About the authors
Eric John Ernest Hobsbawm CH FRSL FBA (/ˈhɒbz.bɔːm/; 9 June 1917 – 1 October 2012) was a British Marxist historian of the rise of industrial capitalism, socialism, and nationalism. His best-known works include his trilogy about what he called the "long 19th century" (The Age of Revolution: Europe 1789–1848, The Age of Capital: 1848–1875 and The Age of Empire: 1875–1914), The Age of Extremes on the short 20th century, and an edited volume that introduced the influential idea of "invented traditions".
Hobsbawm was born in Egypt but spent his childhood mostly in Vienna and Berlin. Following the death of his parents and the rise to power of Adolf Hitler, Hobsbawm moved to London with his adoptive family, then obtained his PhD in history at the University of Cambridge before serving in the Second World War. In 1998 he was appointed to the Order of the Companions of Honour. He was President of Birkbeck, University of London from 2002 until his death. In 2003 he received the Balzan Prize for European History since 1900 "for his brilliant analysis of the troubled history of twentieth-century Europe and for his ability to combine in-depth historical research with great literary talent."
Bio from Wikipedia, the free encyclopedia. Photo by Rob Ward (Flickr: HayFestivalA-011.jpg) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.
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First, the positives. The opening two chapters are an ingenious unraveling of the stereotypes associated with Scotland and Wales. Historically, the Highlands of Scotland are shown to be derivative of Irish civilization. The bagpipes and kilt are proven to be no more than commercial artifacts of the 18th century.
But then the book suffers a bit in its arguments. The ornately done coronation of the English monarchy is shown to be more elegant than its predecessors—thanks to technology and resources—but it’s a stretch to call this invented. While the bagpipes were foisted on unsuspecting Scotsmen as their national instrument instead of the historical harp, monarchical traditions that date back to the Middle Ages but are now on TV for mass consumption isn’t invented tradition in the same sense.
As you can see, the book centers almost exclusively on Britain which is where I see the Marxist liability. It seems like the authors want to use the fact that many “hoary old” traditions date only to the nineteenth century to undermine every element of British culture. Nationalities are hokum, the monarchy is silly at best and public schools (American private schools) are the result of the imperial past.
In all, it seems like the collected authors are dissatisfied with the props the capitalist/liberal state relies on for stability. It’s not that the criticism is all off-based, it’s that there’s a lot of good in the liberal/capitalist order that I, for one, would be loathe to lose sight of.
So while this is some of the finest scholarship of modern Marxist historians, I can’t help but feel that its theme has an underlying pernicious effect. But, by all means, read it for yourself and see whether you agree that its authors are pushing for more than the mere recognition that democratic states also have myths/stories that bend or distort history.
The "setts" of tartans purporting to show a particular pattern of plaid belonging to a particular Highland clan is an even more recent invention. The concept of a unified group wearing the same tartan began with the English formation of the Highland regiments in the 1740s and later. The Scottish cloth industry recognized a good thing when they saw it and with the help of the Scottish Romantic movement and with promotion by Sir Walter Scott, by the 1820s, Clan/tartan pattern books (which often disagreed with one another) were happily catering to this invented tradition.
Invented by mis-guided or plainly fraudulent "antiquarians", the concept of particular tartan patterns being associated with a specific Clan is one of the long-running jokes played by the Scots on the rest of the world. Rather like the game of golf.