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The Shore: A Novel Kindle Edition
The Shore: a group of small islands in the Chesapeake Bay, just off the coast of Virginia. The Shore is clumps of evergreens, wild ponies, oyster-shell roads, tumble-down houses, unwanted pregnancies, murder, and dark magic in the marshes. Sanctuary to some but nightmare to others, it's a place that generations of families both wealthy and destitute have inhabited, fled, and returned to for hundreds of years. From a half-Shawnee Indian's bold choice to escape an abusive home only to find herself with a man who will one day try to kill her, to a brave young girl's determination to protect her younger sister as methamphetamine ravages their family, the characters in this remarkable novel have deep connections to the land, and a resilience that only the place they call home could create.
Through a series of interconnecting narratives that recalls the work of David Mitchell and Jennifer Egan, Sara Taylor brings to life the small miracles and miseries of a community of outsiders, and the bonds of blood and fate that connect them all.
Spanning over a century, dreamlike and yet impossibly real, profound and playful, The Shore is a breathtakingly ambitious and accomplished work of fiction by a young writer of remarkable promise.
- LanguageEnglish
- PublisherHogarth
- Publication dateMay 26, 2015
- File size3328 KB
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Editorial Reviews
Review
“A vivid exploration of the struggle for autonomy and the many meanings of what we call home.” —Eimear McBride, author of A Girl Is a Half-formed Thing
“I loved this book. Redemption and revenge thread through these tales of lives at the margins. Epic in breadth but glittering in its detail, The Shore is utterly absorbing.”—Catherine O’Flynn, author of What Was Lost
“[Taylor] can do dark realism as well as she can the magic kind – in fact, she seems able to do most things. This debut is a testament to an exuberant talent and an original, fearless sensibility. It’s also enormous fun to read.”—The Guardian (UK)
“[A] remarkable first novel…Taylor is a terrific storyteller with a flawless narrative voice and, as a portrait of the impoverished rural South, this novel is a real achievement. .. The Shore is a mesmerizing, powerful read."—The Times (UK)
“Reminiscent of David Mitchell’s Cloud Atlas and just as ambitious.” —Stylist
“A collection of interweaving stories set on the coast of Virginia…[The Shore] promises lyrical writing and quietly tragic storytelling.”—Huffington Post (UK)
About the Author
Product details
- ASIN : B00N6PD2IS
- Publisher : Hogarth (May 26, 2015)
- Publication date : May 26, 2015
- Language : English
- File size : 3328 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 303 pages
- Page numbers source ISBN : 0553417738
- Best Sellers Rank: #1,618,099 in Kindle Store (See Top 100 in Kindle Store)
- #7,368 in Women's Literary Fiction
- #9,351 in Magical Realism
- #13,193 in Contemporary Literary Fiction
- Customer Reviews:
About the author
Sara Taylor is a socially anxious product of rural Virginia and the home-schooling movement. She traded her health for a BFA from Randolph College, and her sanity for an MA in Prose Fiction from the University of East Anglia. Following the MA her supervisor refused to let her leave, so she remains at the UEA to chip away at a double-focus PhD in censorship and fiction. She spends a ridiculous amount of time on delayed trains between Norwich and her husband's house in Reading, and tends to get lost, rained on, and chased by cows with unsettling frequency.
She expects the real adults will tell her to go back to finger painting any minute now.
For links to more fiction and not-exactly-fiction, much of it free, check http://about.me/sara.taylor
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The narrator of the novel is a women from one of the original families in the area. Her ancestors go back to a half Native American woman who fled her racist home only to marry a man who was just as racist and tried to kill her to marry a more acceptable women he met later. The women in her family were rugged and strong and none is stronger than she. As a small girl, she saw her father kill her mother and bury her in the backyard. Holly's goal in life is to protect her younger sister so she tells no one what she knows. Instead she protects her sister from their father and the meth-addicted friends he brings around. Then something happens that cannot be overlooked and the family is burst asunder.
Now Holly has returned to the island. She wants to find anyone who knew her parents and to get the true story of her family and all that happened to bring about the childhood she is still trying to reconcile with her adult life. She finds more than she wanted but she needed to know it all.
This is Sara Taylor's debut novel. Her assured recreation of the environment brought her a nomination on the Bailey's Prize for Women's Fiction. Her characters are strong and willing to do whatever is needed to survive while making sure the family will go on. The narrative spans more than a century and close attention is needed to keep all the family lines straight and determine how each character is related to each other. The timeline also goes back and forth a bit and again requires close attention from the reader. But the beauty and uniqueness of this novel richly rewards any effort needed. This book is recommended for literary fiction readers.
Top reviews from other countries
The setting of this interweaving, deeply entangled collection of individual stories, spins itself backwards and forwards, picking up a thread here, leaving it dangling, working that thread into another patch of story, ranging between 1876 and 2143, within the geography of a patch of small islands off the Virginia Coast, and loosely within the interlocked lives of a couple of individuals born in the 1850s, and their descendants.
The family histories are dark indeed. Women, across the generations, abused by some of their menfolk, who are themselves hardened by poverty and prey to addiction, whether illicit alcohol, home stilled during Prohibition, or, in modern times, the cooking of crystal meth
One family strand tells the story of Medora, child of a Shawnee Indian woman and a brutal white landowner. Medora learns the lore of plants, and within her descendants there are those who still follow shamanic ways, prophetic ways.
It’s extremely difficult to categorise this powerful book – the future moves into an obvious dystopian world, which is heralded in the declining fortunes of the rural community from that 1850s start, and which is echoed in the history of many rural communities in the developed world in the twentieth century.
The book starts with a murder and a mutilation, and there are more murders to come, not to mention rape, castration, physical and emotional abuse – and yet, there is no sense at all of a gratuitous writer titillating with all this
Taylor writes extremely well – and can capture the voices of different generations, different times, men, women and children.
I really liked the fact that I never knew quite where I was going in her book, the fact that she does not follow a one directional linear route with it. The structure mirrored, if you like, the tangle of braided lives, with the grand pattern coming clear at the end, and earlier lives of people now long dead touching the sections set in the twenty-second century
What is also noteworthy, despite the brutality, the violence, the wastedness of many of the lives, is a fierce connection to the land, and family ties, and friendships, particularly concepts of sisterhood, whether sisters by blood, or sisters purely by gender.
Finally, the book cover is rather wonderful. It does not at all suggest, or hint at the true nature of this book, and I am so pleased that it doesn’t. There could have been some very poor and schlocky design, illustrating some of the violence of the subject matter. It was only on finishing the book that the cover began to reveal its subtle appropriateness (shells, just shells of various kinds)
I will, for sure, be following this writer with interest. After such an assured, and original beginning, I have no idea what subsequent books might bring. Taylor has a voice which is unusual, feels authentic, and, for once, the dustjacket praise seems deserved.
For me, Adam Thorpe, poet and novelist (Ulverton) captures her best
“Sara Taylor has a completely natural unforced feel for language and voice: a remarkable debut”
It is.
Fair warning: there are a few extremely dark events in this book which make for uncomfortable reading - there is one in particular which stuck with me throughout the whole book. However everything that happened seemed to fit perfectly with the feel of the book and nothing felt forced or gratuitous in any way.