Narrative history isn’t about dates, kings, and queens. It’s about deeds, actions, experiences, decisions of people great and small. It’s about putting the reader in the middle of a drama and watching events unfold around them as if they were there so they can understand, observe, and perhaps ask: what would I have done? The best history writing shouldn’t just inform, but inspire you, make you feel: laugh, cry, feel angry, flinch at horrific sights, cheer the heroes, boo the villains, because history is made by ordinary people, good and bad, who possess many similar traits to the reader.
Hitler’s Final Fortress is the story of the battle of Breslau—today Wrocław in Poland—at the end of World War 2, a siege that lasted as long as Stalingrad but is little known in the West. It is told through the eyes of the city’s residents, the scratch German units who sought to defend it, the Nazi leaders who reduced it to rubble, the Red Army troops who sought to capture it. By the time Breslau surrendered on May 6, 1945—four days after Berlin had fallen—the city was a wasteland and 25,000 soldiers and civilians had died.
Hitler's Final Fortress is the first full-length account of the siege in English, based on official documents, newspapers, letters, diaries, and personal testimonies.
Isaac’s Storm brings the hurricane which hit Galveston, Texas, in September brilliantly to life, revolving around the central figure of the city’s official weatherman, Isaac Cline.
I’ve read the book half a dozen times—it reads like a novel, its descriptions are vivid, horrific, haunting. The tension rises like the waters—it’s as close to being at the eye of a hurricane without… well you get the picture. Gripping from the first page to the last.
From the bestselling author of The Devil in the White City, here is the true story of the deadliest hurricane in history.
National Bestseller
September 8, 1900, began innocently in the seaside town of Galveston, Texas. Even Isaac Cline, resident meteorologist for the U.S. Weather Bureau failed to grasp the true meaning of the strange deep-sea swells and peculiar winds that greeted the city that morning. Mere hours later, Galveston found itself submerged in a monster hurricane that completely destroyed the town and killed over six thousand people in what remains the greatest natural disaster in American history--and Isaac Cline…
Other, newer books on the Battle of Berlin are available. And Ryan’s other books, The Longest Day and A Bridge Too Far, are more famous. But The Last Battle is the book whose style and mood I most try to emulate in my own writings.
Ryan interviewed many of the participants, collected reams of documents from both sides—at a time when the Cold War was at its height—and the result is a wonderful book. You can smell the cigarette and gunsmoke, picture the military and political leaders talking, laugh or cry at some of the vignettes.
Beevor’s book on Berlin is better history—thanks to the sources he was able to access—but Ryan is my ‘go-to’ book if I want to feel and experience the fall of Berlin.
The Battle for Berlin was the final struggle of World War II in the European theatre, the last offensive against Hitler's Third Reich, which devastated one of Europe's historic capitals and brought an end to the Nazi regime. It lasted more than two weeks across April -- May 1945, and was one of the bloodiest and most pivotal episodes of the war, one which would play a part in determining the shape of international politics for decades to come.
THE LAST BATTLE is a story of brutal extremes, of stunning military triumph alongside the stark conditions that the civilians of…
If you want one book to understand how the first month or so of World War 1 played out, there is only one place to turn. Tuchman’s book is beautifully written, with a rich tapestry of characters and events, it covers the major events in Europe in August and early September 1914. It is largely seen through the eyes of ‘great men’—the military and political leaders of the day—which makes it slightly dated by today’s standards, but the skill and humanity of the reader and the sheer scope of the narrative will keep you in their thrall.
PULITZER PRIZE WINNER • “A brilliant piece of military history which proves up to the hilt the force of Winston Churchill’s statement that the first month of World War I was ‘a drama never surpassed.’”—Newsweek
Selected by the Modern Library as one of the 100 best nonfiction books of all time
In this landmark account, renowned historian Barbara W. Tuchman re-creates the first month of World War I: thirty days in the summer of 1914 that determined the course of the conflict, the century, and ultimately our present world. Beginning with the funeral of Edward VII, Tuchman traces each step…
This is similar to my first recommendation in its theme: a tremendous natural disaster overwhelming a small community (in this case a volcano and a Caribbean island). It moves at the pace of a novel … as does the lava when it starts flowing… building up to the terrible, climactic conclusion. I’ve read it three or four times and it never loses its power. Once you start reading, you can’t put it down. Don’t watch the terrible Paul Newman film which is loosely based on the book though!
I’m an Eastern Front buff—especially the beginning of the war and its end. And this is the very best book on the first six or so months of the titanic clash between Hitler and Stalin. Robert Kershaw is one of the best (largely) WW2 historians because he gives the ordinary soldier a voice. There are other books that go into greater detail on specific actions, and it is more German than Russian focused, but for an overview from Leningrad to the Crimea, with the emphasis on the Moscow axis, it’s the best general read by some distance.
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
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