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The Slow Regard of Silent Things Hardcover – October 28, 2014
Purchase options and add-ons
“I just love the world of Patrick Rothfuss.” —Lin-Manuel Miranda
Deep below the University, there is a dark place. Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place.
Her name is Auri, and she is full of mysteries.
The Slow Regard of Silent Things is a brief, bittersweet glimpse of Auri’s life, a small adventure all her own. At once joyous and haunting, this story offers a chance to see the world through Auri’s eyes. And it gives the reader a chance to learn things that only Auri knows....
In this book, Patrick Rothfuss brings us into the world of one of The Kingkiller Chronicle’s most enigmatic characters. Full of secrets and mysteries, The Slow Regard of Silent Things is the story of a broken girl trying to live in a broken world.
- Print length176 pages
- LanguageEnglish
- PublisherDAW
- Publication dateOctober 28, 2014
- Dimensions5.3 x 0.6 x 8.3 inches
- ISBN-100756410436
- ISBN-13978-0756410438
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Editorial Reviews
Review
“The best epic fantasy I read last year.... He’s bloody good, this Rothfuss guy.” —George R. R. Martin, New York Times-bestselling author of A Song of Ice and Fire
“Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.” —Terry Brooks, New York Times-bestselling author of Shannara
"It is a rare and great pleasure to find a fantasist writing...with true music in the words." —Ursula K. LeGuin, award-winning author of Earthsea
"The characters are real and the magic is true.” —Robin Hobb, New York Times-bestselling author of Assassin’s Apprentice
"Masterful.... There is a beauty to Pat's writing that defies description." —Brandon Sanderson, New York Times-bestselling author of Mistborn
“[Makes] you think he's inventing the genre, instead of reinventing it.” —Lev Grossman, New York Times-bestselling author of The Magicians
“This is a magnificent book.” —Anne McCaffrey, award-winning author of the Dragonriders of Pern
“The great new fantasy writer we've been waiting for, and this is an astonishing book." —Orson Scott Card, New York Times-bestselling author of Ender’s Game
“It's not the fantasy trappings (as wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.” —Tad Williams, New York Times-bestselling author of Memory, Sorrow, and Thorn
“An extremely immersive story set in a flawlessly constructed world and told extremely well.” —Jo Walton, award-winning author of Among Others
“Hail Patrick Rothfuss! A new giant is striding the land.” —Robert J. Sawyer, award-winning author of Wake
“Fans of the epic high fantasies of George R.R. Martin or J.R.R. Tolkien will definitely want to check out Patrick Rothfuss' The Name of the Wind.” —NPR
“Shelve The Name of the Wind beside The Lord of the Rings...and look forward to the day when it's mentioned in the same breath, perhaps as first among equals.” —The A.V. Club
“Rothfuss (who has already been compared to the likes of Terry Goodkind, Robert Jordan, and George R. R. Martin) is poised to be crowned the new king of epic fantasy.” —Barnes & Noble
“I was reminded of Ursula K. Le Guin, George R. R. Martin, and J. R. R. Tolkien, but never felt that Rothfuss was imitating anyone.” —The London Times
“This fast-moving, vivid, and unpretentious debut roots its coming-of-age fantasy in convincing mythology.” —Entertainment Weekly
“This breathtakingly epic story is heartrending in its intimacy and masterful in its narrative essence.” —Publishers Weekly (starred)
“Reminiscent in scope of Robert Jordan's Wheel of Time series...this masterpiece of storytelling will appeal to lovers of fantasy on a grand scale.” —Library Journal (starred)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
THE FAR BELOW BOTTOM OF THINGS
WHEN AURI WOKE, she knew that she had seven days.
Yes. She was quite sure of it. He would come for a visit on the seventh day.
A long time. Long for waiting. But not so long for everything that needed to be done. Not if she were careful. Not if she wanted to be ready.
Opening her eyes, Auri saw a whisper of dim light. A rare thing, as she was tucked tidily away in Mantle, her privatest of places. It was a white day, then. A deep day. A finding day. She smiled, excitement fizzing in her chest.
