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Bridget Jones: Mad About the Boy Hardcover – Deckle Edge, October 15, 2013
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A GoodReads Reader's Choice
Bridget Jones—one of the most beloved characters in modern literature (v.g.)—is back! In Helen Fielding's wildly funny, hotly anticipated new novel, Bridget faces a few rather pressing questions:
What do you do when your girlfriend’s sixtieth birthday party is the same day as your boyfriend’s thirtieth?
Is it better to die of Botox or die of loneliness because you’re so wrinkly?
Is it wrong to lie about your age when online dating?
Is it morally wrong to have a blow-dry when one of your children has head lice?
Is it normal to be too vain to put on your reading glasses when checking your toy boy for head lice?
Does the Dalai Lama actually tweet or is it his assistant?
Is it normal to get fewer followers the more you tweet?
Is technology now the fifth element? Or is that wood?
If you put lip plumper on your hands do you get plump hands?
Is sleeping with someone after two dates and six weeks of texting the same as getting married after two meetings and six months of letter writing in Jane Austen’s day?
Pondering these and other modern dilemmas, Bridget Jones stumbles through the challenges of loss, single motherhood, tweeting, texting, technology, and rediscovering her sexuality in—Warning! Bad, outdated phrase approaching!—middle age.
In a triumphant return after fourteen years of silence, Bridget Jones: Mad About the Boy is timely, tender, touching, page-turning, witty, wise, outrageous, and bloody hilarious.
TODAY Book Club Selection
- Print length400 pages
- LanguageEnglish
- PublisherKnopf
- Publication dateOctober 15, 2013
- Dimensions6.51 x 1.32 x 9.6 inches
- ISBN-100385350864
- ISBN-13978-0385350860
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Editorial Reviews
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Review
Praise for Bridget Jones: Mad About the Boy
Today Show’s second Book Club Selection!
“Mad About the Boy is not only sharp and humorous, despite its heroine’s aged circumstances, but also snappily written, observationally astute and at times genuinely moving. Fielding has somehow pulled off the neat trick of holding to her initial premise – single woman looks for romance – while allowing her heroine to grow up into someone funnier and more interesting that she was before. Who knew middle age could be so eventful? . . . Fielding beautifully conveys the constant seesaw of emotions a parent feels toward the young and demanding: one minute overwhelming love, the next minute overwhelming desire to lock oneself in the bathroom with a bottle of gin . . . We get some good long narration, but large chunks of the book come in diary form, introduced by select statistics of the day, hilariously expanded to reflect grown-up Bridget’s concerns…. Its big heart, incisive observations and zippy pace . . . make the prospect of middle age not so bad at all. It is possible I cried a little at the end, but then, as Bridget might say: am sucker for happy endings.”
—Sarah Lyall, The New York Times Book Review
“With Bridget Jones’s Diary, Helen Fielding created a new female archetype. Now she’s brought Bridget back to conquer the 21st century. (Rule No. 1: No texting while drunk) . . . Texting and Twitter play an outsize role in the new novel, which finds Bridget solo-parenting two young children and seeking romance after a decade under Mark Darcy’s chivalric guard . . . The diary form itself pays homage to Austen, lifting Fielding’s work above many pale imitations. Austen’s heroines aren’t writers, but Fielding’s is . . . Austen’s plots are marriage plots, and ultimately so are Bridget’s. But Fielding’s novels (like Austen’s, and like Sex and the City and Girls) also revolve around friendship—something at which Bridget excels. Nor is the character’s staying power an accident. Fielding . . . is still very much a writer. ”
–Radhika Jones, Time
“She's back! Our favorite hapless heroine returns after a decade-plus hiatus, juggling two kids, potential boyfriends, smug marrieds, rogue gadgets, and her nascent Twitter feed.”
—Vogue
“Fielding’s comic gifts—and, just as important, her almost anthropological ability to nose out all that is trendy and potentially crazy making about contemporary culture, from Twitter (“OMG, Lady Gaga has 33 million followers! Complete meltdown. Why am I even bothering? Twitter is giant popularity contest which I am doomed to be the worst at”) to online dating—are once again on shimmering exhibit. And Bridget, although now a fiftyish single mother who has to deal with putting her two young children, Billy and Mabel, to bed, along with treating their hair for nits, cleaning up vomit, and attending Sports Day school picnics, is still recognizably her ditzy but ultimately unfazable self . . . Bridget is so specific a character that it’s hard to believe that she’s been invented from whole cloth . . . [Has] the sort of narrative propulsion that is rare in autobiographically conceived fiction, not to mention an unsolipsistic worldview (for all of Bridget’s fussing over herself) that invites broad reader identification.”
