Here are 100 books that The Weight of Feathers fans have personally recommended if you like
The Weight of Feathers.
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I have been studying Celtic myth and history since I was in college and took a class on Arthurian literature. Drawing heavily from Irish and Welsh lore to build my “land beyond the veil” known as the Five Quarters, I have always been intrigued by the Celtic view of the land of the dead as a distinct world to which we go and then return, like two sides of the mirrored surface of a well. I hope you enjoy these mythic fantasy books as much as I did!
This inventive novel is a retelling of Beauty and the Beast, but what I enjoyed most about it is the portrayal of the “Fairy Folk” of myth. The Fae.
In most myths, we encounter the dark side of the Fae, the gruesome and frightening side. In modern times we have reduced these creatures to flower fairies. What I loved about this novel is that Maas sticks with the dangerous and malevolent portrayal of these immortals, and she weaves a beautiful mythic tale into their world.
Experience Feyre Archeron's journey all over again with the beautiful collector's edition of A Court of Thorns and Roses, the seductive first book in the #1 New York Times bestselling series by Sarah J. Maas, featuring a deluxe new package, an updated map, ribbon pull, and more!
When nineteen-year-old Feyre kills a wolf in the woods, a beast-like creature arrives to demand retribution for it. Dragged to a treacherous magical land she only knows about from legends, Feyre discovers that her captor is not an animal, but Tamlin-one of the lethal, immortal faeries who once ruled their world.
As she…
As a debut novelist at the age of fifty-seven, I’ve spent most of my life as a reader, not an author. My love of reading began with The Little House books by Laura Ingalls Wilder and flourished when I discovered the genre of fantasy with The Wizard of Earthsea by Ursula K. LeGuin. Is it any wonder I giggle with delight when I stumble upon a book that makes me believe in magic again? When an author weaves the supernatural into their story in a natural way, my expectations shift, and my heart opens to the power of the unknown to teach me something new and take me somewhere extraordinary.
This book is always on my list of favorite reads. Morgenstern invites us to inhabit a world where magic not only seems possible but wholly believable. I’ve read this book numerous times, and it always casts a spell over me so completely that the rest of my troubles disappear as quickly and mysteriously as the circus moves to another town.
The competition-turned-love story between two young magicians, Celia and Marco, moves the plot forward at a driving pace while enchanting subplots abound. Whenever I feel like I need to rekindle the magic in my own life, I pull this novel off the shelf.
Rediscover the million-copy bestselling fantasy read with a different kind of magic, now in a stunning anniversary edition to mark 10 years since it's paperback debut.
The circus arrives without warning. It is simply there, when yesterday it was not. Against the grey sky the towering tents are striped black and white. A sign hanging upon an iron gates reads:
Opens at Nightfall Closes at Dawn
Full of breath-taking amazements and open only at night, Le Cirque des Reves seems to cast a spell over all who wander its circular paths. But behind the glittering acrobats, fortune-tellers…
I love a book where the good guys are pure-hearted and the bad guys are evil, but there's something so fascinating about a story where the lines of good and evil blur and bend. I firmly believe that everyone is the hero in their own story… and everyone is the villain in at least one other person’s story. My Tales of Thamorr duology features multiple heists and hijinks, and every member of our crew has plans to betray their fellows. My goal in writing stories where no one is the ‘good guy’ is to create a reading experience where you want to root for everyone and no one at the same time.
This Savage Song is a dark urban fantasy set in a world where violence creates monsters. Not human monsters (though there are plenty of those in the tale), but real, shadowy creatures that roam the cityscape in the wake of murders, assaults, and other dark deeds.
The story is told from dual points of view, with chapters from the viewpoint of a rebellious daughter of the city’s overlord and the point of view of one of the monsters living in the city. Schwab is best known for the Shades of Magic series, but I personally think This Savage Song and its sequel, Our Dark Duet are her best work.