There was just enough light to see the pale shape of her arm as her fingers found the dropper bottle on her bedshelf. She unscrewed it and let a single drip fall into Foxen’s dish. After a moment he slowly brightened into a faint gloaming blue.
Moving carefully, Auri pushed back her blanket so it wouldn’t touch the floor. She slipped out of bed, the stone floor warm beneath her feet. Her basin rested on the table near her bed, next to a sliver of her sweetest soap. None of it had changed in the night. That was good.
Auri squeezed another drop directly onto Foxen. She hesitated, then grinned and let a third drop fall. No half measures on a finding day. She gathered up her blanket then, folding and folding it up, carefully tucking it under her chin to keep it from brushing against the floor.
Foxen’s light continued to swell. First the merest flickering: a fleck, a distant star. Then more of him began to iridesce, a firefly’s worth. Still more his brightness grew till he was all-over tremulant with shine. Then he sat proudly in his dish, looking like a blue-green ember slightly larger than a coin.
She smiled at him while he roused himself the rest of the way and he filled all of Mantle with his truest, brightest blue-white light.
Then Auri looked around. She saw her perfect bed. Just her size. Just so. She checked her sitting chair. Her cedar box. Her tiny silver cup.
The fireplace was empty. And above that was the mantelpiece: her yellow leaf, her box of stone, her grey glass jar with sweet dried lavender inside. Nothing was nothing else. Nothing was anything it shouldn’t be.
There were three ways out of Mantle. There was a hallway, and a doorway, and a door. The last of these was not for her.
Auri took the doorway into Port. Foxen was still resting in his dish, so his light was dimmer here, but it was still bright enough to see. Port had not been very busy of late, but even so, Auri checked on everything in turn. In the wine rack rested half a broken plate of porcelain, no thicker than the petal of a flower. Below that was a leather octavo book, a pair of corks, a tiny ball of twine. Off to one side, his fine white teacup waited for him with a patience Auri envied.
On the wall shelf sat a blob of yellow resin in a dish. A black rock. A grey stone. A smooth, flat piece of wood. Apart from all the rest, a tiny bottle stood, its wire bale open like a hungry bird.
On the central table a handful of holly berries rested on a clean white cloth. Auri eyed them for a moment, then took them to the bookshelf, a perch they were more suited to. She looked around the room and nodded to herself. All good.
Back in Mantle, Auri washed her face and hands and feet. She slipped out of her nightshirt and folded it into her cedar box. She stretched happily, lifting up her arms and rolling high onto her toes.
Then she ducked into her favorite dress, the one he’d given her. It was sweet against her skin. Her name was burning like a fire inside her. Today was going to be a busy day.
Auri gathered up Foxen, carrying him cupped in the palm of her hand. She made her way through Port, slipping through a jagged crack in the wall. It was not a wide crack, but Auri was so slight she barely needed turn her shoulders to keep from brushing up against the broken stones. It was nothing like a tight fit.
Van was a tall room with straight, white walls of fitted stone. It was an echo-empty place save for her standing mirror. But today there was one other thing, the gentlest breath of sunlight. It snuck in through the peak of an arched doorway filled with rubble: broken timber, blocks of fallen stone. But there, at the very top, a smudge of light.
Auri stood in front of the mirror and took the bristle brush from where it hung on the mirror’s wooden frame. She brushed the sleep snarl from her hair until it hung about her like a cloud.
She closed her hand over Foxen, and without his blue-green shine the room went dark as dark. Then her eyes stretched wide and she could see nothing but the soft, faint smudge of warm light spilling past the rubble high behind her. Pale golden light caught in her pale golden hair. Auri grinned at herself in the mirror. She looked like the sun.
Lifting her hand, she uncovered Foxen and skipped quickly off into the sprawling maze of Rubric. It was barely a minute’s work to find a copper pipe with the right kind of cloth wrapping. But finding the perfect place, well, that was the trick, wasn’t it? She followed the pipe through the round red-brick tunnels for nearly half a mile, careful not to let it slip away from her among the countless other twining pipes.
