When I was a doctoral student in historical musicology, I went to Paris to study postwar government budgets for music, but it was really boring. So I started hanging out listening to Parisian songbirds instead. The more I learned about birdsong, the more I realized it raised some really big questions, like why biologists and musicians have completely different standards of evidence. Those questions led me to write my book, which is about what it means to sing if you’re not considered fully human, and most of my work today is about how thinking about animals can help us understand what we value in those who are different.
I wrote...
Animal Musicalities: Birds, Beasts, and Evolutionary Listening
When you hear a bird sing, do you hear a voice or a sound? Music has long defined beliefs about who counts as “fully human,” serving as evidence of intelligence, soul, and humanity. Animal Musicalities traces forgotten ties between music, racial science, and claims to human identity from the late 1800s to the early 2000s. The book shows how unresolved histories of racial discrimination inform the postwar, postmodern constitution of nature.
Music sits at the center of this story about science, nature, and culture, challenging some of our most basic assumptions about the scope of inquiry we so tellingly term “the humanities.” In this history, the lines between song and sound have implications not just for scholars, but for all of us.
For me, this was the book that changed everything!
Haraway does an amazing job of showing how the private lives and experiences of primate specialists were an important part of science. There’s even a chapter that shows how one of the dioramas at the American Museum of Natural History has a taxidermy gorilla whose painted landscape depicts the gravesite of the guy who shot him (you still see it in person today if you are in New York City). This and other stories in the book transformed my thinking about the lines separating “animals” from other Others.
Haraway's discussions of how scientists have perceived the sexual nature of female primates opens a new chapter in feminist theory, raising unsettling questions about models of the family and of heterosexuality in primate research.
Butler is known for bringing a black, feminist, and queer perspective to science fiction, a genre of futuristic and outer-space storytelling that traditionally features white male protagonists.
But what really captivates me about this book, which is set in a post-apocalyptic future where human survivors are mated with their alien rescuers (really!), is the way it asks icky-yet-intensely-meaningful questions. What does it mean to “be human” in a future of genetic hybridity and gender fluidity? What does it mean to love a partner or children whose genetics and culture are radically different from your own? When is violence futile, and when is it the only way to be heard?
I’m pretty much obsessed with this book, and I promise that any reader who has thought deeply about what it means to be really different will love it too.
C’mon, doesn’t everybody need a book by a guy who explains that the Black-Billed Cuckoo is finally, finally a bird “who appreciates measured silence such as that which characterizes the opening bars of Beethoven’s Fifth Symphony”?
This amazing, idiosyncratic, and beautiful book from 1904 has got pages of gorgeous colored illustrations of birds, musical scores that are a weird hybrid of actual birdsong and random additions the author thinks will “make clear” a bird’s connections to human music, and heartfelt statements like the one above extolling the musical abilities of various American birds.
True, this is not the book to address issues of gender, race, and power in the sensitive and thoughtful ways that Butler and Haraway do. But you won’t care, because you will be having so much fun reading about the Hermit Thrush’s deep connection to the Moonlight Sonata.
In this beautifully written and well-illustrated guide to birds' songs from 1904, Mathews describes 127 bird species, mostly of Eastern United States, and their songs. This fieldbook contains descriptions of the physical characteristics and habits of each, as well as detailed comments on their songs and calls. He includes musical scores of at least two songs for each species.
This book is not for the faint of heart. It’s got a lot of academic jargon, and it can be tough reading.
But it’s well worth the work, because it is also one of the best explanations I’ve ever seen, anywhere, of how and why widely accepted categories like “human” and “animal” come from a bigger story influenced by slavery and its aftermath. Jackson’s book also has lovely and subtle case studies that will introduce you to writers and artists you won’t forget, like the incredible paintings of Wangechi Mutu or the sensitive creativity of writer Nalo Hopkinson.
Winner, 2021 Gloria E. Anzaldua Book Prize, given by the National Women's Studies Association
Winner, 2021 Harry Levin Prize, given by the American Comparative Literature Association
Winner, 2021 Lambda Literary Award in LGBTQ Studies
Argues that Blackness disrupts our essential ideas of race, gender, and, ultimately, the human
Rewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia…
A friend gave me this when I was almost done writing my book.
I couldn’t figure out how to justify footnoting a science fiction novel written from the point of view of a one-thousand-year-old spaceship in my own book, which was mostly about theories of musical evolution, but I still wish I had. The spaceship-protagonist can’t tell genders apart and refers to every single character as “she,” and it loves (I mean loves) to sing.
The book tackles surprisingly relevant questions about the way power, gender, and difference circulate through a post-colonial society. It’s completely different from the kind of work I do as an academic, but I think it has something just as important to say about music, human identity, and modern science.
Once, she was the Justice of Toren -- a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy. Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance.
I’ve worked in journalism, politics, and public policy for 30-plus years and watched as the extreme voices gained the most traction on either side of a debate. On social media, these minority views often dominate the discussion. 48 States is a stand-alone novel highlighting the problems of extremist viewpoints in a civil society. I also have another book series that features a political consultant who discovers she's a witch and joins a secret society that uses magic to manipulate elections to protect humanity. Bottom line: if I can’t fix political discourse for a living, I can write science fiction novels that contemplate how to do it.
True Blood meets Supernatural in the kickoff of this urban paranormal fantasy series from an acclaimed author. Readers enter a dystopian San Francisco filled with empaths and vampires embroiled in political unrest—and Book 1 is just the beginning.
Much as she wishes otherwise, superstar political consultant Olivia Shepherd was born a powerful empath. It’s a legacy she walked away from long ago—but when she wakes up one morning to find Elsa, a tenacious time-walker, standing in her kitchen, she realizes she can no longer ignore her gifts. She is quickly plunged into the hidden world of powerful “Others” and drafted to work for the Council, a shadowy organization that summons the fog to San Francisco to obscure their involvement in human affairs.
Complicating matters further is Olivia’s new love interest, William. A centuries-old vampire, William is far too jaded to take an interest in human affairs—but Olivia no longer has the luxury of remaining impartial. As shocking details from Olivia’s own past emerge and her role in the Council begins to take shape, will she rise to the challenge of her destiny?
True Blood meets Supernatural in the kickoff of this urban paranormal fantasy series from an acclaimed author. Readers enter a dystopian San Francisco filled with empaths and vampires embroiled in political unrest—and Book 1 is just the beginning.
Much as she wishes otherwise, superstar political consultant Olivia Shepherd was born a powerful empath. It’s a legacy she walked away from long ago—but when she wakes up one morning to find Elsa, a tenacious time-walker, standing in her kitchen, she realizes she can no longer ignore her gifts. She is quickly plunged into the hidden world of powerful “Others” and drafted…
