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The Devil's Detective: A Novel (Thomas Fool Series) Kindle Edition

4.2 4.2 out of 5 stars 572 ratings

Debut novelist Simon Kurt Unsworth sends the detective novel to Hell. In The Devil's Detective, a sea change is coming to Hell . . . and a man named Thomas Fool is caught in the middle.

     Thomas Fool is an Information Man, an investigator tasked with cataloging and filing reports on the endless stream of violence and brutality that flows through Hell. His job holds no reward or satisfaction, because Hell has rules but no justice. Each new crime is stamped "Do Not Investigate" and dutifully filed away in the depths of the Bureaucracy. But when an important political delegation arrives and a human is found murdered in a horrific manner—extravagant even by Hell's standards—everything changes. The murders escalate, and their severity points to the kind of killer not seen for many generations. Something is challenging the rules and order of Hell, so the Bureaucracy sends Fool to identify and track down the killer. . . . But how do you investigate murder in a place where death is common currency? Or when your main suspect pool is a legion of demons? With no memory of his past and only an irresistible need for justice, Fool will piece together clues and follow a trail that leads directly into the heart of a dark and chaotic conspiracy. A revolution is brewing in Hell . . . and nothing is what it seems. 
     
The Devil's Detective is an audacious, highly suspenseful thriller set against a nightmarish and wildly vivid world. Simon Kurt Unsworth has created a phantasmagoric thrill ride filled with stunning set pieces and characters that spring from our deepest nightmares. It will have readers of both thrillers and horror hanging on by their fingernails until the final word. In Hell, hope is your worst enemy.
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Editorial Reviews

Review

“Original, tense, and full of great twists, this is one hell of a great read.”
     —Hugh Howey, author of
WOOL

“Damned good. . . . An entertaining Dantean spin on the police procedural.”
     —
Financial Times
 
“A grand, nightmarish page-turner that will have you riveted no matter how much you'd prefer to look away.”
     —
Kirkus Reviews
 
“This might be the most whimsical murder story ever told.
The Devil's Detective is relentlessly creative, fearlessly witty, and completely twisted. Naturally, I loved it.”
     —Chelsea Cain, bestselling author of
One Kick

“A clever spin on the traditional police procedural. . . . We’ve seen other novels set in Hell, but we haven't seen a Hell quite like this.”
     —
Booklist

“Dark and luminous, compelling and insidious, 
The Devil’s Detective is a novel that transcends genre.”
     —Michael Marshall Smith, bestselling author of 
The Intruders and The Straw Men

“Hell as the setting for a noir investigation turns out to be as fun as it sounds in 
The Devil's Detective.  Inventive and pacy, Simon Kurt Unsworth has created a world—underworld?—distinctly his own.”
     —Andrew Pyper, author of 
The Demonologist and The Damned

“Inventive and intriguing—Unsworth turns a journey through Hell into a heavenly read.”
     —Alison Littlewood, author of 
A Cold Season

“A layered, fascinating first novel that will put readers firmly in mind of Clive Barker as they indulge in the gorgeous detail of Hell and all of its squalid denizens. 
The Devil’s Detective is an ambitious yet accomplished piece of work that will leave the reader not only wanting more Thomas Fool but hoping against hope that the reality of Hell isn’t anywhere near as bad as the version in Unsworth’s imagination.”
     —ThisIsHorror.co.uk

About the Author

Simon Kurt Unsworth was born in Manchester and lives in a farmhouse in Cumbria, in the United Kingdom. He is the author of many short stories, including the collection Quiet Houses. The Devil's Detective is his first novel.

Product details

  • ASIN ‏ : ‎ B00N6PCZPE
  • Publisher ‏ : ‎ Anchor (March 3, 2015)
  • Publication date ‏ : ‎ March 3, 2015
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1734 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 306 pages
  • Page numbers source ISBN ‏ : ‎ 0804172927
  • Customer Reviews:
    4.2 4.2 out of 5 stars 572 ratings

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Simon Kurt Unsworth
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Customer reviews

4.2 out of 5 stars
4.2 out of 5
572 global ratings

Top reviews from the United States

Reviewed in the United States on September 19, 2016
The more modern noir I read, the more I often think that much of the best work in the genre revolves around a grip on its environment. James Ellroy and L.A.; Dennis Lehane and Boston; John Connolly and Maine; Raymond Chandler and California…the list goes on and on, but in almost every case, it’s hard to picture the stories working half as well without their world to draw off of, to be its own character in the complex story. And in the best noir, the environment is the story in no small part – for instance, look at how Ellroy draws off of the underside of L.A. to drive his sordid tales.