Then, with no hint of warning, the pipe kinked hard and dove straight into the curving wall, abandoning her. Rude thing. There were countless other pipes of course, but the tiny tin ones had no wrap at all. The icy ones of burnished steel were far too new. The iron pipes were so eager as to be almost embarrassing, but their wrappings were all cotton, and that was more trouble than she cared to bother with today.
So Auri followed a fat ceramic pipe as it bumbled along. Eventually it burrowed deep into the ground, but where it bent, its linen wrap hung loose and ragged as an urchin’s shirt. Auri smiled and unwound the strip of cloth with gentle fingers, taking great care not to tear it.
Eventually it came away. A perfect thing. A single gauzy piece of greying linen, long as Auri’s arm. It was tired but willing, and after folding it upon itself she turned and pelted madly off through echoing Umbrel, then down and down into The Twelve.
The Twelve was one of the rare changing places of the Underthing. It was wise enough to know itself, and brave enough to be itself, and wild enough to change itself while somehow staying altogether true. It was nearly unique in this regard, and while it was not always safe or kind, Auri could not help but feel a fondness for it.
Today the high arch of space was just as she’d expected, bright and lively. Sunlight speared down through the open gratings far above, striking down into the deep, narrow valley of the changing place. The light filtered past pipes, support beams, and the strong, straight line of an ancient wooden walkway. The distant noise of the street drifted down to the far below bottom of things.
Auri heard the sound of hooves on cobblestones, sharp and round as a cracking knuckle. She heard the distant thunder of a passing wagon and the dim mingle of voices. Threading through it all was the high, angry cry of a babe who clearly wanted tit and wasn’t getting any.
At the bottom of The Yellow Twelve there was a long deep pool with water smooth as glass. The sunlight from above was bright enough that Auri could see all the way down to the second snarl of pipes beneath the surface.
She already had straw here, and three bottles waited on a narrow ledge of stone along one wall. But looking at them, Auri frowned. There was a green one, a brown one, and a clear one. There was a wide wire baling top, a grey twisting lid, and a cork fat as a fist. They were all different shapes and sizes, but none of them were quite right.
Exasperated, Auri threw her hands into the air.
So she ran back to Mantle, her bare feet slapping on the stone. Once there, she eyed the grey glass bottle with the lavender inside. She picked it up, looked it over carefully, then set it back down in its proper place before she scampered out again.
Auri hurried through Port, heading out by way of the slanting doorway this time, rather than the crack in the wall. She twisted up through Withy, Foxen throwing wild shadows on the walls. As she ran, her hair streamed out behind her like a banner.
She took the spiraling stairs through Darkhouse, down and around, down and around. When she finally heard moving water and the tink of glass she knew she’d crossed the threshold into Clinks. Soon Foxen’s light reflected off the roiling pool of black water that swallowed the bottom of the spiraling stairs.
There were two bottles perched in a shallow niche there. One blue and narrow. One green and squat. Auri tilted her head and closed one eye, then reached out to touch the green one with two fingers. She grinned, snatched it up, and ran back up the stairs.
Heading back, she went through Vaults for a change of air. Running down the hall, she sprang over the first deep fissure in the broken floor as lithely as a dancer. The second crack she leapt as lightly as a bird. The third she jumped as wildly as a pretty girl who looked like the sun.
She came into The Yellow Twelve all puffed and panting. As she caught her breath, she tucked Foxen in the green bottle, padded him carefully with straw, and locked down the hasp against the rubber gasket, sealing the lid down tight. She held it up to her face, then grinned and kissed the bottle before setting it carefully by the edge of the pool.
Auri shucked off her favorite dress and hung it on a bright brass pipe. She grinned and shivered a little, nervous fish swimming in her stomach. Then, standing in her altogether, she gathered up her floating hair with both her hands. She brushed it back and bound it, winding and tying it behind her with the strip of old grey linen cloth. When she was done it made a long tail that hung down to the small of her back.