—Daphne Merkin, Elle
“Bridget’s back! And as irrepressible as ever . . . Yes, Bridget has changed her dismal (Born-Again Virgin) status via the scary world of online dating, and she’s in turmoil. Repentant after masses of sex and drunken Twitter over-sharing, she comforts herself with grated mozzarella, her adorable, vomit-prone children and cockeyed attempts at self-improvement . . . sweet, clever and funny. Yay Bridget!”
—Helen Rogan, People
“Mark has been gone five years. Children have nits. Mother still difficult. Jude still tormenting Vile Richard. Daniel Cleaver is children’s godfather . . . Good fun, like gathering with friends.”
—Seattle Times
“Tender and comic.”
—The New Yorker
“Fielding manages to both move and delight the reader time after time . . . Hilarious.”
—New York Journal of Books
“Plenty has changed for everyone’s favorite London singleton since her v. funny diary first charmed the world in 1998. In Helen Fielding’s Bridget Jones: Mad About the Boy, Bridget’s a widow with two kids, a Twitter account and a ‘toy boy’– but she’s still adorably clueless.”
—People
“Three years before ‘Sex and the City’ staked its claim to the smart-sassy-single stereotype, Helen Fielding created Bridget Jones, a vessel for educated, urban thirtysomethings’ secret fears about cellulite and dying alone and the probable correlation between the two. Nearly 20 years later, in Fielding's latest, Bridget Jones: Mad About the Boy, a 50-year-old Bridget is looking for love again . . . This time around, though, instead of dialing 1471 to see who's called while she was in the shower, she's refreshing her Twitter at-replies . . . Delightful . . . Bridget Jones was a character made for the Internet, from her confessional tone to her casual creation of memes.”
—Ann Friedman, Los Angeles Times
“Hearing Bridget dissect wardrobe choices (’a brand chillingly called Not Your Daughter's Jeans'), parenthood (’Why can't everyone just F---ING SHUT UP AND LET ME READ THE PAPERS'), and exercise (‘Usually love Zumba...stomping angrily like horses, transporting one into a world of Barcelona or possibly Basque-coast nightclubs, and fire-lit gypsy encampments of undetermined national extraction') feels like visiting with your funniest friend.”
—Jessica Shaw, Entertainment Weekly
“She’s back! And even though she’s a fifty-something single mom, she’s still the Bridget Jones we all fell in love with.”
—Jenna Bush Hager, Today
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Just woke up from delicious, sensual dream all mixed up with Daniel and Leatherjacketman. Suddenly feel different: sensual, womanly and yet that makes me feel so guilty, as if I’m being unfaithful to Mark and yet . . . is so sensual feeling like a sensual woman, with a sensual side which is sensually . . . oh. Children are awake.
11:30 a.m. Entire morning has been totally sensual and lovely. Started day with all three of us in my bed, cuddling and watching telly. Then had breakfast. Then played hide and seek. Then drew and colored in Moshi Monsters, then did obstacle course all in pajamas, all the while with roast chicken emitting delicious fragrance from the Aga.
11:31 a.m. Am perfect mother and sensual woman with sensual possibilities. I mean maybe someone like Leather- jacketman could join in with this scenario and. . . .
11:32 a.m. Billy: “Can we do computer, now it’s Saturday?”
11:33 a.m. Mabel: “Want to watch SpongeBob.”
11:35 a.m. Suddenly overwhelmed with exhaustion and desire to read papers in echoing silence. Just for ten minutes.
“Mummeee! De TV is broken.”
Realized, horrified, Mabel had got hold of the remotes. I started jabbing at buttons, at which white flecks appeared, accompanied by loud crackling.
“Snow!” said Mabel, excitedly, just as the dishwasher started beeping.
“Mummy!” said Billy. “The computer’s run out of charge.”
“Well, plug it in again!” I said shoving my head into the cupboard full of wires under the telly.
“Night!” said Mabel as the TV screen went black, and the tumble-dryer joined in the beeping.
“This charger doesn’t work.”
“Well, go on the Xbox!”
“It’s not working.”
“Maybe it’s the Internet connection.”
“Mummy! I’ve unplugged the AirPort, I can’t get it in again.”
Realizing my thermostat was veering dangerously towards red, I scampered off up the stairs saying, “Time to get dressed, special treat! I’ll get your clothes.” Then ran into their bedroom and burst out, “I hate fucking technology. Why can’t everyone just FUCKING SHUT UP AND LET ME READ THE PAPERS.”
Suddenly lurched in horror. The baby listener was on! Oh God, oh God. Should have got rid of it ages ago but paranoid as single parent, fear of death, etc., etc. Ran downstairs to find Billy racked by sobs.