But rarely have I seen that idea used as effectively and powerfully as it is in The Devil’s Detective, a book whose setting is original, unforgettable, and inextricably linked to its characters, its plot, and its mood. Because its setting is Hell, and in that blasted, hopeless landscape, author Simon Kurt Unsworth crafts a piece of noir unlike just about anything else I’ve read.

Because, here’s the thing about Hell: how do you make a mystery set in Hell? How do you tell a story about a murder in a place where torment is constant, where torture is everywhere, where nightmares live and breathe and the entire point of existence is to live in regret and pain? And more than that, when an environment is shaped around a lack of hope, how can any crime ever be solved – because wouldn’t that offer hope and justice in a place defined by their absence?

Rather than dodge those questions, Unsworth bakes them into the DNA of his book, following Fool, one of Hell’s Information Men – a sinner himself – who finds himself doing something he’s never done before: actually investigating a crime. To be sure, this is an unusual crime – not only was a human murdered, but his soul was reaped from his body – but Fool’s investment in the crime, and his dedication to understanding it, feels like a slow, seismic shift in Hell. And his interest – his insistence that this soul matters, that even Hell must have rules – indeed changes everything around him, and throughout Hell. And that change becomes as much a part of the story as the investigation itself.

But, oh, that investigation. This is a labyrinthine case, make no mistake about it, and one that feels heavily indebted to Chandler and Hammett along the way; like those authors, Unsworth follows his detective through a slew of encounters with citizens from all over Hell, through seedy environments and upper class “suburbs” (of Hell), through high-level politics and through abused citizens. But Unsworth makes it all his own, giving us a Hell unlike any other that I’ve read – a Hell that has left behind the torture and nightmares of Dante and resembles nothing so much as a hopeless, bleak industrial society, an inner-city where brutality and violence are just part of the day-to-day life. And as Unsworth dives into the life of Hell and its occupants, his world continues to flesh out, and we start to see just how much his characters – and these crimes – are a function of this world, and not a recent addition. And once that link becomes clear, the story becomes richer, because it’s about more than just one crime – it’s about our hero, and about life in Hell, and about this bizarre, dark world that Unsworth has crafted for us.

Make no mistake, though: this is a dark world. Much of what makes Unsworth’s novel work is that he allows Hell to be every bit as nightmarish and disturbing as it should be. The demons are horrific, and their relationship with humans is brutal and upsetting. The violence is shocking and constant; the atmosphere bleak; the world unforgiving. And the cost is high, and that matters here, because as soon as you care about the world and have hope, it can be taken from you. And that’s the nature of Hell.

And yet, even with all of that, The Devil’s Detective never becomes nihilistic. Instead, it gives us a rich, compelling hero in Fool, who becomes a crusader for lost causes, a lone light in the darkness, and a hope in a world without it. That’s heady material, and makes Fool’s quest all the more engaging, and his development as a character all the more rewarding, as he finds himself becoming noticed by Hell…and then respected by Hell. It turns a noir detective something richer and more profound, and its constant evolution as a book only makes it work all the more.

In short? I loved this book, plain and simple. I loved its complicated, incredible world, and the astonishing array of characters. (I haven’t even touched on Unsworth’s most fascinating character, The Man of Plants and Flowers, who defies all characterization.) I loved its complex story, which uses the framework of a noir tale as a starting point and turns it into something wholly else. And I loved Fool, whose noble quest in the face of horrors becomes as gripping and important as solving the murder that starts it all. I loved the world, the story, the ideas, and the writing, and I can’t wait to see what else Unsworth has in him to come.
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Reviewed in the United States on June 25, 2016
All around great. Beautiful prose, very interesting subject, amazing setting and filled with history and insight into the workings of this Hell. Only issue would be that much of the ending is easily seen before it happens, but definitely a fun read.
Reviewed in the United States on June 15, 2015
All of the horror writers I know in this unusual field have the desire to write a novel that's original in scope and thought-provoking in the thematic sense of the word. They want to create something that will stand the test of time, while thrilling their readers. The Devil's Detective by Simon Kurt Unsworth is just such a book. It also happens to be the author's first novel, and it's certainly an impressive one.