Arms held close against her chest, Auri took two tiny steps to stand beside the pool. She dipped a toe into the water, then her whole foot. She grinned at the feel of it, chill and sweet as peppermint. Then she lowered herself down, both legs dangling in the water. Auri balanced for a moment, holding her nekkid self up with both hands, away from the cold stone lip at the edge of the pool.
But there was no avoiding it. So Auri puckered up and settled herself the rest of the way down. There was nothing peppermint about the cold stone edge. It was a dull, blunt bite against her tender altogether hindmost self.
She turned herself around then, and began to lower herself into the water. She went slowly, tickling around with her feet until she found the little jut of stone. She curled her toes around it, holding herself thigh-deep in the pool. Then she drew a few deep breaths, screwed her eyes shut, and bared her teeth before letting go with her toes and ducking her nethers underneath the surface. She squeaked a little, and the chill made her whole self go gooseprickle.
The worst over, she closed her eyes and dunked her head beneath the water too. Gasping and blinking, she rubbed the water out of her eyes. She had her big all-over shiver then, one arm folded across her breasts. But by the time it was done her grimace had turned to grin.
Without her halo of hair, Auri felt small. Not the smallness that she strove for every day. Not the smallness of a tree among trees. Of a shadow underground. And not just small of body either. She knew there was not much of her. When she thought to look more closely at her standing mirror, the girl she saw was tiny as an urchin begging on the street. The girl she saw was thin as thin. Her cheekbones high and delicate. Her collarbones pressed tight against her skin.
But no. With her hair pulled back and wetted down besides. She felt . . . less. She felt tamped down. Dim. More faint. Feint. Feigned. Fain. It would have been pure unpleasant without the perfect strip of linen. If not for that, she wouldn’t merely feel like a wick rolled down, she would be downright guttery. It was worth it, doing things the proper way.
Finally the last of her trembling stopped. The fish were still turning in her stomach, but her grin was eager. The golden daylight from above struck down into the pool, straight and bright and steady as a spear.
Auri drew a deep breath, then pushed it out, wriggling her toes. She took another deep breath and let it out more slowly.
Then a third breath. Auri gripped the neck of Foxen’s bottle in one hand, let go of the stone edge of the pool, and dove beneath the water.
The angle of the light was perfect, and Auri saw the first pipetangle clear as anything. Minnow-quick, she turned and glided smoothly through, not letting any of them touch her.
Below that was the second snarl. She pushed an old iron pipe with her foot to keep herself moving downward, then tugged a valve with her free hand as she went past, changing speed and sliding through the narrow space between two wrist-thick copper pipes.
Product details
- Publisher : DAW; First Edition (October 28, 2014)
- Language : English
- Hardcover : 176 pages
- ISBN-10 : 0756410436
- ISBN-13 : 978-0756410438
- Item Weight : 10.1 ounces
- Dimensions : 5.3 x 0.6 x 8.3 inches
- Best Sellers Rank: #27,057 in Books (See Top 100 in Books)
- #660 in Dark Fantasy
- #2,203 in Epic Fantasy (Books)
- #2,328 in American Literature (Books)
- Customer Reviews:
About the author
Patrick Rothfuss had the good fortune to be born in Wisconsin in 1973, where the long winters and lack of cable television encouraged a love of reading and writing.
After abandoning his chosen field of chemical engineering, Pat became an itinerant student, wandering through clinical psychology, philosophy, medieval history, theater, and sociology. Nine years later, Pat was forced by university policy to finally complete his undergraduate degree in English.
When not reading and writing, he teaches fencing and dabbles with alchemy in his basement.
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Like everyone who purchased this book, I'm eagerly awaiting the third installment of the Kingkiller Chronicles. Saw this and thought: "Hey- a book by Patrick Rothfuss, why not?!"
I was definitely put off by his warning that it wasn't a good book, and I probably wouldn't like it, so, I shouldn't get excited, and maybe shouldn't even read it, just in case I am disappointed.
