After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators.
We never remember the dead girls. We never forget the killers. Twelve years ago, 18-year-old University of Iowa freshman Abby Hartmann disappeared. Now, Jon Allan Blue, the serial killer suspected of her murder, is about to be executed. Abby's best friends, Bree and Chelsea, watch as Abby's memory is unearthed and overshadowed by Blue and his flashier crimes. The friends, estranged in the wake of Abby's disappearance, and suffering from years of unvoiced resentments, must reunite when a high-profile podcast dedicates its next season to Blue's murders.
Tense and introspective, for readers of Megan Goldin and Heather Gudenkauf, Don't Forget the Girl is an astonishing debut thriller that mines the complexities of friendship and the secrets between us that we may take to the grave.
Gabby Petito. Natalee Holloway. Laci Peterson. These names probably sound familiar. Lauren Cho, Stephany Flores, and Latoyia Figueroa might not. This illustrates what news anchor Gwen Ifill dubbed “missing white woman syndrome,” the disproportionate media coverage in missing persons cases that attractive, upper-middle-class white women receive.
McDiarmid’s moving book illustrates this phenomenon, following the cases of thousands of Indigenous women who have disappeared from a stretch of road in British Columbia dubbed “The Highway of Tears.” For decades, the cases garnered little media attention until a white woman named Nicole Hoar disappeared in 2002, bringing more resources and coverage.
In painstaking detail, this immersive and necessary book follows several of these previously ignored women’s lives, illustrating the systemic issues that failed the victims and their loved ones.
“These murder cases expose systemic problems... By examining each murder within the context of Indigenous identity and regional hardships, McDiarmid addresses these very issues, finding reasons to look for the deeper roots of each act of violence.” —The New York Times Book Review
In the vein of the bestsellers I’ll Be Gone in the Dark and The Line Becomes a River, a penetrating, deeply moving account of the missing and murdered indigenous women and girls of Highway 16, and a searing indictment of the society that failed them.
For decades, Indigenous women and girls have gone missing or been found…
In 2015, Chanel Miller was sexually assaulted outside a party on Stanford’s campus. The media gave her assailant a name and a backstory—Brock Turner, the Stanford Swimmer—while she was quickly reduced to a nameless victim—Emily Doe.
Her beautifully written memoir and her victim impact statement, which went viral when published on BuzzFeed, are a reclamation of identity. Despite its subject matter,Know My Name manages to be as hopeful as it is heartbreaking. This comes partly from her vivid, clear prose and partly from Miller’s own resilience.
Universally acclaimed, rapturously reviewed, winner of the National Book Critics Circle Award for autobiography, and an instant New York Times bestseller, Chanel Miller's breathtaking memoir "gives readers the privilege of knowing her not just as Emily Doe, but as Chanel Miller the writer, the artist, the survivor, the fighter." (The Wrap).
"I opened Know My Name with the intention to bear witness to the story of a survivor. Instead, I found myself falling into the hands of one of the great writers and thinkers of our time. Chanel Miller is a philosopher, a cultural critic, a deep observer, a writer's…
As a Harvard undergrad, Cooper hears a story about an anthropology professor who murdered a female graduate student with whom he was having an affair, burning her body with cigarette butts and surrounding her in red ochre.
This “macabre legend” illustrates a common critique of true crime—a victim provided no name and no identity beyond the way she was brutalized. A former New Yorker editorial staff member, Cooper performed meticulous research on the 1969 murder, debunking the affair rumor and instead exploring a more interesting story about memory, institutional power, and misogyny in academia.
She also excavates the story of the crime’s victim, 23-year-old Jane Britton. Full of twists and turns, this real-life whodunit provides an exacting portrait of who Jane was and what her loved ones lost.
SHORTLISTED FOR THE 2021 CRIME WRITERS' ASSOCIATION ALCS GOLD DAGGER FOR NON-FICTION
'I'm obsessed!' REESE WITHERSPOON
'Exhilarating ... Becky Cooper masterfully uncovers the story of Harvard undergrad Jane Britton.' VOGUE ________________________ You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget.
1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an…
While on assignment for the Cleveland Plain Dealer, Connors was raped by a man recently released from prison. Before, he lets her go, he tells her not to contact the police, warning her, “[…] I will find you.”
The phrase becomes the through line of Connors’ book, which is both about her quest to find a way forward after the assault and about her journey to uncover her assailant’s past and the reasons he might have committed this crime. The result is a poignant look at both the trauma left in crime’s wake as well as the societal influences that cause crime to occur in the first place.
A hard-hitting memoir about a woman's search to understand the man who raped her
Joanna Connors was thirty years old when she was raped at knifepoint by a stranger.
Many years later she realised she had to confront the fear that had ruled her life ever since that day. She needed, finally, to understand. So she went in search of her rapist's story, determined to find out who he was, where he came from, what his life was like - and what leads a person to do something as destructive as what he did to her.
In 1991, a maintenance worker at a Pennsylvania rest area discovered a man’s head in a trash barrel.
Even though he hadn’t touched blood, people suggested the worker should take an AIDS test. Green’s exceptional book opens with this moment, dropping the reader into early ‘90s AIDS panic and the brutal murders of a string of gay and bisexual men from Manhattan.
Green fleshes out the victims’ lives, showing how homophobia was their constant companion, even in the way the police and media treated their eventual murders. Diligently researched and compassionately written, Green’s book is a page-turner that never dehumanizes its victims or glorifies their killer.
**WINNER OF THE EDGAR® AWARD FOR BEST FACT CRIME**
A "terrific, harrowing, true-crime account of an elusive serial killer who preyed upon gay men in the 1990s." -The New York Times (Editor's Pick)
"In this astonishing and powerful work of nonfiction, Green meticulously reports on a series of baffling and brutal crimes targeting gay men. It is an investigation filled with twists and turns, but this is much more than a compelling true crime story. Green has shed light on those whose lives for too long have been forgotten, and rescued an important part of American history." -David Grann, #1…
Bold, funny, and shockingly honest, Ambidextrous is like no other memoir of 1950s urban childhood.
Picano appears to his parents and siblings to be a happy, cheerful eleven-year-old possessed of the remarkable talent of being able to draw beautifully and write fluently with either hand. But then he runs into the mindless bigotry of a middle school teacher who insists that left-handedness is "wrong," and his idyllic world falls apart.
He uncovers the insatiable appetites of a trio of neighboring sisters, falls for another boy with a glue-sniffing habit, and discovers the hidden world of adult desire and hypocrisy. Picano exits his boyhood sooner than most, but with this sense of self intact and armed with a fuller understanding of the world, he is about to enter.
Controversial when it first came out, Ambidextrous was burned on the docks of London in 1989 by Her Majesty Inland Service and decried by many. This reprint, with a Foreword by the author, discusses its banned book history and how it has become a classic depiction used by professionals involved in modern childhood studies.
Bold, funny, and shockingly honest, Ambidextrous is like no other memoir of 1950s urban childhood. Picano appears to his parents and siblings to be a happy, cheerful eleven-year-old, possessed of the remarkable talent of being able to draw beautifully and write fluently with either hand. But then he runs into the mindless bigotry of a middle school teacher who insists that left-handedness is "wrong," and his idyllic world falls apart. He uncovers the insatiable appetites of a trio of neighboring sisters, falls for another boy with a glue-sniffing habit, and discovers the hidden world of adult desire and hypocrisy. Picano…
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