In many ways the author has reinvented the "horror" genre with this mystery set inside the boundaries of Hell with stark reminiscences of our everyday world. This is a place where humans are sent to serve demons as a slave, having no knowledge of their past sins...only the realization that they must have done something terribly wrong and are now paying the price for it.

The story centers on Thomas Fool, who is one of Hell's Information Men. His two partners are Gordie and Summer. They are actually police detectives who investigate the countless crimes taking place in Hell every week, knowing it is fruitless and that few citizens actually want the crimes resolved.

These police investigators, however, have full autonomy with regards to each investigation they apply their skills to. They have the authority to question any citizen of Hell and visit whatever sections of Hell they want in the pursuit of an active investigation.

While investigating the murder of a human being near the Lake of Fire that's occupied by hungry demons, Fool begins a journey that will slowly change his life and how he views the things around him. What Fool soon realizes is that the murderer is a serial killer, and the deaths keep racking up as the Information Man draws closer to its final conclusion, suspecting that a monstrous demon has to be behind the deaths of so many humans.

What made this novel unrelenting to read, at least for me, is not only the terrific concept of what Hell is, but the writing style of the author and the unusual characters he creates for his story. There's the Man of Plants and Flowers, the angels Adam and Balthazar, Elderflower, and Rhakshasas and the other horrific demons that live off the agony experienced by humans.

It took nearly two-dozen pages for me to get used to Hell as it's described and the somewhat flowery prose of the author. The writing style, which wouldn't work for other novels, turned out to be absolutely perfect for this one. It seemed to add a flowing richness to the vivid descriptions and subtle texture of the story and made you want to continue.

I also kept seeing the actor, Clive Owen in a dark overcoat, as Thomas Fool, an investigator who has become complacent in his solving of the endless crimes. It isn't until this particular case lands in his lap that he's able to sweep the dusty cobwebs away from his murky vision and pursue the investigation to its mind-blowing resolution.

I should also mention that the use of so many adverbs and adjectives would normally turn me off to a novel, but not this one. After a day of reading, I found myself secretly hooked by the author's prose and loved the way he made everything appear in your mind with such utter clarity. It made the story of Hell and Thomas Fool more engrossing and detailed to one's imagination.

I will add that the novel ends in such a way as to invite a sequel, which I hope the author is already writing.

So, this book is highly recommended for its sheer brilliance and originality. It's both a mystery and a horror novel, and I trust that Hollywood already has its keen eyes focused upon the story. This would make one hell of a movie!
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Reviewed in the United States on August 29, 2016
Predictable, but enjoyable. The ending is exactly as you expect, but the imagery and setting are thoroughly enjoyable. Finished this book in 3-4 hours.
Reviewed in the United States on June 24, 2016
very unusual and interesting. never read a book quite like it before. if I'm going to hell, that's the way to go. read it twice already. it holds your interest. would recommend it.
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Top reviews from other countries

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peter darbyshire
5.0 out of 5 stars Hell is hope
Reviewed in Canada on August 28, 2023
The Devil’s Detective by Simon Kurt Unsworth is one of the creepiest and disturbing visions of Hell ever created. Not because it’s all horrible monsters and terrible torments, but because it’s so close to our own world.

The book follows an Information Man aka detective in Hell named Fool. He is tasked by Hell’s incomprehensible bureaucracy to investigate murders in the infernal realm, which resembles a 1940s/50s town on the edge of a dying rural area (in my reading of it anyway). The setting synchs nicely with the noirish voice of the book, but Fool isn’t exactly your typical noir detective. For one, he never actually solves any murders. Every investigation gets closed with paperwork that says “Did Not Investigate,” and he works for the demons instead of being some sort of lone knight. The dead never get justice when they are killed by demons. Instead, they are tossed back into the seas of limbo, where will be plucked out again at some future point to begin their torment again.

