In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
In the English countryside—decimated by heat and drought—Penelope archives what remains of an estate’s once notable collection. Out of necessity, the dilapidated country house has been sold and its scheduled demolition marks the pressing deadline for completing the archive. As she catalogues the library’s contents, Penelope reflects on her own past and her memory of a relationship twenty-two years before, which ended in a violent assault.
Landscapes is an elegiac and spellbinding blend of narrative, essay, and diary that brilliantly explores memory, preservation, and art as an instrument for recollection and renewal.
A brilliant blend of narrative and non-fiction, Optic Nerve follows the narrator, an art critic, as she frequents art galleries in Buenos Aires and reflects on the artworks, which act as prisms that refract her own memories and experiences.
This is a book that moves forward by dint of impressions and ekphrastic encounters, eschewing a conventional plot. It explores the interconnections between image and text by incorporating art criticism into the fictional space.
'A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain' Johanna Thomas-Corr, Observer
A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . .
'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett
Told from the perspective of a museum guard in London, Asunder is one of the most brilliant novels that engages with art.
The protagonist works in the National Gallery by day, and in the evening, she builds miniature dioramas. She also reflects on the destruction of a famous painting, goes on trips with friends, and eventually has a transformative encounter in a dilapidated castle. Asunder explores the meaning of art, decay, and preservation.
Marie's job as a guard at the National Gallery in London offers her the life she always wanted, one of invisibility and quiet contemplation. But amid the hushed corridors of the Gallery surge currents of history and violence, paintings whose power belies their own fragility. There also lingers the legacy of her great-grandfather Ted, the museum guard who slipped and fell moments before reaching the suffragette Mary Richardson as she took a blade to one of the gallery's masterpieces on the eve of the First World War.
After nine years there, Marie begins to feel the tug of restlessness. A…
The mute Argentinian painter Juan Salvatierra spent decades painting a two-mile-long scroll of canvas that documents personal and collective history.
After his death, his sons are tasked with taking care of his legacy and preparing the gigantic artwork for exhibition. Except one part of the scroll is missing. The search for the painted fragment provides much of the plot, though the novel’s beauty lies in its evocative descriptions of the painting and the process of art-making.
The Missing Year of Juan Salvatierra compels readers to reflect on the ways in which art holds up a mirror to life and the self.
The New Republic Best Books of 2013 and World Literature Today Best Books of 2013.
"A simple mystery constructed very cleverly ... an atmospheric and understated book with vivid settings and characters, a true delight to read."–10 Best Books Shorter than 150 Pages, Publishers Weekly
"Mairal's quickening prose moves from the ordinary to the opulent . . . without skipping a beat."—Jed Perl, The New Republic
"Mairal isn't your old college literature professor's idea of an Argentine novelist."—Los Angeles Times
"Affirms Pedro Mairal's stature as one of the most significant Argentine writers working today."—David Leavitt, author of The Two Hotel…
This well-researched and lucidly written book, by art historian Catherine McCormack, traces the representation of women throughout the history of Western art.
McCormack examines a wide range of images featuring female figures—from paintings by Old Masters to contemporary advertising—and pays close attention to the way in which these images betray deep-seated stereotypes about women and contribute to the objectification of female bodies.
This book was indispensable to my research for my book, especially the sections on the aestheticizing of sexual violence in paintings and sculptures.
Venus, maiden, wife, mother, monster-women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art-think Titian, Botticelli, and Millais-and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women's identity, sexuality, race, and power in more complex ways.
A travelogue as well as a meditation on photography, A Stranger’s Pose traces the author-flaneur’s walks through African cities—from Dakar to Casablanca—speaking to strangers, recounting stories, and reflecting on the meaning of home. Written in short, lyrical fragments, it also includes numerous black-and-white photographs taken by various photographers.
The book explores what it means to look at images, to see others, and to be seen by them.
*Longlisted for the RSL Ondaatje Prize 2019* A unique blend of travelogue, musings and poetry, A Stranger's Pose draws the reader into a world of encounters haunted by the absence of home, estrangement from a lover and family tragedies. The author's recollections and reflections of fragments of his journeys to African cities, from Dakar to Douala, Bamako to Benin, and Khartoum to Casablanca, offer a compelling and very personal meditation on the meaning of home and the generosity of strangers to a lone traveller. Alongside accounts of the author's own travels are other narratives about movement, intimacy, the power of…
Dressed to kill and ready to make rent, best friends Lisa and Jamie work as “paid to party” girls at the Rose City Ripe for Disruption gala, a gathering of Portland's elite.
Their evening is derailed when Lisa stumbles across Ellen, a ruthless politician and Lisa’s estranged mother. And to make matters worse, Lisa’s boyfriend, Patrick, crashes the party to meet his new boss, Portland's food cart drug kingpin. Lisa makes a fateful choice that traps her, Jamie, and Patrick in Ellen’s web. In this gripping thriller, Lisa must reconcile a painful past and perilous present.
Suspected murder, eclectic food trucks, and artisanal cocaine: just another day in Thorn City.
It’s the night of the Rose City Ripe for Disruption gala—a gathering of Portland’s elite. Dressed to kill in sparkling minidresses, best friends Lisa and Jamie attend as “paid to party” girls. They plan an evening of fake flirtations, karaoke playlists, and of course, grazing the catering.
Past and present collide when Lisa stumbles across Ellen, a ruthless politician who also happens to be Lisa’s estranged mother. Awkward . . . When Lisa was sixteen, Ellen had her kidnapped and taken to the Lost Lake Academy—a…