But I'd already bought it at this point so I wasn't going to NOT read it. Besides, Jane Austen assumed everyone would hate her character Emma, but we all know THAT isn't quite how it panned out. Anyhow, I digress.
I'm the sort of reader who enjoys a thought-through plot line. But I need more than that to actually get into a book. I need believable, consistent, relate-able characters. Rothfuss gave me that in his other books. He gave me complicated, intricate, REAL characters that I fell completely in love with.
Auri, however, confused the *$ out of me. She was just.... inexplicable. She fit into the story, don't get me wrong, but I didn't understand her. I certainly didn't relate to her. It didn't really matter though, certainly didn't affect my view of Rothfuss' writing or Kvothe's story at all.
I was hoping to get to see Kvothe in this short story, as I'm sure many of you are/were... which may explain Rothfuss' hesitation to even publish this book since Kvothe is never physically present.
There is one character. One. And she's perfect.
I felt like the luckiest fly on the wall to see a week of Auri's life in her Underthing. She knows she has 7 days until He comes to visit, and you get to see her preparing for it like it's Christmas or something. It's adorable. She's trying to find a gift but nothing is QUITE right.
God, I loved this story.
Not only was the writing exquisite, the verbiage was so uniquely suited that now I want to hear Auri describe the entire world, instead of just her own.
I can't possibly imagine being bored reading this book. I can't possibly imagine putting it down. In it's own way, it's better to me than his other works.
Auri is so complex and so different and so refreshing.
She's broken. And she goes through her life fixing things. Little things. Little, insignificant things. Things that, in anyone else's observation, don't need fixed. It's frustrating at first.
What is she doing? Why wouldn't she do *this* in that situation. Why would she almost drown to dredge up trash from the bottom of a freezing pool of water?
Because that is the proper way of things.
Everything has a name. Objects, spaces, rooms, chemical reactions. If something doesn't have a name she feels sorry for it. Because He gave her a name, and with that name she isn't as lost or as lonely. The name He gave her is her constant positive throughout her bizarre ups and downs.
Every day has a type. A doing day or a making day... and Auri knows because she can feel what sort of day it is.
The moon has it's own personality. Sometimes she needs to avoid stepping in the moonlight because it's in a bad mood.
As she describes it, you can see the moon she means, even though she uses words that don't exist.
She's so clever and resourceful! But you know she doesn't even have to be resourceful. She just is... because that's the proper way of things. Even when she wants something to be different, she won't break out of her own definition of what is proper. Even though there is no one there to see her, no one there to hold her responsible, no one there to chastise her. She's one of the strongest characters you'll ever meet. She doesn't think well of herself. She forgets to eat. She berates herself for being selfish. But she thinks even less of the people who don't understand the proper way of things.
Throughout the story you see her warring with herself. In our world she would be termed bipolar, and autistic, and maybe even schizophrenic. But she's created a life that works for her. And she focuses all her energy on what she perceives to be the happiness of objects in her care. She ignores her own needs. She won't change or bend the proper way of things. The only time she'll step out of her self-imposed rules is for Him.
Even when I'm screaming for her to take some food from a full larder she finds herself in, I'm secretly hoping she won't. That she'll stick to her own rules, and be rewarded for doing things the proper way.
She does everything in her power to keep her Underthing to herself, but then creates a safe space down there for Him too. She knows the name of Alchemy. Of Chemistry. But she won't use it. She won't bend the world. You just get this feeling that she's broken from a loss. Broken from doing something that now, through caring for the world in the proper way, she is doing penance for. But when she knows she needs the third and final gift for Him, it's okay for her to use her power to bend the world a bit. She's connected to Him. Like she's connected to everything. She's amazing.
I could seriously write a book about how much I like this book.
I'm going to re-read the others just to re-visit her character from a whole new perspective.
I can see how some people won't like this book. It requires a lot of interpretation. It requires a lot of patience. It requires a desire to UNDERSTAND a complex character. If you don't care to learn about Auri, don't read it.