Kate Harker and August Flynn are the heirs to a divided city, a grisly metropolis where the violence has begun to create real and deadly monsters. All Kate wants is to be as ruthless as her father, who lets the monsters roam free and makes the inhabitants pay for his protection. August just wants to be human, as good-hearted as his own father-but his curse is to be what the humans fear. The thin truce that keeps the Harker and Flynn families at peace is crumbling, and an assassination attempt forces Kate and August into a tenuous alliance. But how…
I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
Laia and Elias stole my heart, while the Commandant’s cruelty stole my breath. Sabaa Tahir’s ability to evoke such powerful emotion with this story set in reimagined Ancient Rome was nothing less than masterful.
The characters are faced with impossible choices, which kept me asking questions about what I would do in their situation. I thought the integration of elemental magic was woven in perfectly. I’m a sucker for it and could lose hours thinking about what abilities I’d wish for.
Laia is spying on the Martial Empire for the rebels in exchange for their help rescuing her brother when her path collides with Elias, an enforcer of the tyrannical regime. Both dream of freedom, and we root for them to find it together in this ruthless world.
'Keeps one reading long after the lights should have been out' - Robin Hobb
Read the explosive New York Times bestselling debut that's captivated readers worldwide. Set to be a major motion picture, An Ember in the Ashes is the book everyone is talking about.
Under the Martial Empire, defiance is met with death.
When Laia's grandparents are brutally murdered and her brother arrested for treason by the empire, the only people she has left to turn to are the rebels.
But in exchange for their help in saving her brother, they demand that Laia spy on the ruthless Commandant…
I’m an Irish novelist and occasional screenwriter. My latest book, Duffy and Son, is my sixth. I can be drawn in by any well-told tale, of course, but I’ve always had the strongest reaction to stories with at least some element of comedy. I don’t know, I just find books in which no one says anything funny to be deeply unrealistic. It infuriates me when any piece of fiction is viewed as ‘lesser’ because there’s a chance it might make you smile. The books listed here will definitely make you smile. If you give them a chance, I hope you find them as worthy of your time as I did.
You can read a good screenplay with as much ease and pleasure as you read a novel, and the Fleabag scripts aren’t just good—they’re immaculate.
I pore over this book again and again, hoping that maybe this time I will see the trick, the moment of misdirection or sleight of hand that enables a story of profound personal pain—grief, loneliness, fear, they’re all here, all the big ones—to be so bloody funny. There is no trick, of course. There’s just flawless writing.
You should of course watch the TV show these scripts underpin, but do yourself a favour and read them too. Phoebe Waller-Bridge really did something here.
Go deeper into the groundbreaking, Golden Globe and Emmy-winning series with this must-have collection—“a completist’s dream of a book, including the show’s full scripts and Waller-Bridge’s commentary” (Vogue).
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY EVENING STANDARD
“Her coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.”
Phoebe Waller-Bridge’s critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit,…
I am the author of seven published books about Hollywood. I’m also actively involved in the entertainment industry day to day. Presently, I am the owner of Management 101, a firm that guides the careers of actors and writers. I’m also a producer of feature films and television shows including the GLAAD award-winning feature film Geography Club, Sins of our Youth, and Nickelodeon’s Dance On Sunset. I have taught at the School of Cinematic Arts at the University of Southern California and have appeared as a guest on Entertainment Tonight, CNN, Fox News, and CBS.
Since I work in talent representation, I’m always curious how my colleagues and competitors conduct business. CAA is, and has been, the top agency in Hollywood since I first started in this industry. I was anxious to read about the history of the company and how it has managed to not only survive, but thrive, throughout the decades. Filled with tantalizing stories of insider secrets, this is an eye opening account of one of Hollywood’s most powerful companies and the uber successful men and women who have worked there.