And torment it is, for those trapped in Hell are forced to endure never-ending labour for the demons with no source of light or happiness in their lives. Instead, there is only the constant existential anxiety of when not if those same demons will decide to turn on them and devour their souls. There’s no escape, not even for the demons, who were here long before the humans came and don’t seem that happy about Hell themselves. It feels like a manifesto against capitalism at points — the entire world seems dedicated to the torture of humans by the machinery of work, with overseers/managers being actual demons that want to feed on their workers’ souls — but it’s a familiar enough world that most readers will see their own personal Hell reflected in it.

Everything changes when the angels arrive, though. Fool is ordered to escort a group of them through Hell at the beginning of the book, when they are on a mission to seek out souls for ascension to Heaven. And this is where the truly chilling aspect of Hell becomes manifest. For the angels reveal there is just the tiniest shred of hope for escape from Hell — but it seems almost random. And it’s that hope that highlights all the other suffering. If there was no chance whatsoever of escape, perhaps the damned would eventually grow accustomed to their suffering or maybe even try to do something about it. But instead they are always captured by hope of escape to Heaven, even though they stand nearly no chance of ever seeing that hope realized. Hell is truly to be found in hope.

But that changes with the angels’ arrival, as Fool and the angels are drawn into a very curious string of murders in which the dead seem to be released from Hell. The question is who’s behind the murders and what they want, as the killings kick off a rebellion of sorts in Hell, where the damned rise up against their demon masters and Fool is caught in the middle. By the time he solves the mystery, all of Hell has been transformed. And even the demons don’t know what comes next.

The Devil’s Detective is a truly fabulous read that combines a number of genres into a chilling, terrifying and yet truly beautiful story. You’ll never think of Hell the same way again.
Martin O
4.0 out of 5 stars Ein Narr als höllischer Polizist
Reviewed in Germany on October 28, 2015
Auf das Buch bin ich durchs bloße Stöbern gekommen, weil mich die Inhaltsangabe angesprochen hat. Tatsächlich ist die Story von Thomas Fool, Hell's Information Man, eine überaus gelungene Mischung aus Horror und - wenn man so will - Krimi. Während eine Delegation von Engeln die Hölle besucht um mit deren Bürokraten Details über die Anzahl der zu rettenden Seelen zu verhandeln. taucht eine Reihe von übel zugerichteten Leichen auf, die eine Gemeinsamkeit haben, nämlich das Fehlen der Seele. Thomas Fool, einer der Verdammten, dem die Rolle eines Polizisten (besser gefällt mir eben die Bezeichnung "Information Man") zugedacht ist, macht sich zunächst ohne rechtes Animo und ohne viel Hoffnung auf die Suche nach dem Dämon, der dafür verantwortlich zeichnet. Und den Bürokraten der Hölle scheint zu gefallen, dass er dabei den Status quo durcheinander wirbelt.
Das Besondere an dem Buch war für mich die Darstellung einer Hölle, die die körperliche Folter durch Hoffnungslosigkeit und beliebigen, willkürlichen Terror ersetzt hat. Die Hoffnungs- und Trostlosigkeit des Settings wird mit sparsamen Strichen ausgezeichnet rüber gebracht. Unsworth hat unzweifelhaft ein Gespür für das Setting von Szenen (Verfolgungsjagden, Kämpfe) und ist auch sehr geschickt mit dem Ausmaß an Informationen über die Hölle und die Protagonisten des Buches, die er an den Leser weiter gibt. Obwohl Fool nicht unbedingt wie ein Sympathieträger wirkt, so wächst einem doch die Sturheit dieses Underdogs ans Herz. Insgesamt ist das Buch kein Stimmungsaufheller, das wäre aber auch ganz und gar unpassend. Wir befinden uns schließlich in der Hölle.
Natürlich gäbe es - wenige - Verbesserungen. Gerade im ersten Drittel wiederholen sich z.B. manche Ermittlungsschritte zu stark. Wenn ich aber als Vergleich die Bobby Dollar Trilogie von Tad Williams heranziehe, wirkt Unsworth Buch deutlich frischer und wagemutiger. Eine sehr positive Überraschung und unbedingte Empfehlung.
Jon Kaneko-James
5.0 out of 5 stars Superbly Constructed, Well Characterised Piece of Metaphysical Noir
Reviewed in the United Kingdom on April 6, 2015
This is a superbly paced, very well constructed noir/whodunnit set in hell, with one of my favourite depictions of hell from fiction in the last couple of years -- neck-a-neck with Paul Cornell's depiction in the second Shadow Police novel -- and a very good grasp of character. Unsworth's hell *was* once the Biblical lake of fire, and it *was* once the layered hell of Dante. Hell, however, changes, and now hell is the hell of the metropolis, the hell of fear and the hell of industry.

