100 books like Dark Fire

The most recent publication on this list, this book hit me this year like a brick, and surprisingly, that is a good thing.

I picked this book at a time when I needed to escape the world, and it truly offered that escape. Inspired by the true events of trying to track down those responsible for the beheading of Charles I, this is a powerful tale that leaves you questioning who exactly you’re supporting. An adventure that takes place both in England and America in 1660, it is a slow burn.

So yes, we have a degree of setting up, but if you enjoy slow-build tension, then this is the book for you. It’s a heavy dose of historical detail that transports you, and the ending? Hold onto your hats!

Andrew Taylor is known for his great mysteries set in the 1600s, but the reason I’m picking this one above his others is the power of the opening and how it draws you into this world.

We’re introduced to a house where two girls are playing with what is effectively a voodoo doll, wishing harm on their master. When something inevitably happens to the master, these girls’ simple game with the doll becomes much more wicked. Who couldn’t be drawn in by such a premise?

Like Samson and Bishop, Taylor takes the reader on an investigation through a city from a different era, but it’s the people in Taylor’s book that make the stakes of this adventure so much higher.

I recently had the pleasure of meeting D V Bishop at CrimeFest in Bristol, and his passion for his stories truly comes through in person.

After picking it up for a friend whose favorite place in the world is Florence, where the book is set, I couldn’t resist reading it myself, and oh, I am glad I did. Three books into the series, and it’s hard to put down. Cesare Aldo is a hero that is mysterious and resilient – a man trying to hide his sexuality in a world where it’s a crime – as he investigates murders in Renaissance Florence.

Like Samson, Bishop masters drawing the reader into becoming attached to the hero, with the book unputdownable. 

Part of the Shakespeare family? Working for Walsingham in the height of the spy era? Who wouldn’t want to read about John Shakespeare!

There are many books in this series, but I’ve picked Martyr in particular as it’s the first, and what an introduction. With the threat of war imminent, and Mary Stuart about to be assassinated, a dark world is created here where it feels like every day that Shakespeare wakes up, he might struggle to keep breathing. What danger!

Once more, Rory Clements creates a world of intrigue that isn’t solely placed at the royal court but opens our eyes to the darker underbelly of the city. This book first got me into this genre many years ago. I could not recommend it enough as a first dip. 

Forget Shakespeare. Nicholas Bracewell and Lord Westfield’s Men are a far more intriguing introduction to Elizabethan theatre. I was there, watching the rehearsals, hearing the applause, and enjoying the play as murder was committed, literally, behind the scenes.

With a bit of alchemy, madness, and passion thrown into the mix, if you love the Elizabethan period this is a not-to-be-missed historical mystery as Nicholas pits his wits against the devil himself. 

A real classic whodunnit and an old-school case of poisoning.

I loved every word of Ellis Peter’s third book in her Brother Cadfael series, taking me back to the turbulent times of King Stephen and the Empress Matilda in the twelfth century – a period I find intriguing. And with the wise and friendly Cadfael, the abbey’s herbalist and unraveller of dastardly deeds to guide the reader, I was hooked from the start.

And what happens when a celibate monk encounters an old flame? Do sparks fly? I couldn’t wait to find out. Cadfael is a proper page turner. 

Mel Starr is an American author who deserves to be better known for his Chronicles of Hugh de Singleton set in late fourteenth-century England.

Hugh is a surgeon as well as bailiff of Brampton. In this eleventh tale, Hugh is escorted to Kensington Palace, his expertise required to treat the ailing Black Prince. But I knew things had to get more serious than that and, sure enough, murder is committed.

Mel Starr’s research is impeccable and I found myself in the heart of medieval England, encountering royalty, rogues, and worse villains. But Hugh’s medical knowledge means he can tell an accident from a deliberate killing and there’s no deceiving him when he’s on a murderer’s trail.

Again, we are in the fourteenth century, in Oxford, but following the first terrible onslaught of the Black Death. The title made this a must-read for me because my own sleuth, Seb Foxley, is involved with the making and selling of books, just like Ann Swinfen’s hero, Nicholas Elyot. I wasn’t disappointed.

The characters came alive for me and I too was sad when a good student was found drowned in the river. But the bookseller is suspicious and uncovers a villainous plot, putting him, his family and friends in danger.

A beautifully-woven medieval mystery; I had to read it in one go – forget the washing up. Fortunately, this is book 1 of the Oxford Medieval Mysteries so there’s more fun to come.

Another lesser-known figure, Elizabeth is the wife of Thomas Cromwell. She has very little mention in the historical record but the author draws on what we do know of her husband, Thomas. Elizabeth Cromwell’s character is convincing and likable. I particularly enjoyed glimpsing another side of Thomas Cromwell, a more human side and I loved the descriptions of their imagined daily life together. The author doesn’t over describe but the sights, sounds, and smells of the city are touched on just enough to provide a sense of place. It was also refreshing to see a woman involved in business in her own right, the cloth trade is described with enough detail to engage the reader but never becomes tedious.

Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.

Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.

Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.

Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.