“Oh Billy, I’m so sorry, I didn’t mean it. Was it the baby listener?”
“Nooooooooo!” he yelled. “The Xbox is frozen.”
“Mabel, did you hear Mummy in the baby listener?”
“No,” she said staring delightedly at the television. “De TV is mended.”
It was showing a page asking for the Virgin TV password.
“Billy, what’s the Virgin password?” I said.
“Isn’t it the same as your banker’s card, 1066?”
“OK, I’ll do the Xbox, you put in the password,” I said just as the doorbell rang.
“That password won’t work.”“Mummeee!” said Mabel.
“Shh, both of you!” I yelled. “There’s SOMEONE AT THE DOOR!”
Ran up the stairs, head a mass of guilty thoughts: “I’m a terrible mother, there is a hole inside them left by the loss of their father which they are trying to fill with technology,” and opened the door.
It was Jude, looking glamorous but hungover and tearful.
“Oh Bridge,” she said, falling into my arms. “I just can’t stand another Saturday morning on my own.”
“What happened . . . tell Mummy . . .” I said then remembered Jude was a grown-up financial giant.
“The guy I met on Match.com and went out with the day before the Stronghold? The one I had a snog with?”
“Yes?” I said trying vaguely to remember which one.
“He didn’t call. And then last night, he copied me in on a global text saying his wife has just had a baby girl 6 lbs 12 oz.”
“OhMyGod. That’s disgusting. That’s inhuman.”
“All these years I didn’t want children and people kept saying I’d change my mind. They were right. I’m going to get my eggs unfrozen.”
“Jude,” I said. “You made a choice. Just because some guy is a fuckwit it doesn’t mean it was the wrong choice. It’s a good choice for you. Children are . . . are . . . ” I glanced murderously back down the stairs.
She held out her phone showing an Instagram picture of the Fuckwit holding his baby.
“. . . cuddly and lovely and pink and 6 lbs 12 oz and all I do is work and hook up and I’m all on my own on a Saturday morning. And. . . . ”
“Come downstairs,” I said, darkly. “I’ll show you cuddly and lovely.”
We clomped back down. Billy and Mabel were now standing cherub-like, holding out a drawing saying, “We Love You Mummy.”
“We’re going to empty the dishwasher, Mummy,” said Billy. “To help you.”
Shit! What was wrong with them?
“Thank you, children. That would be lovely,” I purred, bustling Jude back upstairs, and outside the front door, before they did something worse like emptying the recycling bin.
“I’m going to defrost the eggs,” sobbed Jude as we sat down on the steps. “The technology was primitive then. Crude even, but it might work if . . . I mean I could get a sperm donor and. . . . ”
Suddenly the upstairs window in the house opposite shot open and a pair of Xbox remotes hurtled out, landing with a smash next to the dustbins.
Seconds later, the front door flung open and the bohemian neighbor appeared, dressed in fluffy pink mules, a Victorian nightdress, and a small bowler hat, carrying an armful of laptops, iPads, and iPods. She teetered down the front steps and shoved the electronics in the dustbin, followed by her son and two more boys wailing, “Noooooo! I haven’t finished my leveeeeeeel!”
“Good!” she yelled. “When I signed up for having children, I did NOT sign up to be ruled by a collection of inanimate thin black objects and a gaggle of TECHNO-CRACKHEADS refusing to do anything but stare with jabbing thumbs, while demanding that I SERVICE them like a computer tech crossed with a five-star-hotel concierge. When I didn’t have you, everyone spent their entire time saying I’d change my mind. And guess what? I’ve had you. I’ve brought you up. And I’ve CHANGED MY MIND!”
I stared at her, thinking, “I have to be friends with that woman.”
“Children of your age in India live entirely successfully as street urchins,” she continued. “So you can just sit on that doorstep and instead of putting your ENTIRE BRAINS into getting to the next level on MINECRAFT, you can apply them to CHANGING MY MIND about letting you back in. And don’t you dare touch that dustbin or I shall sell you to the HUNGER GAMES.”
Then, with a toss of her bowler-hatted head, she flounced back into the house and slammed the door.
“Mummeee!” Shouting and crying erupted from my own basement. “Mummeee!”
“Want to come back in?” I said to Jude.
“No, no, it’s fine,” Jude said, happy now, getting to her feet. “You’re completely right. I have made the right choice. Just a bit hungover. I just need to have breakfast and a Bloody Mary at Soho House and read the papers and I’ll be fine. Thanks, Bridge. Love you. Byee!”
Then she teetered off in her Versace knee-length gladiator sandals, looking hungoverly fabulous.
