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Wyrd Sisters: A Novel of Discworld (Discworld, 6) Mass Market Paperback – April 30, 2013
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In Terry Pratchett's Wyrd Sisters, Granny Weatherwax teams with two other witches—Nanny Ogg and Margat Garlick—as an unlikely alliance to save a prince and restore him to the throne of Lancre, in a tale that borrows—or is it parodies—some of William Shakespeare's best-loved works.
Meet Granny Weatherwax, the most highly regarded non-leader a coven of non-social witches could ever have. Generally, these loners don't get involved in anything, must less royal intrigue. But then there are those times they can't help it. As Granny Weatherwax is about to discover, it's a lot harder to stir up trouble in the castle than some theatrical types would have you think. Even when you've got a few unexpected spells up your sleeve.
The Discworld novels can be read in any order but Wyrd Sisters is the sixth Discworld book and the second in the Witches collection. The Witches collection includes:
- Equal Rites
- Wyrd Sisters
- Witches Abroad
- Lords and Ladies
- Maskerade
- Carpe Jugulum
- Print length368 pages
- LanguageEnglish
- PublisherHarper
- Publication dateApril 30, 2013
- Dimensions4.19 x 0.83 x 7.5 inches
- ISBN-100062225731
- ISBN-13978-0062225733
- Lexile measure700L
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Meet Granny Weatherwax, the most highly regarded non-leader a coven of non-social witches could ever have. Generally,these loners don't get involved in anything, much less royal intrigue. But then there are those times they can't help it. As Granny Weatherwax is about to discover, though,it's a lot harder to stir up trouble in the castle than some theatrical types would haveyou think. Even when you've got a few unexpected spells up your sleeve.
About the Author
Terry Pratchett (1948–2015) was the acclaimed creator of the globally revered Discworld series. In all, he authored more than fifty bestselling books, which have sold more than one hundred million copies worldwide. His novels have been widely adapted for stage and screen, and he was the winner of multiple prizes, including the Carnegie Medal. He was awarded a knighthood by Queen Elizabeth II for his services to literature in 2009, although he always wryly maintained that his greatest service to literature was to avoid writing any.
Product details
- Publisher : Harper; Reprint edition (April 30, 2013)
- Language : English
- Mass Market Paperback : 368 pages
- ISBN-10 : 0062225731
- ISBN-13 : 978-0062225733
- Lexile measure : 700L
- Item Weight : 7 ounces
- Dimensions : 4.19 x 0.83 x 7.5 inches
- Best Sellers Rank: #53,491 in Books (See Top 100 in Books)
- #546 in Humorous Fantasy (Books)
- #2,869 in Fantasy Action & Adventure
- #3,571 in Paranormal & Urban Fantasy (Books)
- Customer Reviews:
About the authors
Terry Pratchett sold his first story when he was fifteen, which earned him enough money to buy a second-hand typewriter. His first novel, a humorous fantasy entitled The Carpet People, appeared in 1971 from the publisher Colin Smythe. Terry worked for many years as a journalist and press officer, writing in his spare time and publishing a number of novels, including his first Discworld novel, The Color of Magic, in 1983. In 1987 he turned to writing full time, and has not looked back since. To date there are a total of 36 books in the Discworld series, of which four (so far) are written for children. The first of these children's books, The Amazing Maurice and His Educated Rodents, won the Carnegie Medal. A non-Discworld book, Good Omens, his 1990 collaboration with Neil Gaiman, has been a longtime bestseller, and was reissued in hardcover by William Morrow in early 2006 (it is also available as a mass market paperback (Harper Torch, 2006) and trade paperback (Harper Paperbacks, 2006). Terry's latest book, Nation, a non-Discworld standalone YA novel was published in October of 2008 and was an instant New York Times and London Times bestseller. Regarded as one of the most significant contemporary English-language satirists, Pratchett has won numerous literary awards, was named an Officer of the British Empire “for services to literature” in 1998, and has received four honorary doctorates from the Universities of Warwick, Portsmouth, Bath, and Bristol. His acclaimed novels have sold more than 55 million copies (give or take a few million) and have been translated into 36 languages. Terry Pratchett lived in England with his family, and spent too much time at his word processor. Some of Terry's accolades include: The Carnegie Medal, Locus Awards, the Mythopoetic Award, ALA Notable Books for Children, ALA Best Books for Young Adults, Book Sense 76 Pick, Prometheus Award and the British Fantasy Award.
Stephen Briggs wrote, for many years, with his friend Terry Pratchett. Stephen and he created the maps of Terry's Discworld, and of its principle city, Ankh-Morpork. Stephen has also written 20 dramatisations of Terry's works, which have been published and performed in more than 20 countries. He also recorded many unabridged audio versions of Terry's books, in the UK and in the US. www.stephenbriggs.com
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And who are these three witches? Well, there's Granny Weatherwax (Esme), a curmudgeon of the highest degree famed for headology, indomintable will, and impenetrable boots. There's Nanny Ogg (Gytha), matriarch of a clan that would put anyone in the Ozarks to shame, who had an adventurous girlhood and doesn't much appear to have let up even in her advanced time of life. And then there's Magrat, junior member of the group, a soppy young thing who firmly believes in . I've always enjoyed the contrast between Magrat and the others, as Magrat is such a delightfully accurate parody of the New-Age-y types, whereas Esme and Gytha know that the intent and focus of the witch matters a lot more than the type of crystal she's using or the precise incantation she utters. This leads to a really excellent scene where they summon a demon (despite Esme's misgivings that demons shouldn't be pandered to) to try and get some answers out of him -- using a washboard for an octagram and a copper stick for a sword of art. They also demonstrate a degree of irreverence for spirits which I thoroughly appreciate.
