Steven Casey is Professor in International History at the LSE. A specialist in US foreign policy, he is the author of ten books, including Cautious Crusade, which explored American attitudes toward Nazi Germany during World War II; Selling the Korean War, which won both the Truman Book Award and the Neustadt Prize for best book in American Politics; and When Soldiers Fall which also won the Neustadt Prize. In 2017, he published War Beat, Europe: The American Media at War against Nazi Germany, which won the American Journalism Historians Association 2018 book of the year, the panel judging it “a landmark work.”
I wrote...
The War Beat, Pacific: The American Media at War Against Japan
The definitive history of American war reporting in the Pacific theater of World War II, from the attack on Pearl Harbor to the atomic bombings of Hiroshima and Nagasaki. After almost two years slogging with infantrymen through North Africa, Italy, and France, Ernie Pyle immediately realized he was ill-prepared for covering the Pacific War. As Pyle and other war correspondents discovered, the climate, the logistics, and the sheer scope of the Pacific theater had no parallel in the war America was fighting in Europe.
The War Beat, Pacific shows how foreign correspondents ran up against practical challenges and risked their lives to get stories in a theater that was far more challenging than the war against Nazi Germany, while the US government blocked news of the war against Japan and tried to focus the home front on Hitler and his atrocities.
“Another book on Churchill?” asks Reynolds on the first page. “Can there be anything new to say?” Yes, is the emphatic answer. Churchill’s magisterial memoir shaped how many readers came to understand World War II. In this equally magisterial book, Reynolds dissects how Churchill wrote his memoir, exploring how the politics of the post-war era were often as important in shaping Churchill’s judgments as the events of the war itself. Methodologically sophisticated and elegantly written.
Winston Churchill fought the World War II twice over-first as Prime Minister during the war, and then later as the war's premier historian. From 1948-54, he published six volumes of memoirs. They secured his reputation and shaped our understanding of the conflict to this day. Drawing on the drafts of Churchill's manuscript as well as his correspondence from the period, David Reynolds masterfully reveals Churchill the author. Reynolds shows how the memoirs were censored by the British government to conceal state secrets, and how Churchill himself censored them to avoid offending current world leaders. This book illuminates an unjustly neglected…
Atkinson’s Pulitzer Prize winning opener to his World War II trilogy reads like a novel. It also succeeds in the almost impossible task of bringing military history alive, weaving expertly drawn biographies of individuals at all levels of the US military into a grand narrative of the campaign to liberate North Africa in 1942-43.
The liberation of Europe and the destruction of the Third Reich is a story of courage and enduring triumph, of calamity and miscalculation. In this first volume of the Liberation Trilogy, Rick Atkinson shows why no modern reader can understand the ultimate victory of the Allied powers without a grasp of the great drama that unfolded in North Africa in 1942 and 1943. Beginning with the daring amphibious invasion in November 1942, An Army at Dawn follows the British and American armies as they fight the French in Morocco and Algeria, and then take on the Germans and Italians in…
While written in a more scholarly style than Atkinson, Heinrichs and Galliccio’s account is an essential companion volume. Atkinson focuses on the US military in its first major offensive. Heinrichs and Galliccio assess how it had evolved by the last year of the Pacific War. Throughout, their book expertly integrates military, diplomatic, and political history—three often-overlooked subjects in contemporary scholarly history—showing how American politicians and strategists, officers and fighting men managed to bring the war to a successful conclusion, while retaining overwhelming public support.
May 8, 1945, Victory in Europe Day-shortened to "V.E. Day"-brought with it the demise of Nazi Germany. But for the Allies, the war was only half-won. Exhausted but exuberant American soldiers, ready to return home, were sent to join the fighting in the Pacific, which by the spring and summer of 1945 had turned into a grueling campaign of bloody attrition against an enemy determined to fight to the last man. Germany had surrendered unconditionally. The Japanese would clearly make the conditions of victory extraordinarily high.
Following V-E Day, American citizens understandably clamored for their young men to be shipped…
I came close to picking James Tobin’s brilliant biography, Ernie’s Pyle’s War, but decided that it was impossible to overlook Pyle’s own prose. This anthology contains the articles he wrote in Sicily, Italy, and France in 1943-44. It shows, more movingly than any other eyewitness account, just how terrible the fighting could be in what is too often glibly remembered as America’s “good war.”
Europe was in the throes of World War II, and when America joined the fighting, Ernie Pyle went along. Long before television beamed daily images of combat into our living rooms, Pyle's on-the-spot reporting gave the American public a firsthand view of what war was like for the boys on the front. Pyle followed the soldiers into the trenches, battlefields, field hospitals, and beleaguered cities of Europe. What he witnessed he described with a clarity, sympathy, and grit that gave the public back home an immediate sense of the foot soldier's experience. There were really two wars, John Steinbeck wrote…
A savage counterpoint to Pyle’s brave frontline reporting. The English novelist made two trips to the Ethiopia to cover the war launched by Mussolini in 1935. While in Africa, Waugh complained bitterly about a rival reporter who “never set foot in Abyssinia . . . he sits in his hotel describing an entirely imaginary campaign.” And in this satire, he gave savage voice to this incendiary allegation, describing a group of reporters who spent the bulk of their time far from the front, writing stories based on either misleading briefings by local propaganda chiefs or ingenious inventions that fit the prejudices of their editors and proprietors back home. A hilarious romp.
Evelyn Waugh's brilliantly irreverent satire of Fleet Street, now in a beautiful hardback edition with a new Introduction by Alexander Waugh
Lord Copper, newspaper magnate and proprietor of The Daily Beast, has always prided himself on his intuitive flair for spotting ace reporters. That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another. Acting on a dinner party tip from Mrs Algernon Stitch, he feels convinced that he has hit on just the chap to cover a promising little war in the African Republic of Ishmaelia. But for,…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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