I looked back across the street. The three boys were sitting in a line on the doorstep.
“Everything all right?” I said.
The dark-haired son grinned. “Yeah, it’s fine. She just gets like this. She’ll be all right in a minute.”
He glanced behind him to check the door was still closed, and pulled an iPod out of his pocket. Then the boys started giggling, moved closer together, and bent over the iPod.
Product details
- Publisher : Knopf; First Edition (October 15, 2013)
- Language : English
- Hardcover : 400 pages
- ISBN-10 : 0385350864
- ISBN-13 : 978-0385350860
- Item Weight : 1.52 pounds
- Dimensions : 6.51 x 1.32 x 9.6 inches
- Best Sellers Rank: #533,151 in Books (See Top 100 in Books)
- #4,270 in Humorous Fiction
- #4,562 in Fiction Satire
- #12,740 in Contemporary Women Fiction
- Customer Reviews:
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Bridget Jones: Mad About the Boy
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About the author
Helen Fielding (born 19 February 1958) is an English novelist and screenwriter, best known as the creator of the fictional character Bridget Jones, and a sequence of novels and films beginning with the life of a thirtysomething singleton in London trying to make sense of life and love.
Bridget Jones's Diary (1996) and Bridget Jones: The Edge of Reason (1999) were published in 40 countries and sold more than 15 million copies. The two films of the same name achieved worldwide success. In a survey conducted by The Guardian newspaper, Bridget Jones’s Diary was named as one of the ten novels that best defined the 20th century.
In November 2012, Fielding announced she had begun writing the third instalment in the Bridget Jones series. Bridget Jones: Mad About the Boy was published in Autumn 2013 with first-day sales in the UK exceeding 46,000 copies. It was the second biggest selling novel of 2013 in the UK, occupied the number one spot on the Sunday Times bestseller list for a total of 26 weeks and has sold over two million copies in 36 countries. In her review for The New York Times Book Review, Sarah Lyall called the novel 'sharp and humorous' and said that Fielding had 'allowed her heroine to grow up into someone funnier and more interesting than she was before.'
Bio from Wikipedia, the free encyclopedia. Photo from Goodreads.
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I admit I was upset and a bit concerned when I heard the spoilers about Fielding killing off Mark Darcy, but then I realized that this is a book about Bridget Jones; not about Mark Darcy or even Bridget and Mark and I decided to trust that the author knew what she was doing. I can tell you that my trust was well-placed as this novel was extremely well done. Bridget was as charming, endearing, human, quirky, flawed, hilarious and accident-prone as she was in the earlier installments and it was a hoot to read. Some might say that at 51, perhaps Bridget shouldn't be quit as flawed, quirky and accident-prone as she was in her thirties but I disagree. Who we are does not really change with age. Sure, hopefully, we learn a bunch of life lessons, become more graceful and self-accepting, learn to have a filter etc. as we mature, but at heart, whether we are teenagers, twenty-somethings, thirty-somethings, forty-somethings, fifty-somethings and beyond, we are all girls/women/human and we feel things that maybe we're a little embarrassed to feel. We have needs and when they are met, we are over the moon and when they are not met, we are devastated and perhaps feeling that "no-one will ever fancy us again." This book portrayed the insecurities that often come with aging and just being a woman in general so well and in such a humorous fashion and I found myself nodding with understanding and giggling on the subway. Just the other day, I had to stop myself from writing a pro/con list as to why I knew a guy was going to call me again even though he hadn't yet and I had to stop myself. I literally said to myself, "Meri, you're not 14 (or 24 or 34). You can't write pro/con lists over men" and then I did it anyway. Why? Because it made me feel good and, honestly anyone who thinks Bridget is immature and should just "get over it" is either completely lacking self-awareness, under the age of 30 and doesn't realize that her elders are just like her only older or lacking a sense of humor.
I have to add that the book was not all laughs all of the time. It was sad. It dealt with death and loss and there were some really touching, heart-breaking moments but Fielding so brilliantly laced these moments with humor that the book was never a downer. It was romantic and hilarious and I honestly loved each and every moment of it from the first page to the very last.
Reeling at first when this was revealed, I nonetheless wanted to know how BJ, or Mrs Darcy, was coping and what sort of a mother she’s turned out to be and what curlies life would throw at her this time. Most importantly, I wanted to know if she could possibly find love again after Darcy – a question, it turns out, that’s pretty much foremost in Bridget’s mind as well. That, her kids, weight, body, dating, dating websites, social media, school, school teachers, her screenplay (a modern retake on Henrik Ibsen’s Hedda Gabler which Bridget misspells Gabbler and believes is written by Anton Chekov) and the trials and tribulations of her constantly loyal friends are all playing on Bridget’s mind, a mind that cannot help but dwell on her adored Darcy and how much she misses him….