A New York Times bestseller, now updated with an afterword and exclusive new material From the #1 bestselling author behind acclaimed oral histories of Saturday Night Live and ESPN comes "the most hotly anticipated book [in decades]" (Variety): James Andrew Miller's irresistible insider chronicle of the modern entertainment industry, told through the epic story of Creative Artists Agency (CAA)-the ultimate power player that has represented the world's biggest stars and shaped the landscape of film, television, comedy, music, and sports. Started in 1975, when five bright and brash upstarts left creaky William Morris to form their own innovative talent agency,…
I grew up in a reading and history-loving family. My parents read all the time, and their books of choice combined historical fiction and nonfiction. It’s no wonder I ended up teaching high school history for over three decades. The first books I read were my older brother’s hand-me-down Hardy Boys. Then, I went on to Agatha Christie. Books written in the 1920s and 30s were historical mysteries by the time I read them decades later, so the historical mystery genre is a natural fit. As for the Victorian age, all that gaslight and fog makes it the perfect milieu for murder.
This delightful book erases the stiff, sepia portraits of a bygone age, painting the Victorian world in living color. It shreds the era’s image as fun-challenged. The Victorians knew how to have a rollicking good time, inventing popular entertainment on a commercial scale.
In two generations, theatrical performances, professional sporting events, and seaside holidays were accessible to the masses. Jackson traces the social and economic transformations that made it possible.
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
This academic work rarely left my side when I was writing The Muse of Fire. It provides an in-depth and well-researched overview for readers who want to know more about the Old Price Riots of 1809—the central historical event in the novel. For me, a huge bonus was that the author, Marc Baer, very graciously consented to read and provide feedback on my book before it was published to ensure I got my facts right about the longest-running and most disruptive riot in British theatrical history.
In September 1809, during the opening night of Macbeth at the newly rebuilt Covent Garden theatre, the audience rioted over the rise in ticket prices. Disturbances took place on a further sixty-six nights that autumn and the Old Price riots became the longest running theatre riots in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics and the book concentrates on the theatricality of audiences, the role of…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
Believe me; I know how hard it is to write humour. To produce a successful comedic novel with laugh-out-loud lines as a debut novelist is no mean feat, but for me, Jane Ions has pulled it off with this book.
I found the voice of Sally Forth (I know!) engaging and hilarious from the off. There was so much for me to enjoy, from the wayward teenage son living in a lean-to in the garden to Sally’s long-suffering and respectable husband, who just happens to be an MP.
I love this kind of well-observed comedy that treats its characters, no matter how misguided, with kindness and compassion.
Sally's son Dan has come back home from college after completing his performing arts degree. He needs rent-free accommodation, friends, a love life, and somewhere to perform his arts. Sally herself is taking a career break from teaching English. She's tired of teaching year eleven pupils about the Mockingbird. She wants to kill the bird and stuff it with all the redundant apostrophe's' she's ever seen in twenty years of marking essays. She needs a rest. She does not need her adult son Dan, his current girlfriend, his previous girlfriend and his old school friend to move in and share…
As a kid, I had a lot of experience having a close group of friends… and a lot of experience looking into other groups from the outside. I waded from circle to circle, trying on friendships like some people try on hats. The books I’m recommending represent the best of fictional friend groups—the groups that topped any clique I saw in real life. Reading these books made me feel like an in-kid in the best possible way. Many of the characters remain the absolute coolest people I know, and serve as inspiration for the friend group dynamics I get to explore in my own stories.
My Spice Girl-loving heart would have diedto be in an SG fan club at my school. Back in my day, we had to settle for quick half-memorized dance routines under the monkey bars during recess. But in Akemi Dawn Bowman’s sweet story of niche interests and building a community person by person, the characters’ shared love of a music group is only the tip of a huge and fulfilling friendship iceberg.
Eleven-year-old Millie Nakakura is starting sixth grade at a real school for the first time in her life. Previously homeschooled, Millie dreams of finally making friends and having a little bit of freedom-though this proves tricker than she expected.
Then she spots a flyer for an after-school club for fans of Japanese pop music, which she loves more than anything else in the world. Millie makes true friends with this crew of misfits, and when of their members starts to bend under the strain of a troubled home life, the friends band together to help her get through these tough…
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