If you're fascinated by the world Rothfuss has created and want to see a whole other aspect of it through the eyes of an incredible, albeit very strange, little girl, it's definitely for you!
The foreword begins by telling you that you might not want to buy this book, and if you haven’t read THE NAME OF THE WIND and THE WISE MAN’S FEAR, you might be better off starting there. This is probably fair — I think you can enjoy SLOW REGARD without having read Rothfuss’s previous two novels, but I think the context those novels provide is important. In the endnote, he goes into even more detail, describing a conversation he had with an advance reader who liked the book. Rothfuss responds by explaining why no one else would feel the same way:
“You see, people expect certain things from a story,” I explained. “You can leave out one or two if you step carefully, but you can’t ditch all of them. … People are going to read this and be pissed.”
“Let those other people have their normal stories,” Vi said. “This story isn’t for them. This is my story. This story is for people like me.”
On the one hand, Rothfuss’s warning is fair — if you purchase SLOW REGARD to see the plot from THE KINGKILLER CHRONICLES advance, you’ll be disappointed. This is a very quiet character study stretched out over 176 pages. It’s a chronicle of a week in Auri’s life, with no dialogue, no action scenes, nothing but the lonely days of a broken girl who has pieced herself back together as best she can.
On the other hand, I wish Rothfuss and others would take a lesson from his story’s protagonist and simply allow things to be what they are. No, this isn’t the third KINGKILLER novel. It’s not a tale of adventure. It’s not even told in first-person. It is what it is — a glimpse into the life of Auri, perhaps the most curious character in the series.
Rothfuss’s tremendous care with words is on full display here as Auri’s days are spent searching the Underthing for abandoned knick knacks and supplies. She ascribes character attributes to each object, placing great importance on finding the proper place for everything, yet firmly rebuking herself any time she begins to think about how these things might serve her. She takes great joy in many simple things, such as the food and items she scavenges, or the soap she makes, but at the same time we get a peek behind the pain. This is a character who spends much of the story finding the proper place for the items she has collected, considering and discovering their “true” nature, but she seems to know that she herself is broken, and that makes her lonely. It’s a side of her I don’t remember seeing in THE KINGKILLER CHRONICLES, and I’m glad this story gave us a glimpse of that side of her.
At times, it’s heart-breaking to see the things that cause her the greatest panic — a moment of fear when she hears a sound and believes she may be discovered, her misery when a skunk comes and eats some of her precious few belongings, the times when she weeps herself to sleep. Auri is a broken little girl with no one to protect her, and even if Kvothe cares for her, it’s clear that he is of far more import to her life than she is to him, as she spends much of the week considering what presents she might present to him when next he comes to play his lute outside the Underthing, and seems to have scheduled her entire week around when she guesses he will visit.
As Rothfuss says in his endnote, this story is for all the slightly broken people out there. It’s about a small girl living by herself, who just wants to carve a small niche in the world for herself, someplace quiet and out of the way, so she can be safe. I think anyone who has ever felt small and alone and afraid can relate.
Top reviews from other countries
I can't think of enough superlatives to express how I feel about these Chronicles. It's so rare, nowadays, to find a recently published book, that's so full of this kind of love for, and of, words.
It's exciting to read, and it excercises my mind, in trying to remember words that are so little used today. It expanded my mind, and helped me to explore Auri and her world underground, and showed me that, even if you ARE a little broken yourself, then that's fine, as everyone else is, too!
What more could you ask of a book?
There are so few of Patrick's books to read, and so I welcome every new short story that I find.
There will actually be yet another short story that will be published this year, 2023, in November, which will be about Bant, once more.
But the only story that I haven't read yet, from this author, is a short story, in the book, Unfettered, called: How Old Holly Came To Be.
So, I'm going to read this, before I go back to the Heavy Metal Series that I had put aside, in order to read this one, and so I'll read this, and I'll catch you on the flip side, to let you know what I think of it!
La edición que compré es preciosa en tapa dura e ilustrada, en inglés, y además trae la firma del autor. Es una delicia disfrutar de la prosa de Patrick Rothfuss en version original.