In 'Wyrd Sisters', the trio begins their practice of interfering in as precise a way as possible. They're not supposed to, you see, and in this plot, it's particularly complicated, because a kingdom ruled by witchcraft just doesn't work (and they don't want to have to be solving everyone's problems all the time anyway). So they have to find a way to fix things without fixing them. It's the sort of thing they explore even more throughout the rest of the Witches series.
As for that theatre troupe, they're balanced precariously on the edge of time between when actors were just wandering vagrants in search of an innyard and when they started becoming just a little bit more, building their own spaces, settling down, making the crowds come to them. During the course of the book, they start construction on the Dysk. The troupe is led by Vitoller, an excellent Burbage analog. Their chief playwright is a dwarf, Hwel (a hilarious pun if you know much about the pronunciation of consonants in 16th-century English), through whom Pratchett exercises a great many of his Shakespearean illusions. And then there's Tomjon, the missing prince that the witches convince Vitoller and his wife to adopt. Suspecting that they've fulfilled a traditional fairy-godmother-type role (though not so much as they will in 'Witches Abroad'), all three witches give the baby blessings -- though certainly not your traditional kind. No, they give him far more sensible gifts: that he will always make friends, that he'll always know all the words, and that he'll always be whoever he thinks he is. These gifts have the side effect of turning Tomjon into a staggeringly successful actor, who declaims his first words in iambic pentameter, and who can halt a tavern brawl just by standing on top of a table and starting to talk.
I love the witches, and there's so much delightful about them, but my real glee in this book is with the theatre troupe. There are the obvious Macbeth references, but Pratchett clearly knows his Shakespeare, because he slips in a ton of other allusions as well -- Julius Caesar, Henry V, Hamlet, Richard III, As You Like It, A Midsummer Night's Dream, even Henry IV, Part 2. (And lspace.org has a really excellent annotation if you're interested in sussing them all out). There's also a lot of heart and psychological truth (or, as Granny would call it, headology) in the book. I've seen it described a lot as Monty Python meets Macbeth, but I think that's selling the story really short. Take, for instance, the dreams of Hwel. It doesn't matter that he's a dwarf who doesn't like mining and who has rejected the dwarvish lifestyle in favour of taking up acting. It doesn't matter that he gets called a lawn ornament when he goes out drinking in Ankh-Morpork. It doesn't matter that he's a parody of the greatest English scrivener of all time. What matters is that he's a writer, always trying to make his work match the beauty of the vision in his head. I think anyone of a creative inclination knows that feeling. That kind of incisive poignancy cuts through so many of Pratchett's works. These are humour books, they're parodies, but there's still something so real about them. Pratchett uses humour in the absolute best way -- to reveal humanity's soul.
Overall, this is the start of one of my favourite series of all time. 'Wyrd Sisters' is a really entertaining story, and very cleverly crafted. It's one of my go-to books when someone asks me to recommend them something. Pratchett's writing is super-accessible without being in any way dumbed down or juvenile. It's just wonderful, which is why these are some of my favourite comfort books. I can pick them up any time and be happy.
I also read it for book club and it was wonderful to discuss it and hear others' views on it. It made me like the story even more and made it feel richer. With Terry Pratchett, you're going to miss a lot of things while reading, so having more people to notice and point out more references and details was great.
The humor in these novels hits exactly right for me. It's frequently (literally) laugh-out-loud funny, it's clever and witty, and for the most part it doesn't punch down as a lot of humor tends to do. And it's used to underscore a sense of anger at the (many) injustices of the world and draw attention to the flaws of society.
I also hadn't read Macbeth when I read this for the first time, but after taking a couple of Shakespeare classes in college I really appreciated what he did with the story and the references to other plays as well.
We will be reading the rest of the Witches series and I plan to continue the rest of the novels too now that I've been given the push to start. I'd been thinking I should reread for years but just never got around to it. So many books, so little time, alas.
Some may find this novel a bit of a drag, as the Shakespearean wordplay and satire may not be for all tastes, and while not the author's weakest showing it can be somewhat run of the mill and formulaic. Those who enjoy the Bard's works, however, will find themselves giggling uncontrollably at some bits ("Is this a dagger I see before me?" "No, sir, it's a handkerchief. You can tell by the lack of sharp edges."). And it's clear that he is playing with our expectations of formula, and twists and subverts the story in ways that become essential elements in his later Lancre Witch stories. But further, Sir Pratchett ruminates on our peculiar nature at empathizing with fiction, the swaying and twisting way words can force us to feel differently about things we would think we have immovable opinions on.
We also get a fine introduction to some of the Discworld's finest characters: forward and cunning Nanny Ogg, amiable but soppy Verance, and well-meaning wet hen Magrat Garlick, all of whom become treasured fixtures in later stories.
All in all, fun to read, good fun for later continuity, but a skippable novel if it doesn't strike your fancy.