It's a great, grimy setting that doesn't fall so in love with it's own squalor that you get sick of it: humans live in starvation and filth, and get preyed upon by demons. Thomas Fool just stamps cases 'Did not investigate' and moves on. Hell notices people, lets them rise up, and then crushes them. It lends a great edge to the book that means even during Fool's successes, you still feel a sense of danger for him.

If there's anything else I'd say, it would be that I like Unsworth's characterisation: whether it's humans, angels or demons he has the knack of painting people in shades of grey, but without making his antagonists too familiar or spoiling his protagonists by giving them unforgivable faults. It's something that I like from the works of Chandler: we care more about Eddie Mars in The Big Sleep because we've met him enough to have formed an emotional bond. When he steps out into a hail of bullets fired by his own men, we feel both triumph and pain because we know him as a person. Unsworth has that same skill of showing us enough of his villains that we invest in them, even in their deaths.

Great book. I recommend reading it.
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Em
4.0 out of 5 stars I was expecting something like Richard Kadrey's Sandman Slim
Reviewed in the United Kingdom on July 22, 2016
I was expecting something like Richard Kadrey's Sandman Slim, but what I got what more like the Hellish visions of Clive Barker. Warning for the uninitiated: DO NOT READ WHILE EATING. There are more than a few scenes in which the descriptive power of the author is in direct confrontation with the possibility of keeping anything down. I want to say something about small demons and semen, but I don't want to ruin the surprise. And the poor souls who work in the fields. *shudder* Sometimes I had to look away. Seriously.

But it is precisely this ability to covey the sheer mind numbing horror and hopelessness of Hell that makes this book so damn good. Unsworth's Hell IS hell. The dank, dangerous, sickening environment. The petty bureaucracy. The unfairness, the pointlessness, the inescapable repetition of days without hope, without change, without end. The shrug of shoulders meaning 'this is the way it is'. Even reading it drags you down into a pit bordering on despair. Or would...if not for the wonderful Thomas Fool, Information Man, investigator of all things murderous. Angry, angry Fool and the ways in which he is growing, developing, contrasting with the stagnant world around him. Pushing back against the tide. Oh what a character he is. And I am so very interested in where he is going to take us.

This is a deliciously dark and terrifying debut from Unsworth, the kind of creative imagination that is both worrying and exciting. Clever, chilling, and genuinely different, the book defies characterisation and offers a truly nightmarish vision that is impossible to ignore. Thankfully, I already have a review copy of The Devil's Evidence so I don't have to wait to jump right back into this world.
Lagoon
5.0 out of 5 stars Rules are rules. Even in hell. 👿
Reviewed in the United Kingdom on October 23, 2018
Simon Unsworth paints a hell that isn’t so bad; all things considered. Like any conurbation, it has it’s desirable areas and it’s no go areas. All well and good; but even hell has rules, and someone has been tearing them up. Enter Thomas Fool, one of hell’s ‘information men’. Think policeman/state sponsored assassin. Dead bodies have been turning up with a regularity that even hell’s hierarchy are concerned about. Fool has little to go on. There are demons capable of the base ferocity that has been visited upon the cross section of victims but even in hell, murders are usually provoked and Fool just can’t find a common thread.

The wider questions of whether you have flesh and blood in hell and whether every minute spent in hell’s confines is filled with unrelenting torment are given fair consideration here and the result is a hell that reinvents itself and that presents a challenge rather than a one way ticket to eternal damnation.

To my mind, this reads like a detective novel rather than a horror novel. As you would expect, given the setting, there are some lurid descriptions of effluent, gore and the consumption of souls; all of which is in keeping with the story and does not spill over into bloodlust.

Fool may miss a few leads but I reserve a good deal of sympathy for him. After all, would you want to be tasked with finding an evildoer in hell?

Wickedly good stuff.
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