So, when Bridget begins dating a much younger man, the handsome, smart and very funny Roxster, it looks like she’s slowly getting her act together again – but this is Bridget and it is very, very slow and never really accomplished. Being a “cougar” doesn’t sit quite right with her, and dating turns out to be more complicated than she first thought and, though people invent profiles on sites like OKCupid in the hope of luring or finding someone, there’s also a degree of façade-erecting going on in real life too and Bridget isn’t sure she can maintain it, especially as the demands from the film production company grow, her kids needs outweigh her own, and criticism of her lifestyle and choices start coming from all sorts of quarters.
Perhaps love is a once in a lifetime thing and middle-aged and ageing Bridget has had her quota? Will she be content being a single mum? Does she really need a man in her life when she has such marvellous friends? These are the kinds of questions, among others, the novel poses and, fortunately for this reader at least, I wanted to see answered. The good news is they are and in ways that are often predictable, but also delightful and unexpected.
I confess, after reading quite severe criticism of the book (often written by people who, learning of Darcy’s demise didn’t even read the novel but, for some reason, thought it was appropriate to rate it one star – puhleez! Or, in Bridget’s new and aggravating parlance, Gaah! What is it with that? Or by some reviewers who seemed to think that Fielding should have written something equivalent to the likes of Virginia Woolf or George Eliot and take her to task for not making Bridget more complex or confident without a man – this is BJ we’re talking about!), I didn’t have high expectations. But, there is a certain comfort returning to the life of a woman who, in many ways defined a specific “post-feminism” of the nineties, was a child of “Cosmopolitan culture” and coined terms like “Smug marrieds” and emotional F*$kwittage and “singletons.” I loved discovering how she had and hadn’t matured. And, while many of the tropes that appeared in the first two Bridget Jones’ books reappear here, there was a certain satisfaction in that as well. After all, didn’t we all, like Darcy, want Bridget “Just the way she (is)”? Yes, she’s older, but not necessarily any wiser, though she is a wonderful mother who loves her kids and whose heart has always been (and still is) in the right place.
Using Bridget as a vehicle, Fielding offers some scathing and very funny observations about motherhood, pretentious kids, helicopter parents, the mummy mafia, ageing, online dating, social media and plethora of other contemporary phenomena that are as frustrating and mind-numbing as they are fun to engage in and with.
Many of the old characters from the first novels reappear: Tom, Jude, Woney and her oblivious husband, and Daniel Cleaver (just to name a few) and there’s a certain pleasure in observing how they’ve turned out and what their take on life is twenty years on as well. New characters also appear and pepper the novel in light and not so light ways, hovering around and careening into Bridget in order to further her search – not so much for Mr Right – she’s had him, but for someone to share her life and responsibilities with, male and female.
This is the heart of the book – the fact that as human beings, we’re often most fulfilled by being with others – loving, caring, sharing and all that a relationship entails - the good bad and ugly. There are some very poignant moments in this novel and while I laughed and rolled my eyes (and sometimes not in a good way – the fartage stuff was a bit OTT after a while and the “Gaahs” drove me nuts), I also cried. Yes, I shed a tear over Bridget and her gorgeous kids as well as her thwarted dreams and her attempt to rebuild after having everything implode in such a horrid way.
Mad About the Boy doesn’t pretend to answer everything or aim to be regarded as some literary zeitgeist in the way BDJ’s Diary was (which was never intentioned but happened organically as people responded to Jones) nor is it a blueprint for middle-age, though some reviewers seem to talk about it this way – but it is a light and warm-hearted read. I felt like I was revisiting old friends, sort of like a school reunion but better. I don’t know if being the age Bridget is now helped, but it didn’t hurt either.
I have to add that one of my favourite parts of the book was a scene involving a near tragedy at the children’s school. Heroes are made that night and, one of the teachers, instead of calling for counselling and mollycoddling the kids (who are all fine) and parents, offers a different kind of comfort by acknowledging their resilience and capability in the event of an almost tragedy. He tells the shell-shocked parents and excited kids to go home and celebrate (not sook). I wanted to cheer when I read this and wish there could be more of it. In many ways, sadly, this was probably the greatest piece of fiction in the book – especially in a day an age where we’re so ready to lay claim to “victim” status and all the (negative) attention that entails.
Don’t be put off by the criticisms, judge Mad About the Boy and this chapter in Bridget’s life for yourselves – take what joy or pain you can from it. Like me, you might be very pleasantly surprised.