I love reading adaptations of classics which complicate the original texts in interesting ways, I have just written one myself, The Middle Daughter. Transcultural adaptations, particularly remind us that we are all members of one human family, dealing with the same kind of problems across time and space and cultures. In these times of deepening polarization, it's important to see that there's more that unites us than not.
The Middle Daughter is a feminist re-imagining of the myth of Hades and Persephone set in Nigeria and the US.
When seventeen-year-old Nani loses her older sister and then her father in quick succession, her world spins off its axis. Isolated and misunderstood by her grieving mother and sister, she’s drawn to an itinerant preacher, a handsome self-proclaimed man of God who offers her a new place to belong. All too soon, Nani finds herself estranged from her family, tethered to her abusive husband by children she loves but cannot fully comprehend. She must find the courage to break free and wrestle her life back—without losing what she loves most.
I read this play in high school, and then later, a university theatre group performed it at our school. It was one of the first plays I ever watched.
It’s a Yoruba (Nigerian) adaptation of Sophocles’ Oedipus Rex (and was in fact my introduction to Oedipus Rex) with Yoruba gods replacing the Greek ones, and like Oedipus Rex is a powerful commentary on how inescapable fate is.
In this play, the theme of Sopocles' "Oedipus Rex" is skillfully transplanted to African soil. King Odewale's progress towards knowledge of the murder and incest that must be expiated before his kingdom can be restored to ealth is unfolded with a dramatic intensity heightened by the richness of the play's Nigerian setting. It had its first performance in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success in other West African countries, and was awarded the first prize in the African Arts/Arts d'Afrique playwriting contest in 1969.
This is an adaptation of Austen’s Pride and Prejudice set in contemporary Pakistan.
I love Austen adaptations and this is one of my favorites. Funny, witty, and incisive, Kamal explores love, family, and the challenges women face in 21st-century Pakistan.
If you’re an Austen adaptation fan and you haven’t read this, you’re missing out. Also read if you enjoy brilliant storytelling.
“This inventive retelling of Pride and Prejudice charms.”—People
“A fun, page-turning romp and a thought-provoking look at the class-obsessed strata of Pakistani society.”—NPR
Alys Binat has sworn never to marry—until an encounter with one Mr. Darsee at a wedding makes her reconsider.
A scandal and vicious rumor concerning the Binat family have destroyed their fortune and prospects for desirable marriages, but Alys, the second and most practical of the five Binat daughters, has found happiness teaching English literature to schoolgirls. Knowing that many of her students won’t make it to graduation before dropping out to marry and have children, Alys…
This is a bold exploration of racism, jealousy, revenge, class, and friendship.
Set in an elementary school in the US in the 1970s, this is a bold re-imagination of Shakespeare’s Othello. Although the characters are children, Chevalier doesn’t devolve into simplistic language and emotions.
She handles heavy themes with a deftness of hand that makes this a compulsively readable, if sometimes uncomfortable book.
'O felt her presence behind him like a fire at his back.'
Arriving at his fourth school in six years, diplomat's son Osei Kokote knows he needs an ally if he is to survive his first day - so he's lucky to hit it off with Dee, the most popular girl in school. But one student can't stand to witness this budding relationship: Ian decides to destroy the friendship between the black boy and the golden girl. By the end of the day, the school and its key players - teachers and pupils alike - will never be the same…
This is a retelling of Antigone by Sophocles, set in contemporary UK.
Shamsie’s characters are well developed, the story deeply moving and insightful, and the writing delightful.
This is an important novel for the themes it addresses: radicalism, Islamophobia, family, identity and belonging. This is very much a book for these times.
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WINNER OF THE WOMEN'S PRIZE FOR FICTION
WINNER OF THE LONDON HELLENIC PRIZE
A BOOK OF THE YEAR IN THE GUARDIAN, OBSERVER, TELEGRAPH, NEW STATESMAN, EVENING STANDAND AND NEW YORK TIMES
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'The book for our times' - Judges of the Women's Prize
'Elegant and evocative ... A powerful exploration of the clash between society, family and faith in the modern world' - Guardian
'Builds to one of the most memorable final scenes I've read in a novel this century' - New York Times
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Isma is free. After years spent raising her twin siblings in the wake of…
FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER
LONGLISTED FOR THE ORANGE PRIZE FOR FICTION 2009 WINNER OF THE ORANGE YOUTH PANEL AWARD 2009 FINALIST FOR THE HURSTON WRIGHT LEGACY AWARD 2010
'A phenomenal book. It is so ingenious and so novel. Think The Handmaid's Tale meets Noughts and Crosses with a bit of Jonathan Swift and Lewis Carroll thrown in. This should be thought of as a feminist classic.' Women's Prize for Fiction Podcast
Welcome to a world turned upside down. One minute, Doris, from England, is playing hide-and-seek with her sisters in the fields behind their cottage.…
Dressed to kill and ready to make rent, best friends Lisa and Jamie work as “paid to party” girls at the Rose City Ripe for Disruption gala, a gathering of Portland's elite.
Their evening is derailed when Lisa stumbles across Ellen, a ruthless politician and Lisa’s estranged mother. And to make matters worse, Lisa’s boyfriend, Patrick, crashes the party to meet his new boss, Portland's food cart drug kingpin. Lisa makes a fateful choice that traps her, Jamie, and Patrick in Ellen’s web. In this gripping thriller, Lisa must reconcile a painful past and perilous present.
Suspected murder, eclectic food trucks, and artisanal cocaine: just another day in Thorn City.
It’s the night of the Rose City Ripe for Disruption gala—a gathering of Portland’s elite. Dressed to kill in sparkling minidresses, best friends Lisa and Jamie attend as “paid to party” girls. They plan an evening of fake flirtations, karaoke playlists, and of course, grazing the catering.
Past and present collide when Lisa stumbles across Ellen, a ruthless politician who also happens to be Lisa’s estranged mother. Awkward . . . When Lisa was sixteen, Ellen had her kidnapped and taken to the Lost Lake Academy—a…
